SCI-ART LAB
2024-03-29T15:55:31Z
Catherine sarah hislop
https://kkartlab.in/profile/Catherinesarahhislop
https://storage.ning.com/topology/rest/1.0/file/get/2982604796?profile=RESIZE_48X48&width=48&height=48&crop=1%3A1
https://kkartlab.in/forum/topic/listForContributor?user=1igdkcy7dmo71&feed=yes&xn_auth=no
Some observations, of extrapolating application, to fine art
tag:kkartlab.in,2018-11-05:2816864:Topic:153740
2018-11-05T13:35:39.002Z
Catherine sarah hislop
https://kkartlab.in/profile/Catherinesarahhislop
<p>Some observations, of extrapolating application, to fine art</p>
<p> </p>
<p>Wikipedia</p>
<ol start="2">
<li>In philosophy. Extrapolation is the extension of the sphere of a notion from one domain to another or a shift from one idea to another with a broader sphere of coverage.</li>
</ol>
<p> </p>
<p>It is natural for artists to appear to the geniuses who take over the destinies of the domain,</p>
<p>but it is worth mentioning that extrapolation can be the result of the feelings of a…</p>
<p>Some observations, of extrapolating application, to fine art</p>
<p> </p>
<p>Wikipedia</p>
<ol start="2">
<li>In philosophy. Extrapolation is the extension of the sphere of a notion from one domain to another or a shift from one idea to another with a broader sphere of coverage.</li>
</ol>
<p> </p>
<p>It is natural for artists to appear to the geniuses who take over the destinies of the domain,</p>
<p>but it is worth mentioning that extrapolation can be the result of the feelings of a generation, for example; geometric perspective, impressionism</p>
<p> </p>
<p> </p>
<p>In both of the above situations, there is the existence of a developed, developed nucleus</p>
<p> with many contributions by the artist such as geometric perspective theory Filippo Brunolleschi. the simultaneous contrast to impressionism</p>
<p> </p>
<p>I propose such a nucleus that develops on two surfaces; the pictorial ink is double and it provides communications as needed;</p>
<p>binocular rivalry, Helmholtz fusion color, elementary stereoscopy</p>
<p> </p>
<p>See</p>
<p><a href="http://kkartlab.in/group/science-and-art-bioptical-art/forum/topics/graphic-presentation-of-development-possibilities-in-visual">Graphic presentation of development possibilities in visual communications</a></p>
<p>Started by Liviu Iliescu Jul 2.<a href="http://kkartlab.in/group/science-and-art-bioptical-art/forum/topics/graphic-presentation-of-development-possibilities-in-visual#comments">0 Replies</a> <a href="http://kkartlab.in/group/science-and-art-bioptical-art">0 Likes</a></p>
<p> </p>
<p>Of course, the field of fine arts should still be interpolated and extrapolated even</p>
<p>admitting intersections. (attempts on ... ..)<br/></p>
<p>Some observations, of extrapolating application, to fine art</p>
<p> </p>
<p>Wikipedia</p>
<ol start="2">
<li>In philosophy. Extrapolation is the extension of the sphere of a notion from one domain to another or a shift from one idea to another with a broader sphere of coverage.</li>
</ol>
<p> </p>
<p>It is natural for artists to appear to the geniuses who take over the destinies of the domain,</p>
<p>but it is worth mentioning that extrapolation can be the result of the feelings of a generation, for example; geometric perspective, impressionism</p>
<p> </p>
<p> </p>
<p>In both of the above situations, there is the existence of a developed, developed nucleus</p>
<p> with many contributions by the artist such as geometric perspective theory Filippo Brunolleschi. the simultaneous contrast to impressionism</p>
<p> </p>
<p>I propose such a nucleus that develops on two surfaces; the pictorial ink is double and it provides communications as needed;</p>
<p>binocular rivalry, Helmholtz fusion color, elementary stereoscopy</p>
<p> </p>
<p>See</p>
<p><a href="http://kkartlab.in/group/science-and-art-bioptical-art/forum/topics/graphic-presentation-of-development-possibilities-in-visual">Graphic presentation of development possibilities in visual communications</a></p>
<p>Started by Liviu Iliescu Jul 2.<a href="http://kkartlab.in/group/science-and-art-bioptical-art/forum/topics/graphic-presentation-of-development-possibilities-in-visual#comments">0 Replies</a> <a href="http://kkartlab.in/group/science-and-art-bioptical-art">0 Likes</a></p>
<p> </p>
<p>Of course, the field of fine arts should still be interpolated and extrapolated even</p>
<p>admitting intersections. (attempts on ... ..)<br/> <br/></p>
<p> </p>
<p> </p>
<p> </p>
<p> </p>
<p> </p>
<p> </p>
Some observations, of extrapolating application, to fine art
tag:kkartlab.in,2018-10-26:2816864:Topic:153777
2018-10-26T16:18:26.812Z
Catherine sarah hislop
https://kkartlab.in/profile/Catherinesarahhislop
<p>S<span style="font-size: 14pt;">ome observations, of extrapolating application, to fine art</span></p>
<p><span style="font-size: 14pt;"> </span></p>
<p><span style="font-size: 14pt;">Wikipedia</span></p>
<ol start="2">
<li><span style="font-size: 14pt;">In philosophy. Extrapolation is the extension of the sphere of a notion from one domain to another or a shift from one idea to another with a broader sphere of coverage.…</span></li>
</ol>
<p></p>
<p>S<span style="font-size: 14pt;">ome observations, of extrapolating application, to fine art</span></p>
<p><span style="font-size: 14pt;"> </span></p>
<p><span style="font-size: 14pt;">Wikipedia</span></p>
<ol start="2">
<li><span style="font-size: 14pt;">In philosophy. Extrapolation is the extension of the sphere of a notion from one domain to another or a shift from one idea to another with a broader sphere of coverage.</span></li>
</ol>
<p><span style="font-size: 14pt;"> </span></p>
<p><span style="font-size: 14pt;">It is natural for artists to appear to the geniuses who take over the destinies of the domain,</span></p>
<p><span style="font-size: 14pt;">but it is worth mentioning that extrapolation can be the result of the feelings of a generation, for example; geometric perspective, impressionism</span></p>
<p><span style="font-size: 14pt;"> </span></p>
<p><span style="font-size: 14pt;"> </span></p>
<p><span style="font-size: 14pt;">In both of the above situations, there is the existence of a developed, developed nucleus</span></p>
<p><span style="font-size: 14pt;"> with many contributions by the artist such as geometric perspective theory Filippo Brunolleschi. the simultaneous contrast to impressionism</span></p>
<p><span style="font-size: 14pt;"> </span></p>
<p><span style="font-size: 14pt;">I propose such a nucleus that develops on two surfaces; the pictorial ink is double and it provides communications as needed;</span></p>
<p><span style="font-size: 14pt;">binocular rivalry, Helmholtz fusion color, elementary stereoscopy</span></p>
<p><span style="font-size: 14pt;"> </span></p>
<p><span style="font-size: 14pt;">See</span></p>
<p><span style="font-size: 14pt;"><a href="http://kkartlab.in/group/science-and-art-bioptical-art/forum/topics/graphic-presentation-of-development-possibilities-in-visual">Graphic presentation of development possibilities in visual communications</a></span></p>
<p><span style="font-size: 14pt;">Started by Liviu Iliescu Jul 2.<a href="http://kkartlab.in/group/science-and-art-bioptical-art/forum/topics/graphic-presentation-of-development-possibilities-in-visual#comments">0 Replies</a> <a href="http://kkartlab.in/group/science-and-art-bioptical-art">0 Likes</a></span></p>
<p><span style="font-size: 14pt;"> </span></p>
<p><span style="font-size: 14pt;">Of course, the field of fine arts should still be interpolated and extrapolated even</span></p>
<p><span style="font-size: 14pt;">admitting intersections. (attempts on ... ..)</span><br/> <br/> <span style="font-size: 14pt;"> </span></p>
<p><span style="font-size: 14pt;"> </span></p>
<p><span style="font-size: 14pt;"> </span></p>
Pseudoscience - Homeopathy
tag:kkartlab.in,2017-06-12:2816864:Topic:145767
2017-06-12T11:58:50.634Z
Catherine sarah hislop
https://kkartlab.in/profile/Catherinesarahhislop
<p>Dear Fellow Science Lovers,</p>
<p>It is definitive that Homeopathy, a system of alternative medicine, is a pseudoscience. There is absolutely no proof that Homeopathy is effective in curing anything. In fact there are enough proof to demonstrate that is at best placebo.</p>
<p></p>
<p>But I find it very difficult to convince family and friends with these facts. They reel out different examples on the effectiveness of Homeopathy. I am 100% sure all these examples are down to Placebo or…</p>
<p>Dear Fellow Science Lovers,</p>
<p>It is definitive that Homeopathy, a system of alternative medicine, is a pseudoscience. There is absolutely no proof that Homeopathy is effective in curing anything. In fact there are enough proof to demonstrate that is at best placebo.</p>
<p></p>
<p>But I find it very difficult to convince family and friends with these facts. They reel out different examples on the effectiveness of Homeopathy. I am 100% sure all these examples are down to Placebo or simply that it got cured on its own.</p>
<p></p>
<p>Sad part is some people in India actively advocates and encourages Homeopathy. </p>
<p>Most of the advanced countries are either discouraging or outright regulating Homeopathy. </p>
<p>This is an article one must read on this subject.</p>
<p><a href="http://www.independent.co.uk/news/world/europe/russia-academy-of-sciences-homeopathy-treaments-pseudoscience-does-not-work-par-magic-a7566406.html">http://www.independent.co.uk/news/world/europe/russia-academy-of-sciences-homeopathy-treaments-pseudoscience-does-not-work-par-magic-a7566406.html</a></p>
<p></p>
<p>My problem is how do we go about educating people and making them understand that we need to be more logical and rational in choosing cure for our health problem?</p>
<p></p>
<p>Warm Regards</p>
<p>Prashant</p>
Sensations caused by some fine art compositions adds to the aesthetic pleasure
tag:kkartlab.in,2015-06-15:2816864:Topic:128853
2015-06-15T09:56:13.507Z
Catherine sarah hislop
https://kkartlab.in/profile/Catherinesarahhislop
<p><span class="font-size-3">In publication (link):</span></p>
<p><span class="font-size-3"><b><a href="http://kkartlab.in/group/science-and-art-bioptical-art/forum/topics/exercise-on-sensation-and-perception-in-fine-art">Exercise on sensation and perception in fine art.</a></b></span></p>
<p><span class="font-size-3">I present composition:</span></p>
<p></p>
<p><span class="font-size-3"> …</span></p>
<p><span class="font-size-3">In publication (link):</span></p>
<p><span class="font-size-3"><b><a href="http://kkartlab.in/group/science-and-art-bioptical-art/forum/topics/exercise-on-sensation-and-perception-in-fine-art">Exercise on sensation and perception in fine art.</a></b></span></p>
<p><span class="font-size-3">I present composition:</span></p>
<p></p>
<p><span class="font-size-3"> <a href="http://storage.ning.com/topology/rest/1.0/file/get/2866684060?profile=original" target="_self"><img src="http://storage.ning.com/topology/rest/1.0/file/get/2866684060?profile=original" width="432" class="align-center"/></a></span></p>
<p><span class="font-size-3"> <strong> </strong>Liviu Iliescu; Study NN ; Blizzard ; Oil on cardboard ; 47x32 cm; 2000</span></p>
<p><span class="font-size-3"> </span></p>
<p><span class="font-size-3"> I return completing the presentation with some aspects of synesthesia (i</span>t could be considered)</p>
<p>I quote</p>
<p><b><a rel="nofollow" href="http://www.google.ro/url?sa=t&rct=j&q=&esrc=s&frm=1&source=web&cd=1&cad=rja&uact=8&ved=0CB8QFjAA&url=http%3A%2F%2Fwww.doctorhugo.org%2Fsynaesthesia%2Fart%2F&ei=D4V0Ve6hDMPSyAPKxID4Cw&usg=AFQjCNHa_huhnke_notVgGwwUYtJ03eDaA">Art and Synesthesia: in search of the synesthetic experience</a></b></p>
<p><b><font color="#CC0033" size="3" face="Verdana, Arial, Helvetica, sans-serif"><strong><font size="2">Abstract<br/><br/></font></strong></font></b><font size="2" face="Verdana, Arial, Helvetica, sans-serif">The objective of this study is to come to a better understanding of the <em>'synesthetic experience', </em>especially in the context of art. It consists of two parts: in the first part, I review naturally occurring synesthesia. In the second part, I discuss created forms of synesthesia in art. My starting point is the hypothesis that <em>'synesthesia-phenomena'</em> are at the roots of all artistic practice. The approach is multidisciplinary and from a philosophy of art perspective. It will be argued that <em>'art as a synesthetic experience'</em>, and <em>'synesthetic experiences by synesthetes'</em>, share certain basic concepts: the making of new connections between the senses. In the arts, the search for correspondences and complementarities between the senses is essential. Artists have brought the <em>'synesthetic experience'</em> to the surface —to share their vision with the world. The intention is to analyze the impact of synesthetic approaches as experiments in art. The focus will be on a visual presentation of artworks by artists/pioneers<font color="#000000">,</font> as study case examples of early modern art movements; <em>Expressionism, Futurism, Dada, Surrealism, De Stijl and Abstract Expressionism.</em> <font color="#CC0033" size="1">(*)</font> The 'Manifesto of Surrealism' has improved on the Rimbaud principle that <em>"the poet must turn seer"</em>. Art and synesthesia go hand-in-hand.<br/><br/><font color="#CC0033" size="1">(*)</font></font><font color="#000000" size="2" face="Verdana, Arial, Helvetica, sans-serif"> I shall discuss the work and thoughts of</font><font size="2" face="Verdana, Arial, Helvetica, sans-serif"> twelve </font><font color="#000000" size="2" face="Verdana, Arial, Helvetica, sans-serif">key figures</font><font size="2" face="Verdana, Arial, Helvetica, sans-serif">: <em>Edvard Munch, Piet Mondrian, </em></font><font size="2"><em><font face="Verdana, Arial, Helvetica, sans-serif">Francis Picabia, Paul Klee, Umberto Boccioni, Luigi Russolo, Marcel Duchamp, Anton Bragaglia, Man Ray, René Magritte, Mark Rothko and Meret Oppenheim.</font></em></font></p>
<p></p>
<p><span class="font-size-3"> Exercise composition; NN ... Study is part of a series of images that I propose as examples applicable in visual psychotherapy.</span></p>
<div class="description" id="desc_2816864Comment128721"><div class="xg_user_generated"><div class="description" id="desc_2816864Comment128447"><div class="xg_user_generated"><p><span class="font-size-3"> As described in:</span></p>
<p><span class="font-size-3"><b><a rel="nofollow" href="http://www.binocular-rivalry.ro/c5.html">5. Laboratory hall for visual therapy</a></b></span></p>
<p><span class="font-size-3"><b><a rel="nofollow" href="http://kkartlab.in/group/science-and-art-bioptical-art/forum/topics/bioptical-art-cabinet-for-visual-psychotherapy">Bioptical Art -Cabinet for visual psychotherapy</a></b></span></p>
<p><span class="font-size-3"><b> </b> </span></p>
<p><span class="font-size-3">In this laboratory (cabinet for the investigation) is tested to determine</span></p>
<p><span class="font-size-3">which are compositions and techniques that would bring improvement in the condition of a particular patient.</span></p>
<p><span class="font-size-3"> I have proposed be established and offices as annexes, specialized in different areas, where they will be treated selected patients</span></p>
<p><span class="font-size-3"> These offices will be profiled areas: painting; sculpture; digital art, photography, video ...</span></p>
<p><span class="font-size-3"> At first glance, my composition appears as part of an outdated style.</span></p>
<p><span class="font-size-3"> These compositions still exists and is available for specialists to be evaluated in the following assumptions:</span></p>
<p><span class="font-size-3"> - Not interested</span></p>
<p><span class="font-size-3"> - May provide visual interest in psychotherapy, especially for patients who have mediocre intellectual preparation</span></p>
<p><span class="font-size-3"> I painted composition exercise; Study NN .. by hesitant attempts, seeking, sensation effect priority relative to perception, also obtain <strong>effects of synesthesia.</strong></span></p>
<p><strong><span class="font-size-3">In case could be assessed in this regard some particular sensations caused by composition.</span></strong></p>
<p><span> So I imagined a type of tree which I repeated in perspective, tree that resist the blizzard because elasticity the twigs.</span></p>
<p><span class="font-size-3"> <strong>Appear added sensation similar to those felt in contemplation</strong></span></p>
<p><span class="font-size-3"><strong>fine art compositions which exceed the limits of aesthetic pleasure</strong></span></p>
<p><span class="font-size-3"> Provide effects of synesthesia, the observer feeling and anger the invisible air.</span></p>
<p><span class="font-size-3"> Of course some of my proposals appear as assumptions for research topics.</span></p>
<p><span class="font-size-3"> In future not too distant, will be improvements in neuroesthetics,</span></p>
<p><span class="font-size-3">to determine, in fine art degrees of psychic influence. This view was also mentioned by Dr. Krishna Kumari Chall.</span></p>
<p><span class="font-size-3"> In recent years researchers using magnetic resonance have resulted images in the brain, when the observer was asked to look for graphic test.</span></p>
<p><span class="font-size-3">by binocular rivalry.</span></p>
<p><span class="font-size-3"> See link:</span></p>
<p><span class="font-size-3"><b><a rel="nofollow" href="http://kkartlab.in/group/science-and-art-bioptical-art/forum/topics/subcortical-discrimination-binocular-rivalry-magnetic-resonance">Subcortical discrimination; binocular rivalry; magnetic resonance</a></b></span></p>
<p><span class="font-size-3"><b> </b>It is unlikely that currently an expert to handle my proposals.</span></p>
<p><span class="font-size-3"> Therefore I consulted highlighting the themes, by Google, which apply for settlement in order of importance, more than 300 criteria, resulting in a huge bibliographic file.</span></p>
<p><span class="font-size-3">I have posted:</span></p>
<p><span class="font-size-3"><strong>blizzard storm snow and wind fine art images photo</strong></span></p>
<p><span class="font-size-3"><strong> </strong>I selected two similar images with, composition NN Study</span></p>
<p><span class="font-size-3">from: approximately 443,000 (the) results</span></p>
<p><span class="font-size-3"><a href="http://storage.ning.com/topology/rest/1.0/file/get/2866684098?profile=original" target="_self"><img src="http://storage.ning.com/topology/rest/1.0/file/get/2866684098?profile=original" width="333" class="align-center"/></a></span></p>
<p><span class="font-size-3"> author not mentioned</span></p>
<p align="center"><span class="font-size-3"><b>Blizzard<br/><strong>(a storm with lots of snow and wind)</strong></b></span></p>
<p align="center"><span class="font-size-3"><strong> </strong></span></p>
<p align="center"><span class="font-size-3"><a href="http://storage.ning.com/topology/rest/1.0/file/get/2866684308?profile=original" target="_self"><img src="http://storage.ning.com/topology/rest/1.0/file/get/2866684308?profile=original" width="336" class="align-full"/></a></span></p>
<p align="center"><span class="font-size-3"> Posted by <a rel="nofollow" href="https://waldotomosky.wordpress.com/author/waldotomosky/" title="View all posts by Waldo "Wally" Tomosky">Waldo "Wally" Tomosky</a> in <a rel="nofollow" href="https://waldotomosky.wordpress.com/category/educational/">Educational</a>, <a rel="nofollow" href="https://waldotomosky.wordpress.com/category/the-pilgrimage/">THE PILGRIMAGE</a></span></p>
<p></p>
<p><span class="font-size-3"> </span></p>
<p><span class="font-size-3">I quote a sculpture that causes the feeling (synesthesia) the dynamism of human strength</span></p>
<p><span class="font-size-3"><b>Umberto Boccioni</b> ; 19 October 1882 – 17 August 1916) was an influential Italian painter and sculptor.</span></p>
<p><span class="font-size-3"><b><a rel="nofollow" href="https://www.google.ro/search?q=boccioni+unique+forms+of+continuity+in+space&biw=1024&bih=685&tbm=isch&tbo=u&source=univ&sa=X&ei=galqVfSHIMvlUvP2gJAI&ved=0CB4QsAQ"> Unique forms of continuity in space</a></b></span></p>
<p><span class="font-size-3"> <a href="http://storage.ning.com/topology/rest/1.0/file/get/2866684275?profile=original" target="_self"><img width="200" src="http://storage.ning.com/topology/rest/1.0/file/get/2866684275?profile=RESIZE_320x320" width="200" class="align-center"/></a></span></p>
<p><span class="font-size-3"> This imagine appears in numerous publications: an example> link</span></p>
<p><span class="font-size-3"><b><a rel="nofollow" href="http://www.google.ro/url?sa=t&rct=j&q=&esrc=s&frm=1&source=web&cd=1&cad=rja&uact=8&ved=0CB8QFjAA&url=http%3A%2F%2Fwww.doctorhugo.org%2Fsynaesthesia%2Fart%2F&ei=D4V0Ve6hDMPSyAPKxID4Cw&usg=AFQjCNHa_huhnke_notVgGwwUYtJ03eDaA">Art and Synesthesia: in search of the synesthetic experience</a></b></span></p>
<p><span class="font-size-3">"Art and Synesthesia: in search of the synesthetic experience"</span><br/><span class="font-size-3">by Dr. Hugo Heyrman</span></p>
<p><span class="font-size-3">Synesthesia caused by fine art seems to be more complex than the typical case.</span></p>
<p><span class="font-size-3"> For example, when some people contemplating the image of a rose and feel perfumed smell (typical case)</span></p>
<p></p>
<p><span class="font-size-3">The compositions of the above and the like will be included in the program:</span></p>
<p><span class="font-size-3"><b><i>Cabinet for visual psychotherapy</i></b></span></p>
<p><span class="font-size-3"><i> </i></span></p>
<p><span class="font-size-3">As shown in previous publications in fine art I propose the application of stimuli resulting from esearch areas:</span></p>
<p><span class="font-size-3"> <b>Binocular rivalry (Br); Fusion colors (Fc) -Helmholtz ; Stereoscopy (St)</b></span></p>
<p><span class="font-size-3">These stimuli causes sensations and perceptions designed by differences in eye, on the two retains</span></p>
<p><span class="font-size-3"> In the case, stereoscopy, as we know, the differences resulting from reconstituting a pair of photographic images differences, projected on two, retain the eyes, when a person looks an object.</span></p>
<p><span class="font-size-3"> In cases (Br) and (Fc) also use two images (compositions), but the image for the right eye differs shapes and colors of the image for the left eye. For examplein the case of (Br) vertical lines and respectively horizontal</span></p>
<p><span class="font-size-3">lines and in the case of (Fc) blue respectively yellow.</span></p>
<p><span class="font-size-3">In the test on many people I found reproducibility, in similar proportion to those which result from Stereoscopic observation.</span></p>
<p><span class="font-size-3"> </span></p>
<p><span class="font-size-3"><b> Unique effects that occur in my, Bi-optical compositions are certitudes (demonstrable).</b></span></p>
<p><span class="font-size-3"><b> </b></span></p>
<p><span class="font-size-3">I have numerous publications on Bi-Optical Art, especially for inviting artists to practice the techniques that I proposed.</span></p>
<p><span class="font-size-3">Compositions and texts by which I explain techniques to achieve of such compositions, with evidence reproducibility, I think they match the <strong>prediction philosophical criterion</strong>. </span></p>
<p><span class="font-size-3"> My utterances to promote Art biopsy are generally self-critical content are possible misunderstandings or incorrect statements</span></p>
<p><span class="font-size-3"><b> </b>I have developed <b>Bi-optical Art</b> findings using scientific areas</span></p>
<p><span class="font-size-3">mentioned above, which is based on training habit inherited structures, while being of human phylogenesis have two eyes placed laterally as is the dove.</span></p>
<p><span class="font-size-3"><b> </b></span></p>
<p><span class="font-size-3"><b> My compositions have not reached the level of those professional artists who have developed artistic sensitivity, on a particular genetic background.</b></span></p>
<p><span class="font-size-3"><b> </b></span></p>
<p><span class="font-size-3"><b> </b></span></p>
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Sensations caused by some fine art compositions adds to the aesthetic pleasure
tag:kkartlab.in,2015-06-15:2816864:Topic:128727
2015-06-15T09:03:45.106Z
Catherine sarah hislop
https://kkartlab.in/profile/Catherinesarahhislop
<p></p>
<div class="xg_column xg_span-16 xj_classic_canvas"><div class="xg_module xg_blog xg_blog_detail xg_blog_mypage xg_module_with_dialog"><div class="xg_headline xg_headline-img xg_headline-2l"><div class="tb"></div>
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<div class="xg_module_body"><div class="postbody"><div class="xg_user_generated"><p><span class="font-size-3">In publication (link):…</span></p>
<p></p>
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<div class="xg_module_body"><div class="postbody"><div class="xg_user_generated"><p><span class="font-size-3">In publication (link):</span></p>
<p><span class="font-size-3"><b><a rel="nofollow" href="http://kkartlab.in/group/science-and-art-bioptical-art/forum/topics/exercise-on-sensation-and-perception-in-fine-art">Exercise on sensation and perception in fine art.</a></b></span></p>
<p><span class="font-size-3">I present composition:</span></p>
<p></p>
<p><span class="font-size-3"> <a href="http://storage.ning.com/topology/rest/1.0/file/get/2866684060?profile=original" target="_self"><img src="http://storage.ning.com/topology/rest/1.0/file/get/2866684060?profile=original" width="432" class="align-center"/></a></span></p>
<p><span class="font-size-3"> <strong> </strong>Liviu Iliescu; Study NN ; Blizzard ; Oil on cardboard ; 47x32 cm; 2000</span></p>
<p><span class="font-size-3"> </span></p>
<p><span class="font-size-3"> I return completing the presentation with some aspects of synesthesia</span></p>
<p><span class="font-size-3"> Exercise composition; NN ... Study is part of a series of images that I propose as examples applicable in visual psychotherapy.</span></p>
<div class="description" id="desc_2816864Comment128721"><div class="xg_user_generated"><div class="description" id="desc_2816864Comment128447"><div class="xg_user_generated"><p><span class="font-size-3"> As described in:</span></p>
<p><span class="font-size-3"><b><a rel="nofollow" href="http://www.binocular-rivalry.ro/c5.html">5. Laboratory hall for visual therapy</a></b></span></p>
<p><span class="font-size-3"><b><a rel="nofollow" href="http://kkartlab.in/group/science-and-art-bioptical-art/forum/topics/bioptical-art-cabinet-for-visual-psychotherapy">Bioptical Art -Cabinet for visual psychotherapy</a></b></span></p>
<p><span class="font-size-3"><b> </b> </span></p>
<p><span class="font-size-3">In this laboratory (cabinet for the investigation) is tested to determine</span></p>
<p><span class="font-size-3">which are compositions and techniques that would bring improvement in the condition of a particular patient.</span></p>
<p><span class="font-size-3"> I have proposed be established and offices as annexes, specialized in different areas, where they will be treated selected patients</span></p>
<p><span class="font-size-3"> These offices will be profiled areas: painting; sculpture; digital art, photography, video ...</span></p>
<p><span class="font-size-3"> At first glance, my composition appears as part of an outdated style.</span></p>
<p><span class="font-size-3"> These compositions still exists and is available for specialists to be evaluated in the following assumptions:</span></p>
<p><span class="font-size-3"> - Not interested</span></p>
<p><span class="font-size-3"> - May provide visual interest in psychotherapy, especially for patients who have mediocre intellectual preparation</span></p>
<p><span class="font-size-3"> I painted composition exercise; Study NN .. by hesitant attempts, seeking, sensation effect priority relative to perception, also obtain <strong>effects of synesthesia.</strong></span></p>
<p><strong><span class="font-size-3">In case could be assessed in this regard some particular sensations caused by composition.</span></strong></p>
<p><span> So I imagined a type of tree which I repeated in perspective, tree that resist the blizzard because elasticity the twigs.</span></p>
<p><span class="font-size-3"> <strong>Appear added sensation similar to those felt in contemplation</strong></span></p>
<p><span class="font-size-3"><strong>fine art compositions which exceed the limits of aesthetic pleasure</strong></span></p>
<p><span class="font-size-3"> Provide effects of synesthesia, the observer feeling and anger the invisible air.</span></p>
<p><span class="font-size-3"> Of course some of my proposals appear as assumptions for research topics.</span></p>
<p><span class="font-size-3"> In future not too distant, will be improvements in neuroesthetics,</span></p>
<p><span class="font-size-3">to determine, in fine art degrees of psychic influence. This view was also mentioned by Dr. Krishna Kumari Chall.</span></p>
<p><span class="font-size-3"> In recent years researchers using magnetic resonance have resulted images in the brain, when the observer was asked to look for graphic test.</span></p>
<p><span class="font-size-3">by binocular rivalry.</span></p>
<p><span class="font-size-3"> See link:</span></p>
<p><span class="font-size-3"><b><a rel="nofollow" href="http://kkartlab.in/group/science-and-art-bioptical-art/forum/topics/subcortical-discrimination-binocular-rivalry-magnetic-resonance">Subcortical discrimination; binocular rivalry; magnetic resonance</a></b></span></p>
<p><span class="font-size-3"><b> </b>It is unlikely that currently an expert to handle my proposals.</span></p>
<p><span class="font-size-3"> Therefore I consulted highlighting the themes, by Google, which apply for settlement in order of importance, more than 300 criteria, resulting in a huge bibliographic file.</span></p>
<p><span class="font-size-3">I have posted:</span></p>
<p><span class="font-size-3"><strong>blizzard storm snow and wind fine art images photo</strong></span></p>
<p><span class="font-size-3"><strong> </strong>I selected two similar images with, composition NN Study</span></p>
<p><span class="font-size-3">from: approximately 443,000 (the) results</span></p>
<p><span class="font-size-3"><a href="http://storage.ning.com/topology/rest/1.0/file/get/2866684098?profile=original" target="_self"><img src="http://storage.ning.com/topology/rest/1.0/file/get/2866684098?profile=original" width="333" class="align-center"/></a></span></p>
<p><span class="font-size-3"> author not mentioned</span></p>
<p align="center"><span class="font-size-3"><b>Blizzard<br/><strong>(a storm with lots of snow and wind)</strong></b></span></p>
<p align="center"><span class="font-size-3"><strong> </strong></span></p>
<p align="center"><span class="font-size-3"><a href="http://storage.ning.com/topology/rest/1.0/file/get/2866684308?profile=original" target="_self"><img src="http://storage.ning.com/topology/rest/1.0/file/get/2866684308?profile=original" width="336" class="align-full"/></a></span></p>
<p align="center"><span class="font-size-3"> Posted by <a rel="nofollow" href="https://waldotomosky.wordpress.com/author/waldotomosky/" title="View all posts by Waldo "Wally" Tomosky">Waldo "Wally" Tomosky</a> in <a rel="nofollow" href="https://waldotomosky.wordpress.com/category/educational/">Educational</a>, <a rel="nofollow" href="https://waldotomosky.wordpress.com/category/the-pilgrimage/">THE PILGRIMAGE</a></span></p>
<p></p>
<p><span class="font-size-3"> </span></p>
<p><span class="font-size-3">I quote a sculpture that causes the feeling (synesthesia) the dynamism of human strength</span></p>
<p><span class="font-size-3"><b>Umberto Boccioni</b> ; 19 October 1882 – 17 August 1916) was an influential Italian painter and sculptor.</span></p>
<p><span class="font-size-3"><b><a rel="nofollow" href="https://www.google.ro/search?q=boccioni+unique+forms+of+continuity+in+space&biw=1024&bih=685&tbm=isch&tbo=u&source=univ&sa=X&ei=galqVfSHIMvlUvP2gJAI&ved=0CB4QsAQ"> Unique forms of continuity in space</a></b></span></p>
<p><span class="font-size-3"> <a href="http://storage.ning.com/topology/rest/1.0/file/get/2866684275?profile=original" target="_self"><img width="200" src="http://storage.ning.com/topology/rest/1.0/file/get/2866684275?profile=RESIZE_320x320" width="200" class="align-center"/></a></span></p>
<p><span class="font-size-3"> This imagine appears in numerous publications: an example> link</span></p>
<p><span class="font-size-3"><b><a rel="nofollow" href="http://www.google.ro/url?sa=t&rct=j&q=&esrc=s&frm=1&source=web&cd=1&cad=rja&uact=8&ved=0CB8QFjAA&url=http%3A%2F%2Fwww.doctorhugo.org%2Fsynaesthesia%2Fart%2F&ei=D4V0Ve6hDMPSyAPKxID4Cw&usg=AFQjCNHa_huhnke_notVgGwwUYtJ03eDaA">Art and Synesthesia: in search of the synesthetic experience</a></b></span></p>
<p><span class="font-size-3">"Art and Synesthesia: in search of the synesthetic experience"</span><br/><span class="font-size-3">by Dr. Hugo Heyrman</span></p>
<p><span class="font-size-3">Synesthesia caused by fine art seems to be more complex than the typical case.</span></p>
<p><span class="font-size-3"> For example, when some people contemplating the image of a rose and feel perfumed smell (typical case)</span></p>
<p></p>
<p><span class="font-size-3">The compositions of the above and the like will be included in the program:</span></p>
<p><span class="font-size-3"><b><i>Cabinet for visual psychotherapy</i></b></span></p>
<p><span class="font-size-3"><i> </i></span></p>
<p><span class="font-size-3">As shown in previous publications in fine art I propose the application of stimuli resulting from esearch areas:</span></p>
<p><span class="font-size-3"> <b>Binocular rivalry (Br); Fusion colors (Fc) -Helmholtz ; Stereoscopy (St)</b></span></p>
<p><span class="font-size-3">These stimuli causes sensations and perceptions designed by differences in eye, on the two retains</span></p>
<p><span class="font-size-3"> In the case, stereoscopy, as we know, the differences resulting from reconstituting a pair of photographic images differences, projected on two, retain the eyes, when a person looks an object.</span></p>
<p><span class="font-size-3"> In cases (Br) and (Fc) also use two images (compositions), but the image for the right eye differs shapes and colors of the image for the left eye. For examplein the case of (Br) vertical lines and respectively horizontal</span></p>
<p><span class="font-size-3">lines and in the case of (Fc) blue respectively yellow.</span></p>
<p><span class="font-size-3">In the test on many people I found reproducibility, in similar proportion to those which result from Stereoscopic observation.</span></p>
<p><span class="font-size-3"> </span></p>
<p><span class="font-size-3"><b> Unique effects that occur in my, Bi-optical compositions are certitudes (demonstrable).</b></span></p>
<p><span class="font-size-3"><b> </b></span></p>
<p><span class="font-size-3">I have numerous publications on Bi-Optical Art, especially for inviting artists to practice the techniques that I proposed.</span></p>
<p><span class="font-size-3">Compositions and texts by which I explain techniques to achieve of such compositions, with evidence reproducibility, I think they match the <strong>prediction philosophical criterion</strong>. </span></p>
<p><span class="font-size-3"> My utterances to promote Art biopsy are generally self-critical content are possible misunderstandings or incorrect statements</span></p>
<p><span class="font-size-3"><b> </b>I have developed <b>Bi-optical Art</b> findings using scientific areas</span></p>
<p><span class="font-size-3">mentioned above, which is based on training habit inherited structures, while being of human phylogenesis have two eyes placed laterally as is the dove.</span></p>
<p><span class="font-size-3"><b> </b></span></p>
<p><span class="font-size-3"><b> My compositions have not reached the level of those professional artists who have developed artistic sensitivity, on a particular genetic background.</b></span></p>
<p><span class="font-size-3"><b> </b></span></p>
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Climate Change Science Arts
tag:kkartlab.in,2015-03-02:2816864:Topic:124850
2015-03-02T22:58:35.911Z
Catherine sarah hislop
https://kkartlab.in/profile/Catherinesarahhislop
<p>Hi</p>
<p>I am high school science teacher in california. i started a website last week mixing science and arts with theme Climate Change at:</p>
<p><a href="http://www.singingscientific.com">www.singingscientific.com</a></p>
<p>Thank you!</p>
<p></p>
<p>Hi</p>
<p>I am high school science teacher in california. i started a website last week mixing science and arts with theme Climate Change at:</p>
<p><a href="http://www.singingscientific.com">www.singingscientific.com</a></p>
<p>Thank you!</p>
<p></p>
My all time favourite art work
tag:kkartlab.in,2014-11-15:2816864:Topic:121907
2014-11-15T05:12:09.107Z
Catherine sarah hislop
https://kkartlab.in/profile/Catherinesarahhislop
<p>Undoubtedly, it is "The Thinker". The Thinker (French: Le Penseur) is a bronze sculpture by Auguste Rodin, usually placed on a stone pedestal. The work shows a male figure of over life-size sitting on a rock with his chin resting on one hand as though deep in thought, and is often used as an image to represent philosophy. There are about 28 full size castings, in which the figure is about 186 centimetres (73 in) high, though not all were made during Rodin's lifetime and under his…</p>
<p>Undoubtedly, it is "The Thinker". The Thinker (French: Le Penseur) is a bronze sculpture by Auguste Rodin, usually placed on a stone pedestal. The work shows a male figure of over life-size sitting on a rock with his chin resting on one hand as though deep in thought, and is often used as an image to represent philosophy. There are about 28 full size castings, in which the figure is about 186 centimetres (73 in) high, though not all were made during Rodin's lifetime and under his supervision, as well as various other versions, several in plaster, studies, and posthumous castings, in a range of sizes. Rodin first conceived the figure as part of another work in 1880, but the first of the familiar monumental bronze castings did not appear until 1904.</p>
<p>Originally named The Poet (French: Le Poète), the Thinker was initially a figure in a large commission, begun in 1880, for a doorway surround called The Gates of Hell. Rodin based this on The Divine Comedy of Dante, and most of the many figures in the work represented the main characters in the epic poem. Some critics believe The Thinker, at the centre of the composition over the doorway and at about 70 cm high larger than most other figures, was originally intended to depict Dante at the gates of Hell, pondering his great poem. However, there are questionable aspects to this interpretation, including that the figure is naked, Dante is fully clothed throughout his poem, and that the figure, as used, in no way corresponds to Dante's effete figure. As Rodin wanted a heroic figure in the tradition of Michelangelo, to represent intellect as well as poetry, he created this work.</p>
<p><a target="_self" href="http://storage.ning.com/topology/rest/1.0/file/get/2866684652?profile=original"><img class="align-full" src="http://storage.ning.com/topology/rest/1.0/file/get/2866684652?profile=original" width="170"/></a></p>
<p></p>
<p><span style="font-family: arial; font-size: 11px; color: #000000; text-decoration: none;"><a href="http://r20.rs6.net/tn.jsp?f=001D42K2XrnbNKa76OQ9BDnDLGDKn1d2P6MHptQjmAugrvQm4HPu-Tsqs-mphFFL96q2wBldJbgeMvruKaKO4Lj7fGX_DI2FzxhSk-RJk8tH36d2no3xRCwS4vlIBhMZhzHrFHuyUwHbRV6iGojkaMUorTdu2fd2wnsjNJS3qbpyARDIwLCXYxwGr-mxosTmg0DtpFcl51Lapw7PvjZoUjjPBDOKnz0TA8NIzv_ZAtcO0SHG52QIpQyPFgbndfxTb-0yzHbUsvFWh8Wjn4jk5KKYsTcnNRqObo5tKz9Wmfbv1XD5mNPNYFg3WY4VLDWHeWE&c=&ch="><img src="http://www.artdaily.org/imagenes/2015/10/01/rodin-1.jpg" style="border: 1px solid #CCCCCC;" align="middle" width="240"/></a></span></p>
<p><span style="font-family: arial; font-size: 11px; color: #000000; text-decoration: none;">Auguste Rodin (1840-1917), <strong>"The Thinker"</strong>, 1881-1882. Bronze 72 x 34,5 x 63 cm. Ateneum Art Museum.</span></p>
<p>And why do I like this art work? Or why does anybody like any art work? Well, as a person of science I would like to put it in a scientific way. It has everything to do with neuro-aesthetics.</p>
<p>What is it? Neuroesthetics (or neuroaesthetics) is a relatively recent sub-discipline of empirical aesthetics. Empirical aesthetics takes a scientific approach to the study of aesthetic perceptions of art and music. Neuroesthetics received its formal definition in 2002 as the scientific study of the neural bases for the contemplation and creation of a work of art. Neuroesthetics uses neuroscience to explain and understand the aesthetic experiences at the neurological level.</p>
<p>While much of neuroaesthetics deals with the visual and perceptual processing of art, that's not where the field stops -- imaging studies are revealing a plethora of brain regions activated when we experience art. Not only are visual and perceptual processes involved, but also reward pathways and areas of the brain like the prefrontal cortex, which are involved in evaluative judgments. The prefrontal cortex's role in experiencing art isn't surprising -- it's involved in many aspects of higher-order cognition, like decision-making as well as planning and moderating complex behaviors. Regions of the prefrontal cortex have been implicated in both aesthetic judgments and the aesthetic emotional experience. Our response to art always has an element of appraisal that has to do not only with a work's visual properties, but also with the context it's presented in and our knowledge of its history. . Neuroaesthetics -- as evident from even its name -- often overlooks the fact that art does not have to be beautiful: context and history play a crucial role in our judgments.</p>
<p><strong>I have a great AFFINITY towards intellect. It gives me a high. Whenever, I see ''The Thinker", it rewards my brain! Why? Because the work denotes intelligence, logic, critical thinking, philosophy, literature, science, art, poetry and several other things I am associated with! In a way I am familiar with this type of intellectual pursuits. I can relate to it in a big way!</strong> I want to have one of the several versions of it in my home!</p>
<p></p>
<p>More about 'The Thinker":</p>
<p>This detail from the Gates of Hell was first named The Thinker by foundry workers, who noted its similarity to Michelangelo's statue of Lorenzo de Medici called "Il Penseroso" (The Thinker). Rodin decided to treat the figure as an independent work, at a larger size. The figure was designed to be seen from below, and is normally displayed on a fairly high plinth, though the heights chosen by the various owners for these vary considerably. About 28 monumental-sized bronze casts of the sculpture are in museums and public places.</p>
<p>Rodin made the first small plaster version around 1880. The first large-scale bronze casting was finished in 1902 but not presented to the public until 1904. It became the property of the city of Paris — thanks to a subscription organized by Rodin admirers — and was put in front of the Panthéon in 1906. In 1922, it was moved to the Hôtel Biron, which had been transformed into the Rodin Museum.</p>
<p>Details of the art work are taken from Wikipedia with other inputs from Sci-Art Lab.</p>
Should sci-artists reduce the price of their rare art works and degrade themselves and their work?
tag:kkartlab.in,2014-07-10:2816864:Topic:118329
2014-07-10T01:24:28.179Z
Catherine sarah hislop
https://kkartlab.in/profile/Catherinesarahhislop
<p>"I have been asked to reduce the price of my sci-art works in order to sell them by gallery owners and curators. What should I do?" asked a sci-artist.</p>
<p>It is difficult to answer the Q for anyone.</p>
<p>Because artists need money to live. But at the same time genuine sci-art is so rare and it is extremely difficult to do the works connecting two different fields. It takes a lot of time and mental effort and the money the artist expects for his hard work is 'not much' when these things…</p>
<p>"I have been asked to reduce the price of my sci-art works in order to sell them by gallery owners and curators. What should I do?" asked a sci-artist.</p>
<p>It is difficult to answer the Q for anyone.</p>
<p>Because artists need money to live. But at the same time genuine sci-art is so rare and it is extremely difficult to do the works connecting two different fields. It takes a lot of time and mental effort and the money the artist expects for his hard work is 'not much' when these things are taken into account.</p>
<p>Of course when compared to other easy to do works like nature or portraits, what my artist friend quoted is 'more'.</p>
<p>I think the gallery people should not compare sci-art work with other types of art works. A rarity is a rarity. Hard work is hard work. These have to be taken into account. Curators and gallery owners should explain this to their customers. Unable to do this, they are asking the sci-artists to cut down their prices. This is highly unjustifiable.</p>
Call for artists: Artist Residency Program in Budapest, 2015
tag:kkartlab.in,2014-06-23:2816864:Topic:117741
2014-06-23T12:10:32.009Z
Catherine sarah hislop
https://kkartlab.in/profile/Catherinesarahhislop
<p class="p1">Call for artists:</p>
<p class="p2">Artist Residency Program in Budapest, 2015</p>
<p class="p1">Visual arts / writing / other disciplines</p>
<p class="p3">The Open Call will begin on June 25, 2014, we have every months jury selection until April 15, 2015.<span class="s1"> Apply early!</span></p>
<p class="p4"></p>
<p class="p1">HMC International Artist Residency Program, a not-for-profit arts organization based in Dallas, TX / Budapest, Hungary - provides national and…</p>
<p class="p1">Call for artists:</p>
<p class="p2">Artist Residency Program in Budapest, 2015</p>
<p class="p1">Visual arts / writing / other disciplines</p>
<p class="p3">The Open Call will begin on June 25, 2014, we have every months jury selection until April 15, 2015.<span class="s1"> Apply early!</span></p>
<p class="p4"></p>
<p class="p1">HMC International Artist Residency Program, a not-for-profit arts organization based in Dallas, TX / Budapest, Hungary - provides national and international artists to produce new work while engaging with the arts community in Budapest, Hungary. </p>
<p class="p4"></p>
<p class="p5">For more info, application form write to:</p>
<p class="p5">Beata Szechy</p>
<p class="p5">bszechy@yahoo.com</p>
<p class="p5"><a href="http://www.hungarian-multicultural-center.com">http://www.hungarian-multicultural-center.com</a></p>
<p class="p5">Facebook: <a href="https://www.facebook.com/groups/24925582988/"><b>Budapest International Artist Residency</b></a></p>
Can art cause distress?
tag:kkartlab.in,2014-03-13:2816864:Topic:114617
2014-03-13T03:28:12.824Z
Catherine sarah hislop
https://kkartlab.in/profile/Catherinesarahhislop
<p>When I was very young I saw a movie, which was actually a tragedy. It made me cry. I was sad for several days thinking about it. It was a superb depiction of the suffering of the poor. A real work of art.</p>
<p>I also felt bad when I saw some war scene paintings.</p>
<p>These art works make you think about human life, philosophy and perhaps even solutions to several problems.</p>
<p> Recently when I saw this work of art from the Bowes museum, I felt distressed too. How can anybody try to…</p>
<p>When I was very young I saw a movie, which was actually a tragedy. It made me cry. I was sad for several days thinking about it. It was a superb depiction of the suffering of the poor. A real work of art.</p>
<p>I also felt bad when I saw some war scene paintings.</p>
<p>These art works make you think about human life, philosophy and perhaps even solutions to several problems.</p>
<p> Recently when I saw this work of art from the Bowes museum, I felt distressed too. How can anybody try to kill another person? The person who is about to be stabbed would be in great distress too! Imagine the feelings that crosses the mind of the would be victim. Several thoughts made me uneasy. I know here I am thinking like an artist.</p>
<p>Here you can see a few crime scenes depicted in art:</p>
<p><a href="http://www.mutualart.com/OpenExternalArticle/The-top-10-crime-scenes-in-art/EEAE60E3575879E6?utm_source=alert_b&utm_medium=email&utm_campaign=al_by_artist">http://www.mutualart.com/OpenExternalArticle/The-top-10-crime-scenes-in-art/EEAE60E3575879E6?utm_source=alert_b&utm_medium=email&utm_campaign=al_by_artist</a></p>
<p>But science says the brains of the killers work differently. They lacks 'empathy'. Therefore, these killers can knock off the light from any human being with ease! They don't understand the value of life. They cannot think like a 'good human being'. This makes me understand the psychology of killers too!</p>
<p> </p>
<p><a target="_self" href="http://storage.ning.com/topology/rest/1.0/file/get/2866686627?profile=original"><img class="align-full" src="http://storage.ning.com/topology/rest/1.0/file/get/2866686627?profile=original" width="295"/></a></p>
<p>David Garrick and Mrs Cibber as Jaffier and Belvidera in ‘Venice Preserv’d. ©The Bowes Museum.</p>