Science, Art, Litt, Science based Art & Science Communication
The 3rd Art and Science International Exhibition and Symposium 2012
The 3rd Art and Science International Exhibition and Symposium 2012
“The 3rd Art and Science International Exhibition and Symposium will be held at China National Science and Technology Museum from Nov., 1st to Nov., 30th, 2012. As from today, the Organizing Committee invites from society the academic papers limited to the following contents and contains all the papers collected as a whole for publishing.
Papers are solicited:
I. Subject
Information Ecology Intelligence
In the information era, the changing science and technology propel the human society forward, where the ecological civilization indicates the sustainable evolution of human living style and the human intelligence carries out the grand humanistic ideals with innovative values.
From the perspectives of information science, life science and ecological science, the exhibition and symposium, integrated with existing diverse ideas and art forms and carried by artistic esthetics, bio-information technology and ecological intelligence, focuses on the ultimate ideals and spirits of human being, explores the unknown and create the future with new thoughts and methods.
II Requirements on Paper
1. The paper should never be openly published on formal publications.
2. The paper should conform to the subject of the 3rd Art and Science International Exhibition and Symposium.
3. The paper is required to be prominent in subject, definite in argument, succinct in style, and characterized by contemporary significance, original values and certain depth of thought.
4. Papers collected will be reviewed by the Academic Council of the organizing committee and those selected will be compiled into a paper collection of this Symposium (no different notice will be given to those lost in the selection).
5. The paper may be submitted in either Chinese or English, with the words limited to 5000, wherein the title, abstract (about 200-300 words) and key words (no more than 5), are required to be provided both in Chinese and English, wherever the author thereof comes from.
III Submission of Paper
1. The paper is required to be typeset with Word software and submitted by e-mail with the filename named after the title (name of the first author). No handwritten or printed paper is accepted.
2. The information, including author’s name, telephone, work unit, address and e-mail, etc., is required to be indicated at the end of the paper for the convenience of timely contact.
3. Please send the paper totasie2012@126.com
4. Requirements on format and pictures attached
References
Any citation in the paper must be correct, for example, Einstein1……., while endnotes are required to be used for indicating reference sources, including author’s name, book name, edition, date of publication and page, etc.
Please follow the following examples in writing the descriptions
Monograph
Author’s name, book name, edition (unnecessary for the first edition), place of publication, publisher, date of publication, page citation
For example: Wang Xu-cheng & Shao Ming, The basic principles of finite element method and numerical method, the second edition, Beijing: Tsinghua University Press, 1997, 55
Newman W MSbroull R FPrinciples of Interactive Computer GraphicsNew YorkMcGraw Hill1979
Newman W MSbroull R FPrinciples of Interactive Computer GraphicsNew YorkMcGraw Hill，1979 [Norway] Svendsen, translated by Li Man, Fashion: A Philosophy, Beijing: Tsinghua University Press, 2010, Pages 100-06
Documents cited in serials
Author’s name, title, name of journal, date of publication, volume (No.): Page
For example: Pu Xiao-ming & Long Yu-qiu, A Quadrilateral Element For Thin Plate Bending, Chinese Journal of Theoretical and Applied Mechanics, 1991, 23 (1): 53-60
Mastri A RNeuropathy of diabetic neurogenic bladderAnn Intern Med1980922.2316~318
Documents cited in paper collections
Author’s name, title, see (In): Compiler of collection, name of collection, edition (unnecessary for the first edition), place of publication: publisher, date of publication, page.
For example: Zheng Quan-shui, Basic Researches and Frontier Subjects of Mechanics, see China Mechanics to 21st Century in China, Tsinghua University Press, 1996, 1-10
Weinstein LSwartz M NPathogenic properties of invading microorganismaInSodeman W ASodeman W AedPathologic physiologymechanisms of diseasePhiladelphiaSaunder1974457~472
Patent Documents
Patent applicant, patent name, nationality of patent, catalogue of patent document, patent no., date of publication
For example: Long Yun-jia, Chaotic Vibration Table, Patent of PRC, ZL 95 2 142783, Mar., 2nd, 1996
For references cited through internet, websites thereof are required to be indicated.
Requirements on pictures
Formats suitable for printing, including JPEG and TIFF, etc. are required, with the precision no less than 300dpi.
IV Deadline for Paper Collection
The deadline for paper submission is Aug., 20th, 2012 (subject to the date when the Organizing Committee receives the e-mail).
V Means of Contact
Add: Preparatory Office of the 3rd Art and Science International Exhibition and Symposium
POST CODE100084
Tel861062798270 62786998
Fax8610 62780266
WEBhttp://www.tasie.org.cn/
Contact personZHANG DUODUO; WANG XIAOXIN
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Replies to This Discussion
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Permalink Reply by Milivoj Šegan on
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Q***** A wonderful news, Thanks and Best regards,lady!
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Permalink Reply by Dr. Krishna Kumari Challa on
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More about it here: http://www.chinadaily.com.cn/cndy/2012-11/03/content_15871515.htm
A technology show in Beijing makes it fun to turn blue. Zhang Zixuan walks the aisles for the latest flights of fancy.
A woman in the audience stands in front of a screen, which has captured her face. In a few seconds, the face gradually turns blue with a new-grown leopard print. Her nose widens and her eyes become golden.
For a moment, a human has transformed into an avatar.
The scene unfolded at the 3rd Art and Science International Exhibition that opened on Nov 1 at China Science and Technology Museum. Some 112 exhibits from 22 countries and regions that combine the charm of art and science will wow the audience until the end of the month.
Initiated by renowned physicist Tsung-dao Lee and late art master Wu Guanzhong (1919-2010), the exhibition has been held previously in 2001 and 2006. This year the theme focuses on "Information, Ecology and Wisdom".
The Avatar Morphing Station catches a lot of attention. People surround the TV-like electronic device, queuing to have an avatar look of their own.
Shi Danqing, designer of the device, holds his camera beside the crowd to take photos of transformations that intrigue him.
"Every avatar face the machine creates is unique," he says.
Strandbeests, meaning sand beasts, is designed to walk on the beach by Dutch artist Theo Jansen. Zhang Zixuan / China Daily
The machine utilizes the automatic face identification system, which is commonly used for security purposes, Shi explains. It then follows a specific algorithm to analyze the captured faces, stretch the muscles, add color and fur patterns, and then replace the eyes.
The previous version of the design was selected in 2009 by 20th Century Fox to be the outdoor interaction game to promote the movie Avatar, the designer says, who worked in the US at that time.
Now he's showing the upgraded version, "which is full of possibilities and imagination," says Shi, who now teaches at the Beijing-based Academy of Art and Design, Tsinghua University.
At another corner of the exhibition hall, designer Huang Shi is trying to make the butterfly on the screen fly to the top of the tree by using brain waves. A leaf falls down every time he blinks.
"Through a headband, the screen monitors my degree of relaxation, concentration and blink," says Huang. "When my relaxation reaches 70, the butterfly flies. The higher the score is, the higher the butterfly flies."
Huang believes all interaction between humans and machines will eventually be conducted by brain waves.
"Therefore, the work is my tribute to the future, through which I hope to arouse the audience's interest in technology," he says. Making people more relaxed is another reason he designed the technology, he adds.
At the same time, foreign designers also make their statements about art and science in various fun ways.
Dutch designer Daan Roosegaarde brings a hi-tech dress named Intimacy. The dress is made of opaque smart e-foils that can become increasingly transparent based on closeness and personal encounters with people.
The other item he presents is called Lotus, which is made of aluminum foil. When the human hand gets close to the object, the light bulb inside the foil lights up through induction. Then the bulb's light and heat will trigger the foil to unfold like a lotus blossom.
"My works connect technology with emotion, so that the creations will not be that cold," Roosegaarde says.
Another Dutch artist Theo Jansen also bears such human interest in mind. He has been obsessed with walking sculptures for 22 years.
Composed of plastic pipes and driven by wind, the sculptures with multiple feet can walk like real living beings.
Named Strandbeests - meaning sand beasts - these creatures are designed to walk on the beach. They are also able to store air pressure and use it to drive in the absence of wind. They can even change their walking path if the sand is too wet or too dry. And one species of "beast" can anchor itself into the earth if it senses a storm approaching.
"The exhibition is so vivid, which makes abstract science ap-proachable," says Liu Lu, a university student.
"The exhibition aims at revealing the inner relationship between art and science, and tries to explore the possibility of using scientific methods to express an artistic way of thinking and human interest," says Lu Xiaobo, curator of the exhibition and director of Academy of Art and Design of Tsinghua University.
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