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Science-Art News

We report on science-art-literature interactions around the world

Minor daily shows will be reported in the comments section while major shows will be reported in the discussion section.

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Latest Activity: Jan 23, 2020

“Study the science of art and the art of science.” - Leonardo Da Vinci

Leonardo Da Vinci: "Study the science of art. Study the art of science. Develop your senses and especially, learn how to see. Realize that everything connects to everything else" and "only through experimentation can we know anything."

Science is the king of art subjects. It is the art of inventions, discoveries, innovations and gaining more knowledge.

"Science is the new art".

Science-art:  selling art to  scientists and science to artists. 

Education is all about learning all those you want to learn and applying wherever possible.

Albert Einstein’s quote — “the greatest scientists are artists as well”.

Science has always relied on visual representation to convey key concepts.

  ‘If you can’t explain something simply, you don’t understand it.’ - Albert Einstein

Math is undeniably artistic

An interdisciplinary researcher must  face the challenge of being proficient in two (or multiple) different research areas! Not only must s/he be familiar with key principles and methodology in each area, but also understand baseless "biases" and "dogmas" that are a result of inbreeding, and struggle to fight these, as new knowledge emerges from her/his research. An unenviable task indeed! The pointlessness of evaluating such researchers work with conventional metrics should be aptly emphasized.

“The best scientists, engineers and mathematicians are incredibly creative in their approaches to problem-solving and application development”.

"Science, like art, is not a copy of nature but a re-creation of her." – Jacob Bronowski

In scientia veritas, in arte honestas — in science truth, in art honor

E.W. Sinnot, the American biologist and philosopher: "Stored images in the mind are the basis for new creative ideas."

Science based art and literature : communicating complexity through simplicity - Krishna

All religions, arts and sciences are branches of the same tree. All these aspirations are directed toward ennobling man's life, lifting it from the sphere of mere physical existence and leading the individual towards freedom.
--Physicist and Violinist Albert Einstein

Music gives soul to the universe, wings to the mind, flight to the imagination and life to everything by Anonymous

Every science begins as philosophy and ends as art - Will Durant 

Life itself is a beautiful interaction between art and science. You can't escape it! - Dr. Krishna Kumari Challa 

                    

"The Science of Art is like putting a microphone to the whispers of creativity that echo through the halls of every research laboratory fused with the late night musings of the artists in their studios" - Sachi DeCou

“Every Science begins as Philosophy and ends as Art, it arises in hypothesis and flows into achievement”- Will Durant, The Story of Philosophy

Scientists can be artists as well,  while they submit their academic papers, and theses they often draw their own illustrations!

Is suffering really necessary? Yes and no. If you had not suffered as you have, there would be no depth to you, no humility, no compassion.
-Eckhart Tolle

Science has enabled the kind of art we’ve never before seen.

Without the arts, science is hobbled. Without science, art is static.

John Maeda wrote of Leonardo da Vinci’s observations that art is the queen of science.

Science is as much cultural as art is cultural,”

Art is science made clear (what!).

"The aim of art is not to represent the outward appearance of things, but their inward significance." - Aristotle.

Science is a search for answers, based on logic, rationality and verification. Its workplace is the laboratory.

In contrast, art is a search for questions, based on intuition, feeling and speculation. Its workplace is the studio.

DaVinci himself said, "Art is the queen of all sciences communicating knowledge to all the generations of the world. "
"Art is the heart's explosion on the world. Music. Dance. Poetry. Art on canvas, on walls, on our skins. There is probably no more powerful force for change in this uncertain and crisis-ridden world than young people and their art. It is the consciousness of the world breaking away from the strangle grip of an archaic social order." - Luis J. Rodriguez.

For Dawkins, understanding the science behind natural phenomena (and sometimes being reminded of how much more we have yet to learn or discover) can still make our encounters with them sublime. From this point of view, science is the champion of artistic creativity, not its enemy.

"Scientists and artists are both trying to get a better understanding of the world around us, but they are doing it through different lenses,"

It takes many skills to achieve truly remarkable things. A diverse view to solving problems is best.

You need a deep understanding of science to actually manipulate concepts in novel ways and get creative in science - Krishna

"If you hear a voice within you saying, 'You are not a painter,' then by all means paint ... and that voice will be silenced, but only by working."
-- Vincent van Gogh, in a letter to his brother Theo, 28 October 1883.

"The line between art and science is a thin one, and it waves back and forth”

"One of the most common misconceptions about science is that it isn't creative — that it is inflexible, prescribed or boring. Actually, creativity is a crucial part of how we do science"!

"All knowledge has its origins in perception." Da Vinci.

“The scientist does not study nature because it is useful to do so. He studies it because he takes pleasure in it; and he takes pleasure in it because it is beautiful." Jules Henri Poincare

The beauty of art lies in the inimitable creativity of the artist and in the interpretation of the beholder.

"Artists see things one way and scientists another and the really interesting thing is in what's in between."

Einstein’s support of artistic endeavors is both well-known and well-documented.

“The greatest scientists are artists as well,” he once said.

Atul Dodiya (Indian Artist) : Life is beautiful as a painter. Changing colour, observing life and paying attention to every detail that we’re exposed to, and then giving our own vision to it… Nothing gives me more joy.

Art : You accomplish a task that is called art as there is no specific postulates or guidelines.

Science : You do the work with a set of guidelines.

"Change and risk-taking are normal aspects of the creative process. They are the lubricants that keep the wheels in motion. A creative act is not necessarily something that has never been done; it is something you have never done."
-- Nita Leland in The Creative Artis

 Pablo Picasso once said, "Good artists copy, great artists steal." All creative artists build upon the work established by the masters before them. ( Not me!- Krishna)

Creativity is allowing yourself to make mistakes.   Art is knowing which ones to keep – Scott Adams

‘Art makes science come alive for students’

Albert Einstein - “The greatest scientists are artists as well”.

“ Science art shows some of the incredible natural beauty that researchers in life sciences see every day in their work.”

Discussion Forum

Say 'No' to 'Sunburn Art’

Started by Dr. Krishna Kumari Challa. Last reply by Dr. Krishna Kumari Challa Jul 13, 2015. 1 Reply

Some facts

Started by Dr. Krishna Kumari Challa. Last reply by Dr. Krishna Kumari Challa May 29, 2015. 3 Replies

Using theater to communicate science

Started by Dr. Krishna Kumari Challa May 10, 2015. 0 Replies

Comment Wall

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Comment by Dr. Krishna Kumari Challa on October 12, 2013 at 7:34am

http://keystoneedge.com/features/philadelphiasteam1010.aspx
Building STEAM: Philadelphia Program Uses Art to Teach Science

Comment by Dr. Krishna Kumari Challa on October 12, 2013 at 7:33am

http://www.news-press.com/article/20131010/COASTAL_LIFE/310100016/T...
The Center for the Arts of Bonita Springs brings art and science together

Comment by Dr. Krishna Kumari Challa on October 12, 2013 at 6:43am

WORKSHOP: EXPLORING COLLABORATION & INTERDISCIPLINARITY Friday 22 November until Saturday 30 November Wellington Forest, Western Australia This residential workshop tackles the rather broad topic of collaboration, particularly collaboration between people not from the same disciplines.
The facilitator, Michelle Outram, is skilled in shaping emergent group processes and will propose a framework for the week which will be discussed and modified by the group throughout the workshop (or discarded altogether). This framework includes learning about each other through each of us developing and facilitating a workshop followed by a feedback session. This enables a reflexive understanding of each other's work and processes.
For further information: http://www.michelleoutram.com/western-australia-2013.html

Comment by Dr. Krishna Kumari Challa on October 12, 2013 at 6:40am

CALL FOR ABSTRACTS
Cloud and Molecular Aesthetics
Istanbul June 26-28 2014
The Third Transdisciplinary Imaging Conference at the intersections of art, science and culture seeks papers that explore the theme of the cloud and molecular aesthetics. Clouding occurs when information becomes veiled, foggy, fuzzy, obscure or secretive, or when it condenses, blooms and accretes into atmospheres of chaotic turbulence and pressure vectors, into tidal flows and storms. The cloud also is a new formation of data as a global and seemingly immaterial distribution of storage and means of retrieval. This data cloud exists everywhere and yet is nowhere in particular. As with the protocols of bit torrent files, the cloud provides a new concept of sound and image "assembly", distinct from and beyond the materialist machinic diagrams and the practices of re-mixing or remediation that became characteristic of late twentieth-century and millennial aesthetics. The cloud is not an object but an experience and its particles are the very building blocks of a molecular aesthetic in which we live and act.
http://blogs.unsw.edu.au/tiic/
Deadline for abstracts is Dec 14th 2013

Comment by Dr. Krishna Kumari Challa on October 12, 2013 at 6:40am

CALL FOR PAPERS
Contemporary Publics International Symposium Researchers in media and communication, cultural studies, creative arts and visual ethnography, journalism and public relations, architecture and urban design; postgraduate students, educators, and emerging career researchers, are invited to submit an abstract for a major international symposium held at Deakin University on 24-25 February, 2014. What is meant by the term 'contemporary publics' and how does that present new directions in thinking and research around the concept of 'public'. New notions on publics come from a range of media and communication, social, political and artistic fields of inquiry. Networked publics and micro-publics arise from digital cultures and new media platforms; boundaries now blur amongst advertising, public relations and their targets in both physical and virtual space; journalists strive to redefine the role of public broadcasting within new and obsolete concepts of media. Blogs, personal websites, webzines and new forms of engagement emerge within the affordances of technology like mobile phones and within intra-organisational spheres like Facebook and Twitter. Contemporary publics are transforming within urban, interior and installation spaces. Relentless inquiries into the new domains of public and private in the era of 21st century personalised capitalism and consumer culture reveal changing rhetorical and ideological values around of the notion of the public.
250 word abstracts to: kristin.demetrious@deakin.edu.au
Due: 4 November 2013

Comment by Dr. Krishna Kumari Challa on October 12, 2013 at 6:38am

Symbiotica:

Music and Human Evolution

Date: 11 Oct 2013
Time: 3:00pm
Location: SymbioticA
Speaker: Winthrop Prof Alan Harvey

Alan Harvey's interest in the evolution and neuroscience of music, through his experiences as both musician and neuroscientist is coalescing into a book-in-development. SymbioticA has hoped to have Harvey speak at one of its seminars for many years and we're thrilled to finally have him on-board.

Harvey's current research focuses on the use of gene therapy, cell/tissue transplantation, nanotechnology and pharmacotherapy in the repair of the central nervous system (CNS), with particular emphasis on the visual system and spinal cord. He is also involved in Alzheimer's disease research, and was a co-leader of the Foundational Research Program, WA Centre for Excellence in Alzheimer's Disease Research and Care (2006-2008). To date he has published over 160 scientific papers or book chapters, including publications in PNAS, Journal of Neuroscience, Brain, Molecular Therapy, Gene Therapy, ACS Nano, Progress in Retinal and Eye Research, Current Gene Therapy, Glia, Neurobiology of Aging, PLoS ONE, Molecular and Cellular Neuroscience, Investigative Ophthalmology and Visual Science, Journal of Neurotrauma, European Journal of Neuroscience, and Experimental Neurology.

Performance Lecture by Alex Murray-Leslie (Chicks on Speed)

Date: 18 Oct 2013
Time: 3:00pm
Location: SymbioticA
Speaker: Alex Murray-Leslie

Alex Murray-Leslie is a multidisciplinary artist, working between the mediums of embodied instrument design, Music, Fashion & Art. She is founder of Chicks on Speed, an international collective of Culture Shockers. Alex has just completed her role as Entertainment Manager at The 34th America's Cup World Series and as co-director of Diane Pernet´s A Shaded View on Fashion Film, Barcelona. Alex lectures & exhibits internationally, alongside researching, curating & programming cultural happenings at art institutions, theatres & cultural festivals globally.

Can You Hear the Plant (Scientist) Screaming?

Date: 25 Oct 2013
Time: 3:00pm
Location: SymbioticA
Speaker: Claire Pannell

The tales of a mad scientist. Claire will share her personal journey of discovery from the very beginnings. Once she had a promising career as an agricultural scientist and now she is developing a Foley noise art practise and putting elements of surprise into her job as a science communicator. How did she get there and how has her residency at symbiotica affected her journey?

Claire Pannell started her adult life as a soil scientist and plant nutritionist, with degrees from UWA (BSc. Agric. Hons) and Massey University, NZ (PhD) however her serious interests in music lead her to make a career change and she worked as an arts manager for 13 years. Pannell is currently employed at Scitech as a Science Communicator and is a multi-instrumentalist with a history of releases and performances in New Zealand, USA and Australia. Claire performs as Furchick with fistfuls and outbursts of joyful noise.

Comment by Dr. Krishna Kumari Challa on October 12, 2013 at 6:37am

From Sybiotica:

1.a SymbioticA related activities

Rethinking life through art
The 2013 Creative Arts Lecture, La Trobe University Melbourne
14 Nov 2013 time: 6:00pm
Speaker: Oron Catts
The cultural understandings of what life is and what we are doing in it are lagging behind the actualities of scientific and engineering processes. Our uncertainties about what 'life' is exacerbates the crisis in both humanities and sciences and we now face an urgent need to scrutinise and rethink both the crisis of sustainability and our treatment of the (nonhuman) other. This lecture will discuss how artists are helping us to rethink what life is and methods employed to deal with life as both a raw material and an ever contestable subject of manipulation. Looking at all levels of life from the molecular to the ecological, Oron Catts will address the need to develop a new cultural language when words seem to be no longer appropriate.
http://www.latrobe.edu.au/events/all/rethinking-life-through-art

EVOLUTION HAUTE COUTURE: ART AND SCIENCE IN THE POST-BIOLOGICAL AGE Edited and curated by Dmitry Bulatov
ISBN: 978-5-94620-073-8
How can the radicalisation and redundancy of science and technology progress be defined? What is the evolutionary potential of 21st Century technology trends such as robotics, IT, biomedicine, and nanotechnology? Each of these trends actualizes traditionally formed boundaries of the beginning and end of human existence, the demarcation of norm and pathology, and the distinction of the non (or semi) organic model or entity. These, and other issues, cannot be taken into consideration without the experience of contemporary techno-biological arts - the representatives of which do not so much confirm the technological versions of contemporaneity, as determine these versions' boundaries. Art created under new conditions of postbiology - that is, under conditions of an artificially fashioned lifespan - cannot help but take this artificiality as its explicit theme. In questioning the causes and consequences of technological progress and its central role in today's society, renowned representatives of contemporary art, science and philosophy are attempting to elucidate the foundation that gives rise to "artificial," "technological" reality, as well as to explain how this reality impacts us. Is it possible to reinvent a language that can simultaneously construct and describe the world of technology? The aim of this book is to show how artists are creating new forms and new identities - not as the protagonists of a historically-determined technological narrative, but as its creators.
This volume contains essays by artists, philosophers, scientists, and art historians, including Stephen Wilson (US), Roy Ascott (UK), Pier Luigi Capucci (IT), Paul Brown (UK/AU), Jon McCormack (AU), Simon Penny (US), Ana Viseu (CA), Susan E. Ryan (US), Laura Beloff (FI), Jana Horakova (CH), Dmitry Galkin (RU), Louis-Philippe Demers (SG), Chris Hables Gray (US), Erkki Huhtamo (US), Stelarc (AU), Andrew Pickering (UK), Steve M. Potter (US), Thomas S. Ray (US), Jens Hauser (GER/FR), Robert Mitchell (US), Konstantin Bokhorov (RU), Oron Catts (AU), Ionat Zurr (AU), Melinda Cooper (AU), Luciana Parisi (UK), Colin Milburn (US), Dmitry Bulatov (RU), Joanna Zylinska (UK), Eugene Thacker (US), and Boris Groys (US) http://networkedblogs.com/PxwSL 1.b SymbioticA public talks

Comment by Dr. Krishna Kumari Challa on October 10, 2013 at 7:15am

http://www.thefutoncritic.com/news/2013/10/08/nucleus-and-warner-br...
Nucleus and Warner Bros. Present "The Physics of Friendship: A Tribute to The Big Bang Theory"
The exhibit features more than 50 works in a variety of mediums by a roster of professional artists.
Read more at http://www.thefutoncritic.com/news/2013/10/08/nucleus-and-warner-br...
Nucleus and Warner Bros. Present "The Physics of Friendship: A Tribute to The Big Bang Theory"

Art Exhibition & Fan Celebration: Saturday, October 19, 2013, 7pm-11pm

Free Admission

· Open to Public

· No RSVP

· All Ages

· Costumes Encouraged Artwork on Display: October 19, 2013-November 10, 2013

LOS ANGELES (October 8, 2013) - From October 19-November 10, 2013, Nucleus and Warner Bros. present "The Physics of Friendship: A Tribute to The Big Bang Theory," an art exhibition featuring an international roster of visual talent capturing the equation of love, laughter and laboratories at the core of the super-smart hit show. Now in its seventh season, The Big Bang Theory (Thursdays 8/7c CBS) continues to perfect its winning formula, prompting this artistic tribute to its lovable cast of characters and their expanding universe.

The exhibit features more than 50 works in a variety of mediums by a roster of professional artists. To view a roster of artists, click here: www.bit.ly/bigbangtribute.

In addition to showcasing artwork inspired by the The Big Bang Theory, Gallery Nucleus will launch a pop-up shop featuring exclusive, limited-edition prints and merchandise featuring the art series.

To view a select preview of featured work from the exhibit, click here:

http://www.gallerynucleus.com/page/1826

· "The Big Bang Geometry," by Ale Giorgini - Silkscreen, 40"H x 30"W

· "The Big Bang Theory," by Dave Perillo - Giclée, 24"H x 18"W

· "Cog-nition," by Steve Simpson - Silkscreen, 24"H x 18"W

· "Space," by Boya Sun - Watercolor, Gouache & Ink Transfer, 11"H x 8.5"W

Opening Night Exhibition & Fan Celebration

Read more at http://www.thefutoncritic.com/news/2013/10/08/nucleus-and-warner-br...

Comment by Dr. Krishna Kumari Challa on October 10, 2013 at 6:32am
Comment by Dr. Krishna Kumari Challa on October 10, 2013 at 6:15am

http://www.gresham.ac.uk/lectures-and-events/creativity-in-art-crea...!

Creativity in Art, Creativity in Science
Thursday, 24 October 2013 - 6:00pm
Barnard’s Inn Hall
Subject:
20th century history, Art and literature, History, Medical science, Science, Unusual
Overview

In his lecture, Professor Miller will consider the concept of creativity in the context of his research into the history and philosophy of nineteenth and twentieth century science and technology, cognitive science, scientific creativity, and the relation between art and science.

His books include Empire of the Stars and Einstein, Picasso: Space, Time and the Beauty that Causes Havoc, which was nominated for the Pulitzer prize.

 

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