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Tech & Digital Art

Technology assisted art and technology related art

Members: 20
Latest Activity: Apr 3, 2021

"The Science of Art is like putting a microphone to the whispers of creativity that echo through the halls of every research laboratory fused with the late night musings of the artists in their studios" - Sachi DeCou

Technology has always been at the forefront of enabling art.

The new technologies can aid artists to explore new grounds to work on.

Discussion Forum

Apple Store - From An Artist's View Point

Started by Dr. Krishna Kumari Challa. Last reply by Dr. Krishna Kumari Challa Sep 11, 2015. 1 Reply

Many don’t think it’s possible, much less practical, to fuse modern technology with an exotic blend of humor and creativity. That’s why Fueled invited artist Evan Yee to install his renowned “The App…Continue

Tech visualization

Started by Dr. Krishna Kumari Challa Aug 3, 2013. 0 Replies

A gigapixel image is a digital image bitmap composed of one billion (109) pixels…Continue

A computer that enables users to paint through the power of thought

Started by Dr. Krishna Kumari Challa May 28, 2013. 0 Replies

A Computer that enables  users to paint through the power of thought has been developed by scientists, media reports revealed.To the viewer it is an accomplished semi-abstract image of flowers and…Continue

Part 2. Google art project

Started by Dr. Krishna Kumari Challa May 22, 2013. 0 Replies

From Google Blogs Mario Testino to "The Scream" via Mark RothkoPosted: 21 May 2013 01:00 AM PDT Every day on the Art Project Google+ page we post a snippet of information about a painting, an artist…Continue

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Comment by Dr. Krishna Kumari Challa on May 15, 2013 at 5:29am

http://www.daily-chronicle.com/2013/05/11/workshop-at-northern-illi...
Workshop at Northern Illinois University melds art, electronics
Art met science and fun Saturday at the Electric Art Lab.

The lab was hosted for the second time in a row by the Bright Futures community program run by Northern Illinois University’s STEM Outreach. The program encourages children’s interest in electronics, said STEM Outreach associate Jeremy Benson.

The lab isn’t completely focused on the science side of electronics. Bart Woodstrup, who teaches electronic art at NIU and oversaw the lab activities, said there is not much difference between what artists and scientists do.
This is about teaching students how to build a circuit and then make art with it. The program teaches students how to make video games, video and animation.

Comment by Dr. Krishna Kumari Challa on May 9, 2013 at 7:10am

http://vida.fundaciontelefonica.com/en/call_entries-vida15/

VIDA
Art and Artificial Life International Awards

Comment by Dr. Krishna Kumari Challa on May 9, 2013 at 7:06am

CALL FOR PROPOSALS
re-new 2013
The Big Picture - the confluence of art, science and technology Copenhagen, Denmark October 29-November 1, 2013 Since 2007 re-new has presented electronic and digital artworks that explore and challenge technology and artistic practice, while fostering exchange between academics and artists. In addition to its internationally recognized media arts festivals, re-new has organized leading conferences in the field, including CMMR 2008 and 2009 and IMAC 2011 and 2012. These events have received over 2000 artwork submissions and 800 academic submissions, and reached a total audience of 12,000. Beginning in 2013 re-new will join the media arts festival with its own academic platform. Our goal is to stimulate critical dialog, collaboration and networking between leading scholars, technologists and artists. re-new 2013 will make possible hybrid presentation formats where the confluence of art, science and technology is discussed in its full complexity http://re-new.org/ Proposals due: June 15 2013

Comment by Dr. Krishna Kumari Challa on May 3, 2013 at 5:54am

http://www.todayonline.com/entertainment/arts/art-science-and-fancy
Art, science and fancy
Sustainability and the digital world explored at the Digital Arts Weeks International

Comment by Dr. Krishna Kumari Challa on May 2, 2013 at 5:45am

http://www.arirang.co.kr/News/News_View.asp?nseq=146594
Art and machinery mingle in Daejeon residency program
miniature helicopter flies around the room, hitting piano keys to play music.
It's a hybrid artwork that was developed by a group of artists and scientists and it's on display now at the Korea Institute of Machinery and Materials, also known as KIMM, in Daejeon.
The institute, a state-run laboratory, uses a mixture of art and technology to further its scientific aims and find other applications for its work, such as when it participated in the restoration of Korea's state seal.
The helicopter piece was created through a six-month artist residency program called Artience, a program where artists and scientists collaborated on projects that used a mixture of science, mechanics and technology.. and art forms such as painting, music and dance.. to create new works of art.
(In Korea)

Comment by Dr. Krishna Kumari Challa on April 24, 2013 at 5:22am
Comment by Dr. Krishna Kumari Challa on April 24, 2013 at 5:21am

http://www.complex.com/sneakers/2013/04/nike-presents-the-art-scien...
The Art + Science of Super Natural Motion
The Art and Science of Super Natural Motion is a new interactive experience that is hosted by the Nike Stadium Milano. Cutting-edge digital artists Universal Everything, Daniel Widrig and Davide Quayola and Natari Sinigaglia take the creative innovations of Nike’s Free and Flyknit technology to create an interpretation of the body in motion in a 3D environment.

UK-Based Universal Everything created a 3D interactive cube that allows the viewer to use their body to manipulate a conglomerate of colors. The Art and Science of Fit is what this experience is called, which is shown in the video. The Art of Science and Flex, however has taken an altered approach using the vision of Daniel Widrig and the two collaborators, Quayola + Sinigaglia.

David produced an elaborate animation taking multiple snapshots of a complex geometric object moving through a 3D space; creating movement and flexibility in unexpected ways. And the two collaborators use a time based digital sculpture, combining a mixture of sounds and visuals, to create a display a transformation that continually evolves; just like the body does.

The exhibition is set to travel to Tokyo, London and New York until October 2013 so we can all enjoy this awe-inspiring experience.

Comment by Dr. Krishna Kumari Challa on April 21, 2013 at 5:14am
Comment by Dr. Krishna Kumari Challa on April 20, 2013 at 5:48am

Exhibition :: Cyber In Securities :: Call for Entries :: USA
Deadline for Submission 10 May 2013 :: Exhibition 28 August - 27 September 2013
At Pepco Edison Place Gallery, 702 8th St. NW, Washington, DC, 20068
CYBER IN SECURITIES explores data collection and imaging surveillance practices in the United States, highlighting artists whose work makes visible experiences of tracking and being tracked in a digital age. The call is open to projects in any media, including but not limited to installation, video, screen and web-based work, relational and performance work, interactive projects, and work in traditional media. The curator is especially interested in projects that make data power structures tangible and explore contemporary interpretations of privacy, and whose work engages with such topics as the USA Patriot Act, FBI surveillance, artificial perception systems, x-ray security, Identification cards and cyber-security. Artists whose work explores issues related to gender and ethnicity, citizenship, migration, transport, voyeurism, Orwellian culture, the panopticon, stalking, marketing, privacy, mapping, and tracking are also encouraged to submit projects for consideration.
http://wpadc.org

Comment by Dr. Krishna Kumari Challa on April 20, 2013 at 5:47am

Call for Articles :: Hybridity: The Intersections between Performing Arts and Science
Submit essays by 1 May 2013 :: Publication of Special Issue (10.2) on 1 September 2014
The International Journal of Performance Arts and Digital Media is dedicating an entire issue to new interdisciplinary connections and intersections between performance and science, as a creative and practical tool to expand and support the creative endevours of digital practices in art and performance.
Essays should be between 5,000 and 8,000 words, and include images as appropriate. Co-authored articles are also welcome. Please submit your essay, formatted according to Intellect style by 1st May 2013 to both mailto:m.oliver@salford.ac.uk and eirininedel@gmail.com
http://www.intellectbooks.co.uk

 

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