Science, Art, Litt, Science based Art & Science Communication
Technology assisted art and technology related art
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Latest Activity: Apr 3, 2021
"The Science of Art is like putting a microphone to the whispers of creativity that echo through the halls of every research laboratory fused with the late night musings of the artists in their studios" - Sachi DeCou
Technology has always been at the forefront of enabling art.
The new technologies can aid artists to explore new grounds to work on.
Started by Dr. Krishna Kumari Challa. Last reply by Dr. Krishna Kumari Challa Sep 11, 2015. 1 Reply 1 Like
Many don’t think it’s possible, much less practical, to fuse modern technology with an exotic blend of humor and creativity. That’s why Fueled invited artist Evan Yee to install his renowned “The App…Continue
Started by Dr. Krishna Kumari Challa Aug 3, 2013. 0 Replies 0 Likes
A gigapixel image is a digital image bitmap composed of one billion (109) pixels…Continue
Started by Dr. Krishna Kumari Challa May 28, 2013. 0 Replies 0 Likes
A Computer that enables users to paint through the power of thought has been developed by scientists, media reports revealed.To the viewer it is an accomplished semi-abstract image of flowers and…Continue
Started by Dr. Krishna Kumari Challa May 22, 2013. 0 Replies 1 Like
From Google Blogs Mario Testino to "The Scream" via Mark RothkoPosted: 21 May 2013 01:00 AM PDT Every day on the Art Project Google+ page we post a snippet of information about a painting, an artist…Continue
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http://www.creativityawards.com/Call_for_Entries.php
Call for Submissions: Creativity Media & Interactivity International Awards 2013
Posted on Jan 21, 2013 in Calls to Artists, design, digital media, film & video, illustration, Media Arts, OPPORTUNITIES, photography
http://in.reuters.com/video/2013/01/15/art-and-science-come-togethe...
Art and science come together in Nikon time-lapse competition (1:37)
Jan. 15 - A time-lapse movie showing the immune response in the lymph nodes of a mouse edged out a fruit fly sperm fight for top honors at this year's Nikon ''Small World in Motion Photomicrography'' competition. Now in it's second year, the competition showcases 2012's best time-lapse imagery as seen through through a microscope.
INTERNATIONAL W?NANGA-SYMPOSIUM IN TARANAKI FEBRUARY 2013
Registrations are open for the international symposium SCANZ 2013:3rd
nature. Representatives of local Taranaki groups including iwi will
meet with representatives of 10 universities and two New Zealand
Research institutes on 1-3 February 2013. The primary aim is to bring
together people from Aotearoa and around the world to talk about
integrating indigenous knowledge into art, science and technology
projects. Dr. Te Huirangi Waikerepuru is a keynote speaker, as is
Leonardo Board Member Nina Czegledy, an international artist-
scientist who lives in Canada and Hungary. Find out more
FREE ENTERPRISE: THE ART OF CITIZEN SPACE EXPLORATION
University of California, Riverside (UCR) ARTSblock presents "Free
Enterprise: The Art of Citizen Space Exploration" (19 January-18 May
2013), the first contemporary art exhibition in the U.S. to present
an international array of artists and organizations who are exploring
the implications of civilian space travel. Free Enterprise is
comprised of 25 artists, collectives, organizations, and initiatives,
including Lowry Burgess, Richard Clar, Kitsou Dubois, MIR -
Microgravity Interdisciplinary Research, Frank Pietronigroand Arthur
Woods. Opening events include Reception and Panel Discussion with
curators and artists, Saturday, January 19. Panel Discussion 3-5 p.m.
Reception 6-9 p.m. Free and open to the public. The exhibition opens
19 January 2013.
INTERNATIONAL SYMPOSIUM CALL: UNDERSTANDING VISUAL MUSIC 2013
The Electronic Arts Experimentation and Research Centre ? CEIArtE
(Centro de Experimentaci?n e Investigaci?n en Artes Electr?nicas) of
the National University of Tres de Febrero (Universidad Nacional de
Tres de Febrero) in Argentina is issuing a call for papers and
artworks about videomusic to be considered for the UVM 2013
symposium. The conference theme, "From macro to micro," suggests the
possibility of exploring multiple universes that we are just
beginning to discover. The symposium will include a colloquium which
invites artists-researchers and academics to expose their
explorations and findings, and concerts -open to the general public-
with ?visual music? works. Symposium: 8-9 August 2013, Buenos Aires ?
Argentina. Submissions deadline: 12 March 2013, midnight Buenos
Aires time.
CALL FOR ARTICLES: HYBRIDITY: THE INTERSECTIONS BETWEEN PERFORMING
ARTS AND SCIENCE
The International Journal of Performance Arts and Digital Media is
dedicating an issue to new interdisciplinary connections and
intersections between performance and science, as a creative and
practical tool that expands and supports the creative endeavors of
digital practices in art and performance, and also as a critical
framework to discuss and apprehend the impact of digital media arts
on the human experience. Essays should be between 5,000 and 8,000
words, and include images as appropriate. The journal seeks essays by
practitioners, researchers and scholars; co-authored articles are
also welcome. Submit essays by 1 May 2013. Publication of Special
Issue (10.2) on 1 September 2014. Essay submission deadline: 1 May
2013.
CALL FOR ABSTRACTS: MEDIA ART HISTORIES 2013: RENEW
The 5th International Conference on the Histories of Media Art,
Science and Technology, Renew, will be hosted by RIXC and held in
Riga, Latvia, 8-11 October 2013, coinciding with the international
festival for new media culture Art+Communication. The conference will
host three days of keynotes, panels and poster sessions on the
histories of networked digital, electronic and technological media
arts. The conference will discuss sustainable approaches towards the
issues of producing, preserving and representing media artworks --
how to "renew" them through both tools and histories. Deadline for
Abstracts: 25 January 2013; Acceptances announced 25 March 2013.
CALL FOR SUBMISSIONS: 2013 PRIX ARS ELECTRONICA
Entries for 2013 Prix Ars Electronica prize consideration are
currently being accepted. The competition is being held in seven
categories, including one for Austrian youngsters. The leading
barometer of current trends in media art, the Prix Ars Electronica is
the world?s most highly endowed prize for computer art. Jurors award
six Golden Nica statuettes, [the next idea] voestalpine Art and
Technology Grant, 12 Awards of Distinction and a number of Honorary
Mentions. Entries can be submitted to http://prix.aec.at/. Deadline:
8 March 2013. You can nominate interesting works and other people?s
projects at http://prix.aec.at/nomination.
THE SANTA FE INTERNATIONAL NEW MEDIA FESTIVAL
CURRENTS 2013, the 4th Annual Santa Fe International New Media
Festival, will be held in Santa Fe, New Mexico, 14-30 June 2013.
CURRENTS' curators look for the unique ways artists use technology as
a tool for expression and communication, and ways that scientists,
programmers and developers are integrating the arts and aesthetics
into their explorations and projects. 2013 will be the first year
CURRENTS and the Santa Fe Art Institute will collaborate to offer a 2-
month residency award at the Art Institute. All artists submitting in
the installation category are invited to indicate their interest.
Entry Deadline: 1 February 2013. Festival dates: 14-30 June 2013.
Creativity and Cognition Studios (CCS) is an internationally recognised multi-disciplinary environment for the advancement and understanding of practice in digital media and the arts.
Call for Articles :: Hybridity: The Intersections between Performing Arts and Science
Submit essays by 1 May 2013 :: Publication of Special Issue (10.2) on 1 September 2014
The International Journal of Performance Arts and Digital Media is dedicating an entire issue on new interdisciplinary connections and intersections between performance and science, as a creative and practical tool that expands and supports the creative endevours of digital practices in art and performance, and also as a critical framework to discuss and apprehend the impact of digital media arts on the human experience.
This timely discussion, prompted largely by developments in new media technologies and the interpretation of performance as an expansive medium, will highlight the growing number of collaborative interdisciplinary relationships that are taking place with a wide spectrum of the sciences.
All submissions will be given due consideration. They could include (but are not limited to) the following areas of investigation:
Physical performance and Geometry: The (re)configuration of space. Moving from corporeality into the virtual and vice versa; Arts and Neuroscience: New interpretations of human perception through interactive performance; Theatre and Engineering: The impact of new communication systems on the development of new performance paradigms; Performance and Medicine: The potentialities of accessing, ‘transforming’, and ‘modifying’ the human body; Biology and Performing Bodies: The reformation of the performer’s ‘identity’ and ontology. The living and semi-living and their ethical implications; and Audience Participation and Computer Science: Burgeoning virtual communities. The end of physical participation?
Essays should be between 5,000 and 8,000 words, and include images as appropriate. We are seeking essays authored by practitioners, researchers and scholars. Co-authored articles are also welcome. Please submit your essay, formatted according to Intellect style by 1st May 2013 to both mailto:m.oliver@salford.ac.uk and eirininedel@gmail.com
http://www.intellectbooks.co.uk
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