Science, Art, Litt, Science based Art & Science Communication
Technology assisted art and technology related art
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"The Science of Art is like putting a microphone to the whispers of creativity that echo through the halls of every research laboratory fused with the late night musings of the artists in their studios" - Sachi DeCou
Technology has always been at the forefront of enabling art.
The new technologies can aid artists to explore new grounds to work on.
Started by Dr. Krishna Kumari Challa. Last reply by Dr. Krishna Kumari Challa Sep 11, 2015. 1 Reply 1 Like
Many don’t think it’s possible, much less practical, to fuse modern technology with an exotic blend of humor and creativity. That’s why Fueled invited artist Evan Yee to install his renowned “The App…Continue
Started by Dr. Krishna Kumari Challa Aug 3, 2013. 0 Replies 0 Likes
A gigapixel image is a digital image bitmap composed of one billion (109) pixels…Continue
Started by Dr. Krishna Kumari Challa May 28, 2013. 0 Replies 0 Likes
A Computer that enables users to paint through the power of thought has been developed by scientists, media reports revealed.To the viewer it is an accomplished semi-abstract image of flowers and…Continue
Started by Dr. Krishna Kumari Challa May 22, 2013. 0 Replies 1 Like
From Google Blogs Mario Testino to "The Scream" via Mark RothkoPosted: 21 May 2013 01:00 AM PDT Every day on the Art Project Google+ page we post a snippet of information about a painting, an artist…Continue
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The science, art and impact of digital cinema:
http://www.straight.com/article-782771/vancouver/viff-2012-review-s...
http://www.abqjournal.com/main/2012/09/22/north/art-meets-science-a...
The IAIA technology hub is hosting the northern branch of the Albuquerque-based 18th International Symposium On Electronic Art, through dome exhibitions and an outdoor sound walk at the south Santa Fe campus.
ISEA 2013 Sydney Australia
The 19th International Symposium on Electronic Art will comprise engaging presentations and thought-provoking speakers and discussions. Join them for informed dialogues, dynamic debates, enlightening keynotes and experimental incursions into the extensive and diverse practice of electronic media arts. They are keen to connect and intertwine the conference sessions with the wider artistic program, and they are looking for a variety of formats and engagement for presenters and participants to ensure a high quality of thought, deliberation and discussion. Their vision for the conference is to provide sessions with genuine engagement. They ask that their delegates think differently about how they envisage the format of their presentation. To aid this, they have outlined a number of formats for you to choose from:
Abstracts Due: Friday, 14th November 2012
EVOMUSART 2013
2nd International Conference on Evolutionary and Biologically Inspired Music, Sound, Art and Design
3-5 April 2013, Vienna, Austria
EvoStar 2013 will take place 3-5 April 2013 at the Vienna University of Technology.
Calls for papers are available at the five separate EvoStar conferences:
EuroGP, EvoBIO, EvoCOP, EvoMUSART and EvoApplications
Submission deadline is 1 November 2012
A conference flyer is available for download in pdf format here.
CALL FOR PAPERS/CONTRIBUTIONS
Special Issue for the Fibreculture Journal: The Politics of Trolling and the Negative Space of the Internet What are the consequences to seeing trolling and other forms of affective behaviour as the norm, rather than the aberrant? The discourse of digital art has long since told this story, but the intellectual desire for open and constitutive democracy has overridden the 'actually existing democracy' of bullying, trolling, threats, inane memes and low signal-to-noise ratios. What would happen if we started to think of trolling as the central practice in online discourse? What if trolling is the Internet's signature mode of discursive politics? What if we started to think about trolling as a practice which is generative rather than destructive?
This special issue of fibreculture seeks a range of perspectives on trolling, online conflict and incivility. Twenty years on, it looks to interrogate the founding myth of virtual community with accounts of generative conflict, strategic incivility, and productive trolling.
Abstract deadline: October 15, 2012
Article deadline: January 15, 2012
Publication aimed for: April/May, 2013
Contact: Jason Wilson Jason.Wilson@canberra.edu.au http://fibreculturejournal.org/policy-and-style/
CALL FOR PROPOSALS
Prix Ars Electronica Collide@CERN Residency Award CERN and Ars Electronica launch an open call for artists working in the digital domain to apply for the second Prix Ars Electronica Collide@CERN Residency Award. The winner will receive a fully-funded residency at CERN and Ars Electronica to create new dimensions in their artistic practice by encounters with the world of science. This is the second year of the collaboration between CERN and Ars Electronica. Online submissions can be made here http://collide.aec.at
Due: 26 September 2012
From Google :
Arts and entertainment take the stage at our most recent Big Tent
Posted: 21 Sep 2012 03:55 PM PDT
What happens when you bring together the head of the Metropolitan Opera, YouTube creators, Comedy Central and Justin Bieber’s manager to discuss the Internet’s impact on arts and culture?
In partnership with the NYC Mayor’s Office of Media and Entertainment, our Big Tent in New York City, held this week, fostered a constructive and sometimes challenging conversation that saw more opportunities than challenges for artists through the Internet and technology.
While the speakers recognized the disruptive force of the Internet, they also saw the possibilities that technology creates for artists of all stripes to connect with audiences and tell stories in creative ways. As Scooter Braun, manager to artists including Justin Bieber, said, “I don’t think the music industry has changed as much as people think it has. It starts with music. All we have to do today is study interaction, which is the same thing we’ve always had to do.”
Many speakers saw the Internet as essential to their own creative endeavors. YouTube creators like Michelle Phan, Issa Rae and Julia Nunes all used online platforms to launch their careers.
Newsweek Daily Beast’s art and design critic Blake Gopnik, while seeing benefits to new cultural platforms like Google Art Project, reminded the audience of the importance of appreciating the space that contextualizes a work of art. His message of the communality and shared experience of viewing art live was one that resonated with speakers from the performing arts who stressed that the live experience could not be replicated or replaced by technology.
Google chairman Eric Schmidt made a surprise appearance and emphasized the power of mobile and new platforms to change the way we live. He highlighted how the Internet has led to an increase in content and lower costs of distribution. One of the accompanying challenges, he noted, is how, in this shift to abundant content and cheaper distribution, business models adapt to build audiences and deliver value.
The afternoon ended with drinks under a literal big tent, hosted by Cirque du Soleil, which launched Movi.Kanti.Revo—a new sensory Chrome experiment—to close out the day.
Each Big Tent gives us the opportunity to engage with our audience on the impact of the Internet and society. Our next event is on innovation and entrepreneurship in Seoul, South Korea. Keep up with us at www.google.com/+googlebigtent.
Posted by Peter Barron, Director, External Relations, Europe Middle East and Africa
http://www.sfgate.com/art/article/Tech-art-intersect-at-Zero1-Bienn...
Tech, art intersect at Zero1 Biennial
http://www.timeshighereducation.co.uk/story.asp?sectioncode=26&...
The festival will showcase the projects, which involve academics joining up with filmmakers, theatre companies, magicians and musicians, not to mention an archaeologist working with the South Yorkshire Police to recreate a historic crime scene.
"I want to give people a scientific wow experience" when the vacuum seal is opened and "the hemispheres separate and the horses and giraffes collapse. Scientists should be more like showmen. We need to increase wonderment."
(Should the scientists be more like showmen? I don't agree!They have better and serious things to do! There are artists to do these things and help scientists. That is what collaborations between artists and scientists can do! - Krishna)
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