Science, Art, Litt, Science based Art & Science Communication

Interview with Timur Si-Qin; Message to Mr. Mark Gould

Timur Si-Qin is an artist who stated in his work

which seems to have been well evaluated by art criticism.

In the interview T.S-Q. look and essence of his concepts are translated into art,

Cites the philosopher Manuel De Landa on, which feels close.

In principle an artistic style which reached its, can not be opposed

another artistic style.

But if TS-Q's conception of fine art emerges

tendency to absolutization in anticipation original creations coming years.

He Exaggerate considering post modernism as outdated.

He claims to have introduced science and philosophy in his art.

I quote:

. In particular nonlinear dynamics (a.k.a. chaos theory), which had fascinated me some years prior but was until then very remote from philosophy or art. Nonlinear dynamics is fundamentally about patterns in complex systems and therefore pertains to practically everything (from population growth to brain cells to the stock market). The interesting thing about this science is that it shows that reality, far from being comprised mostly of random events and noise, is actually highly structured, albeit inherently unpredictable at every scale

He does not introduce new techniques that prove reproducible effects, which

to transmit sensations.

Such elements in his compositions do not appear to suggest Concepts

nonlinear dynamics (chaos theory a.k.a.)

evolutionary psychology (referred)

They can be at most titles compositions to inform

about his inspiration.

His works are part of the huge mass compositions using

conventional techniques.

For orientation we call scientific selection criteria Google

see keyword

1. painting images

About 2,080,000,000 results (0.32 seconds)

For these 2 billion images (results) Gooble selects and

publishes over 1000 images.

Of course TS-Q sets sensory connections with philosophical concepts they cite,

when you look propriele compositions. These links do not have the technical support to be

communicated to other persons.

On this occasion I repeat some aspects of my research;

Foresee opportunities to aims at a continuum between written ideas and fine art images.

Perhaps you can give numerous examples. But these should be communicated

in dual form: written synthesis; of fine art painting corresponding.

I have studied the possibility of bringing a literal description of an abstract composition

of fine art.

Excerpt from:

Bioptical Art; Science Art Literature

I submit as, for example, a study of the inheritance literature-Art

Fig. 11 L. Iliescu, Study C, oil on cardboard, 65x90 cm

Stereo-binogram (arranged for crossed-eye viewing)

Fig. 12 Detail of figure 11

In Figure 11. I present a way of generating in fine art abstract forms. This method can be called stimulated abstraction

link; Abstractizare stimulata

Is used a text description, and after some time to paint abstract shapes that suggest the actions of the description. So these forms can also be references to reality. For example I used an episode of The Talisman novel, written by Sir Walter Scott, where Saladin, the Sultan of Egypt, and Richard the Lion Heart, King of England, meet in a desert in the Holy Land for a conference in which each has an opportunity to display his prowess. … Heavy sword, iron bar, built with refinement sword, veil.

In this way we can say that they try a continuum between fine art and literary description. The theme can be developed in several paintings by one or more artists. The exhibition is a resonance space, people will experience feelings of abstraction process, knowing description.

I say that in this case perceptions are mainly developed by bioptical stimuli, the conflict being their support.

Of course the theme that I propose can be made more professional by artists of fine art.

To explain what I mean by bioptical techniques than conventional techniques

(know) I give some examples from my research that refers to the introduction of stimuli unused still in fine art compositions

Their referral involves training to gain new skills related to visual sense

In good measure these skills, resulting from my research applied to fine art types of stimuli resulting from,

known areas: Binocular Rivalry, Colour Fusion Helmholtz and Stereoscopy.

From my research resulted in two more stimuli: colour fusion with mark and field rivalry WITH MARKS

Examples of stimuli:

Stimulus for binocular rivalry.

At intervals of a few seconds is observed in sequence

vertical and horizontal lines.

This introduces the time into painting;

for bibliography post on Google

fine art visual sense time

Stereo-binogram (arranged for crossed-eye viewing)

Stimuli for: Colour fusion Helmholtz and Stereoscopy

bioptical interpretation of the composition; Kazimir Malevich, Blue triangle and black rectangle.

Stereo-binogram (arranged for crossed-eye viewing)

Primary stimulus for stereoscopic.

It can be applied manually, according to rules, in rhythm, in which they paint, second after second, allowing comebacks (like colour touches) when the effect is not confirmed by the painter's own artistic sensibility.

Link; 12. Visual-sense-storming

Aspects

Timur Si-Qin confusing considering that his philosophical sources of inspiration are transposed as fine art communication techniques.

His techniques are common in conventional fine art.

Print keyword, painting images

Googel selects over 1000 images of ~ 2,000,000,000 results

situation that could mean a crisis of originality in fine art

(at least in launching major movements)

See my considerations:

15. Psychical satiety in affectivity.

Practicing artist painting offers an intimate relationship with art

originality intimate that satisfies the need to express his talent,

even if their emotional states are more difficult to communicate and exploited.

Are also inspired artist, how to Si- Qin, which to paint compositions that make fun of a large number of people.

Again some aspects of my researcher;

Effects arising from the application of bioptical stimulus can be accessed only

by training new skills about visual sense.

I have highlighted effects such as:

Psychophysical mixture of colors, retinal cooperation, antispace in art, spatial harmony, bispace in art, psychic cycle, dynamics of space depth, spatial disharmony, hyperrealistic effects, hiatus in art, visual gradient, hyperspace in art, field binocular rivalry.

See link; 3. Bioptical effects, definitions

These effects appear (usually) in sequence (sequential) and I make the assumption that training can be developed based on inherited structures from which man evolved beings and that their eyes were placed in a lateral sides of the head.

This assumption is probably already under consideration by paleontologists; not the subject of my research.

Some people see these effects spontaneously, others through training and

others even if they look normal with two eyes, can not be trained to see.

Emphasize that this observation is only partially in cross-eyed gaze, which can be applied to fine art than explanations, failing the bioptical device.

Effects can be relaxed look with this device

I have given drawings for this bioptical device.

Drawings for execution bioptical device.

Execution device can be done by means of bricolage.

Experts, art critics do not make sense, unless they

gained skills, observation bioptical stimulus effects outlined above.

Regarding the effects bioptical referral, after experimenting, I defined the standard obsevator person (teenage or mature) with only preparations primary and secondary.

From this point of view, art lovers and experts, in contact with bioptical effects, all are beginners level. Of course experts integrating bioptical techniques

in their accumulation will become experts in Biopticaal Art (B.A.)

Experts, art critics do not make sense, unless they

gained skills, observation bioptical stimulus effects outlined above.

Regarding the effects bioptical referral, after experimenting, I defined the standard obsevator person (teenage or mature) with only preparations primary and secondary.

From this point of view, art lovers and experts, in contact with bioptical effects, all are beginners level. Of course experts integrating the bioptical techniques

in their accumulation will become experts in B.A.

Because the until now. publications have appeared on the B.A.

recommend selections Google for documentation accessed through keywords (my domains)

fine art visual sense images

fine art visual sense time

I am selected; see icon

and title

12. visual sense storming ; The paired off visual signal : Liviu Iliescu

******************

Mr. Mark Gould

Your theme

Seeking Information for article on Scientific Measurement of Aesthetics

is interesting to me.

I hope those presented earlier can enter in my research.

Certainly establish measurement methods and character sensations

(pleasant, relaxing ...) that people have when contemplating

fine art compositions I see as a difficult goal.

In this regard I agree with that to respunsul you received from

Dr. Krahsna from which I quote:

Although scientists are trying to give a formula for good aesthetics, I am not very convinced. There is still a lot of work to do to arrive at a conclusion. One person's beauty is another one's ugliness. Things like cultural conditioning of minds play a lot of role in having aesthetic experiences and therefore it is difficult to have universal scientific measurements.

But I can show how I did some object using the apparatus for measuring the intensity of emotions, trying to find methods of psycho-therapy visual communications.

See description (link)

5. Laboratory hall for visual therapy

The therapist can choose from over 3000 tests

(paintings, photographs, sculptures, some of them bioptical compositions)

Patient behavior (7) is followed by various

measuring devices (some without physical contact with the patient)

I think that using the devices can determine psychological influence

I think that bioptical effects are particularly effective for observing the effects which the patient is required to train new skills, related to visual sense and is, in addition, faced with mostly primitive perceptions.

I got nr.123477 OSIM patent;

CABINET FOR VISUAL PSYCHOTHERAPY.

I offer the patent, with explanations.

for application, free of charge.

I wanted to get the patent in order to obtain confirmation of my competence. I was granted patent as a result of the examination, documentation by experts, including the doctors. They find originality in the world, confirms the feasibility of the technique and find possible effective implementation.