Contemplating the concentrations of stimuli that are in the surrounding universe and stimuli that are created in fine art

  Contemplating the concentrations of  stimuli that are in the surrounding universe

 and stimuli that are created in fine art

         About;  see Link:

             #GAMAstroArt: AstroArt panel: Contemporary Arts Practice and Outer ...

 http://kkartlab.in/profiles/blogs/the-future-of-scinece-art

I subscribe to this perspective too reading your intervention, Dr.Khrisna, I evoked the fascination contemplation starry sky:

   zodiac and beyond imagining, headquarters of the gods.

  Of course should the artists who are inspired and want to stellar sphere intersect with their forms,

  meet difficulty because they do not introduce impurities which disturb contemplation, for example to introduce forms already used,   of numerous of abstract representations.

Maybe they will put satellites whose points the shining to form, constellation the rose

Pleiad of points can be made ​​up of satellites with practical assignments, enrolling in Chapter artifacts

useful, which causes and  disinterested interest  (techniques in aesthetic terms)

In my desire to feel somewhat utopian  the combination to sensations from the outside world  and the sublimation of

mental structures, I imagined what I called:

see link:

7. Psychodrom

Extract

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The Psychodrome together with Hubble require insignificant efforts, as compared to the supreme efforts made for total destructions, to introduce the absurd vacuum in the space towards the Divinity.

 Fig. 7.1

  Fig. 7.2

  Fig. 7.3

The PSYCHODROME has two components: 
- Psycho-A, that is functional statuary forms, liable to capture, amplify and reproduce stimuli from the outer world. 
- Psycho-B, that is a group of areas comprising facilities for bioptical images for interhuman communications by means of sensory pathways. 
PSYCHO-A 
The idea of creating a functional monumental complex for the capture, amplification, and reproduction of stimuli from the surrounding world has originated in an enigmatic drawing by Constantin Brancusi, entitled "Relativement, tel que moi" (figure 7.1), which may be translated by "In a way, this is my self". The upper triangle gathers aethereal fluids from above and by means of concentric circles focuses them on a central point, which symbolizes the self. 
The following suggestions have started from the idea of collecting multisensorial stimuli from nature, in order to concentrate them in a unique place, fit for getting in touch with the universe. 
In cloudless nights, a viewer standing on the look-out platform, has the star-studded sky above him and underneath, the images of one star mirrorred by the reflectors of the amphitheatre and the bright spot of the central table. He is sure to feel lonely in the midst of the Universe, as if he were in the proximity of a galaxy. The monument should also comprise outstanding specimens of the human creation... To be sure, unimpeded creation has soared to artistic peaks. Yet, fragments of the laws of the Universe, emphasized by unique representations, evoking stimuli for inner responses - either petrified in the form of amphitheatre or columns, or time-modulated (optical, sonorous effects) - are also leading to climaxes which decisively contribute to the widening of the spiritual domain. 
This monumental ensemble (figures 7.2 and 7.3), devoted to contact the outer world, comprises: a table (1) made of hard (maybe opalescent) material, with a polished surface (with calculated concavity), aimed at reflecting heavenly bodies; an amphitheatre (2), with several tiers disposed in a circle or ellipsoid (boasting elements with white edges and dark surfaces); a sloping surface shaped like a triangle (3) and farther, to the southwest, a wooded area; an arched structure (4) with a look-out platform (5), hanging over the architectural ensemble to watch effects resulting from the described elements. 
On the upper part of the amphitheatre, there may be placed columns (if they are architecturally suitable) or at least some salient structures with reflector elements. 
Reflector optical systems, scattered throughout the amphitheatre in a spiral-like arrangement, will simultaneously reflect a certain star, at certain calculated moments. Onlookers will have the impression that a galaxy is shining on the earth. 
The arched structure (4) comprises groups of prisms (6) projecting coloured images, "painted by the very sun", on certain spots of the monumental complex. The arched structure is also endowed with organ pipes (7) for Aeolian music, whose sounds may be randomly modulated by wind-operated flaps. This music is amplified by a concave-ellipsoidal sonorous mirror (8), while a paraboidal sonorous mirror (9) is designed to collect "the whispers of the world". Other solid optical items, specially calculated and mounted in the look-out platform of the arched structure, impart an impression of "floating" to the viewer who looks through them at certain mosaic or sculptural elements (10). 
Protection lightning-rods (11) are supplemented by others, which provide a genuine display of corona-like luminescent electric discharges, likely to be seen during storms and especially by night.
To carry out this project, a wide team of engineers, architects, painters, sculptors, astronomers etc., is necessary. 
When designing the monumental ensemble, a functional small-case model should be made at first. A pilot station will then be erected, to test the components aimed at capturing and amplifying the stimuli from nature. 
PSYCHO-B 

Special areas arranged within the monumental complex are sheltering exhibitions of plastic arts, including bioptical compositions (paintings and sculptures), worked out by means of the techniques described in other chapters. 
PSYCHO-A and PSYCHO-B make up the so-called PSYCHODROME, which may be a complex ensemble, a place for contemplation, meditation, getting closer to God, both by enhancing the relationship between Man and the Universe and by arousing latent emotions, stimulated by bioptical means. 

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