Dioptical-bioptical composition with multiplication

In the following text from:

Fine Art Binocular Rivalry extrapolation

 

I propose a composite in which are multiplied dioptical-bioptical effects.

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 Liviu Iliescu - Composition Sketch dioptical-bioptical multiplication

At contemplation normal dioptical-bioptical composition appears as a traditional one.

 

I have described the composition of the multiplications in the book:

Liviu Iliescu -Arta Bioptica - Bioptical Art - training of bioptical vision, Crater,

Bucharest, 1998, 148 pages. ISBN 973-9029-37-X.

page 25 - biotical mixed composition; explanations in figure DR11

Link; Exersarea privirii bioptice 

 

I present this proposal to the attention of professionals and lovers of fine art,

  that using them can express their own style aesthetic feelings,

   sometimes stifled by lack of communication

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 A - dioptical-bioptical main composition; here I reproduce figure R3 of

link;    Abstractizare stimulata

 

Composition R3, R11 respectively , which I have named her a conflict synthesis (synthesis of a conflict).

  

  B-C areas where artists will compose replays forms of composition A,

  with binocular rivalry, color fusion, stereoscopy stimulus.

  Contemplation is made with  crossed-eye

 

On the surface D will be repeated the forms (colors) of D ';  contemplation is made with  crossed-eye:

will result images with structure which tend to minimalist perfection, by inhibiting execution

 of imperfections, because imperfections do not form pairs

 

On the surfaces  D-E artists will compose another version, similar to that made ​​on the surfaces B-C.

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 A; C. areas where artists will create, in traditional techniques:

(In your own style easel painting and digital cmpozitii unrestricted)

  On the surfaces A '; B; E: similar to those of the Fome; C

  but with modifications according to rules, introducing stimuli

for dioptical-bioptical perception, use in areas

binocular rivalry, color fusion, stereoscopy

 

   Cross-eye is described as a way of looking at stereoscopic images

 See:   3D Showcase: Help with Cross-Eyed Stereo Viewing

 

 Excerpt from:

Liviu Iliescu :  12. Visual-sense-storming

Crossed-eye viewing
Dutour clearly describes binocular rivalry of two outlined colours (in 1760, 1763). Thus, Dutour describes the effects obtained by their fusion with the naked eyes, by eye convergence or divergence. 

Paired-off drawings are used for research in the field of binocular rivalry, and for publications the convergent vision was chosen, with the mention: arranged for cross-eyed viewing.

This manner of observing was resumed also in the auto-stereogrammes invented by Christopher Tyler in 1990 (known as the Magic Eye).

I also used the Dutour method in my first publication: 

Method for Model Making OSIM no. 67678 on 19.02.1974

I also used the method subsequently, as the sole manner of communication by publications, although it involves adaptation difficulties.

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 L. Iliescu

 

The sketch showing the crossed-eye viewing:

With the left eye (Og) the pencil tip is projected to the circle (Cd), and with the right eye (Od) the tip is projected to the circle (Cg), so that to notice three circles, concurrently with the appearance of another image between the two initial ones, which is the fusion image.
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 L. Iliescu

This is a drawing that can be diversified by beginners (I can provide certain explanations as the case may be – Paint program can be used); in the case of this drawing, stereoscopic and transparency effects are obtained by fusion.