Science, Art, Litt, Science based Art & Science Communication
For guidance in experimentation for expansion possibilities in
fine art communication I presented
assumption of an vector of development, Utility Needs, Satiety in:
The extension of these communication possibilities would benefit,
From a series of attempts I deduced several indicative trends:
- The opportunity to learn new skills related to visual sense
- Contiguity with huge accumulations of traditional fine art (in styles and techniques)
- New techniques to be applied both artistic object
(painting, sculpture) and digital images.
So I thought to target approach could be supported by applying synergetic
the graphic stimuli used in research :
Binocular rivalry (Br), Color fusion Helmhholtz (Cf), Stereoscopy (St)
I summarize the result of my studies using the following schemes:
(taking as an example the painting)
Painting (panel bi-optic)
A In the field picture Fd is painted in any style using
traditional techniques, thus ensuring full continuity to the traditional
domain, including art theory and criticism about.
B In the field picture Fs, the forms a, b, c, .... them correspond to
modified forms a ', b', c '... applying some rules to form bi-optic couples,
rules related to: Binocular Rivalry (Br); Fusion colored Helmholtz (C), Stereoscopic techniques (St)
A person will refer in addition relative to conventional composition
sensations and perceptions based on his training.
You might consider that, in this way, the observer is closer to the artistic content,
being independently of in a larger extent, by the texts written about .....
The bi-optical technique also offers the possibility of similar interpretations
of those variations on a theme, used in music
Also as an example, I inserted Study M
To, ordinary observation (no device), bi-optical composition appears as a conventional painting.
For optical overlapping fields Fd and Fs I designed a device with mirrors in many ways.
I present in detail in: