Interpreting sketch C. Brancusi (RTQM); the assumptions written by Alex Stefanescu

 

Liviu Campeanu write the book

 Icoana Sinelui - Ed.Roza  Vanturilor 2007

that reproduce interpretations of personalities on posthumous sketch Relativement tel que moi C. Brancusi – (RTQM)

 

RTQM; for details see the llink

The wind and the stars in the fine art compositions; Constantin Bra...

 

Liviu Campeanu write a few more chapters, with its interpretation, copying

texts and images published by me in:

Iliescu Liviu: Arta Bioptica: Bioptical Art - training of bioptical vision, Crater, Bucharest, 1998, 148 pages. ISBN 973-9029-37-X,
without mentioning my name, he appeared as the author of these texts and images

 

      I present two paragraphs related to the book Icoana Sinelui.

-About a crtical of the book

   -About the texts and images that have been copied

 

 Paragraph 1) Excerpt from the article by Alex Stefănescu who writes in

Ziarul Financiar de Duminica 28 martie 2008:
…. Basically," Tainos road without return "that is committed to go through Liviu Campeanu Campean not cross the entire work of Brancusi, but off to one of his sketch entitled Relativement tel que moi. It is more concentric circles from which a triangle. a portrait ludico philosophical like those who make it and some pupils when bored in math class, gets to Liviu Campeanu and numerous other commentators emphatic, sort of cosmic spiritual document of significance about the ratio of the Romanian spirit and universal spirit, about

 

  Literature critic Alex Stefanecu practiced its expertise   applying it on the  Icoana Sinelui., ignoring thoughts of  Brancusi, who he described to Tretie Paleolog (see presentation at the beginning of the book Icoana  Sinelui)

 I Brancusi image, asking the caller ..... over which immediately overlaps the image ( text in German);

 

-  Siehst du den schwarzen Hund durch Saat und Stoppel streife

  Wagner respond  -Ich sah ihn lange schon, nicht wichtig schien er mir.

 

  

In other words Alex Stefanescu article considers among other things that:

 

a) - Book  Icoana sinelui (year 2007 to 384 pages) author  Liviu Câmpeanu has no object because Brancusi's sketch is a…. like those who make it and some pupils when bored in math class….

 b)-In his book Liviu Campeanu proves he did not know the work of Constantin Brancusi, because, apart from replays obsessive about drawing RTQM, he refers not to  Brancusi artistic creation.

 

   I subscribe to paragraph (b) noting but substantial fluidity and seductive Alex Stefanescu, so he writes laudatory, especially when expressing dissatisfaction relentlessly.

 

 

Certainly not be disputed that the existence sketch RTQM, causing

temptation to imagine what would have been a monument that would be

Brancusi made​​.

I have proposed that the monument, the view from the front, to project on the sky in the form of sketches, as an homage to Brancusi. Otherwise any other form would seem to me ridiculous.

 

Main weaknesses of the book lies in his remark Alex Stefanescu;

  In other words, in a volume of 384 pages Liviu Capeanu

 Icoana Sinelui not refer to Brancusi artistic creation.

But most results that L.C. not assimilated artistic creation Brancusi's.

 

 

It is to be noted in sketch RTQM something important that was not observed by Alex Stefanescu, of course no Liviu Campeanu, but no art critics.

 

Sketch shows the beginning of a plan, which the sculptor Brancusi thought to make possible the construction of a monument, symbolizing faith digit seven, the seven circles, possibly to be constructed in space

1

Brancusi sketch Relativement tel que moi (RTQM)

Drawing is not to be artistic composition

 

as such contemplated.

Of course this sketch, especially

makes sense for art critics connoisseurs

 of the work of Brancusi

 

 

Drawing is a note (for him, sculptor), in which he sketches (attention) and details constructive.

So wanting to make concentric circles in space found the solution, introducing construction bars converging (x), to support these circles in the air.

Also obtained and emphasizing artistic effect, metaphorical feelings concentration in the central nucleus, by placing convergence from above to the center.

I think the bars (x) makes possible the construction of concentric circles in the air
2

 

 

 Of course Alex Stefanecu know they are simple designs that have meanings

important in the culture of each people

3

 The Cross Ankh

 

 It is the ancient Egyptian symbol of life and is said to have been

(is) extremely protective.

 

                                                                Written in Chinese, the word alive

4

 I think that Chinese person  at the sight the sign have the same evocations that we have when we look at the written word alive. For us (ignorant of this writing) Chinese sign has other connotations, which are reflected from the our culture.

The seven circles from the Brancusi's design are as a symbol for what appears as a symbol of faith reflected

 

Paragraful 2)  Book  Icoana Sinelui presents some interest for the LC

reproduce comments of some personalities about RTQM. Note chapter:

Relativement tel que moi pag. 167…175 , Romulus Vulpescu. 

 

 

Unfortunately the book has personal descriptions of Liviu Câmpeanu, proving that he does not know the essence of Brancusi's work, plus he copies, without citing, texts and drawings of:

 

 Iliescu Liviu: Arta Bioptica: Bioptical Art - training of bioptical vision, Crater, Bucharest, 1998, 148 pages. ISBN 973-9029-37-X,
 and from:

 

Theodor Redlow ; about   Psihodrom "Arta" (Bucharest), no 9-10, 1990.

 citing the name Liviu Iliescu, but that L.C. ignore it

 

Excerpts and notes

  Extract from article published by Theodor Redlow - Review RTA 1990

5

 

 

 This picture belongs to me and was published in the

Magazine Art no. 9-10. / 1990.

  Liviu Campeanu publish this figure in Icoana Sinelui without quoting me, considering that he L.C. is the author

 

Other figures published by Liviu Campeanu, which he  copied from

  - Liviu Iliescu Arta Bioptica 1998 Crater without quoting me.

 

  6                                                             

                                                                      
 

I proposed to execute a monument according to drawings 38 and 39

(I published details).

RTQM shape projected onto the sky appearing in (2D).

The displacement profile odservatorului observation he gradually appears as spatial (3D). I called cinestatism these changes of perception.

The monument is oriented astronomically, so it will be crossed by the stars (stars planets, Sun, Moon). It can calculate the date and time the stars these trcec the center of the monument.

Details can be obtained from Chapter Monument to heroes of the revolution of 1998.

 

 I have studied an artistic perspective, and wrote the article:

The wind and the stars in the fine art compositions; Constantin Bra...

 

The idea to introduce fine art compositions stimuli from the environment

led me in my vision RTQM completions.

Thus we designed an optical system to collect a star in the sky so that the image appears in the center of the monument, permanently observable independently moving the heavenly body in the sky. 

 

  8

 For its this we proposed an optical digital-type equatorial

.

In 2002 I participated in the competition magazine LAMURA- Craiova started in order to create a sculpture for honoring the work of C.Brancusi.

So I submitted drawings and texts that magazine published my drawing Psihodrom, which  LAMURA published in calendar 2003.

 

 In this sculptural ensemble, Mr. Liviu Iliescu the inventor of Bioptical Art…

 

In calendar 2003, edited by magazine, LAMURA

appears the Psychodrome, copied by Liviu Campeanu

   He claimed in 2007 in Icoana Sinelui.

Psychodrome concept and image that belong to me were published in 1998:

Iliescu Liviu: Arta Bioptica: Bioptical Art - training of bioptical vision, Crater, Bucharest, 1998, 148 pages. ISBN 973-9029-37-X,
link;  Psihodrom  ; 

 7. Psychodrom

11

The reproduction of the sketch in  Icoana Sinelui Plansa 4 shows signature Iliescu ‘90, proving that sketch me (ie in 1990 When I have sent to

 Liviu Campeanu my manuscript recovered description of Psychodrom-

 at his request, he wanting to publish in his book Icoana Sinelui, in being prepared, my interpretation of  the skeettch that I already published).

 

Liviu Campeanu proceeds from intellectual stealing so subtly Icoana Sinelui page 71:

 

 

 The translation the underlined text:  

bioptical ways developed by  Liviu Iliescu of .............

Following the enlargement of the field of information in mass, to be made known bioptical compositions over the world in the way inspired by Brancusi essences contained in  Icoana Sinelui,unique creative engineer Liviu Iliescu

 

Thus Liviu Campeanu limited artistic creation of Liviu Iliescu to senses that would have been inspired by Brancusi wood, he lied about these essences are present in the her book Icoana Sinelui

L.C. proves that he knows not essences of Brancusi (although not present these essences in his book  Icoana Sinelui) and not know who is field of

art bioptical

Link:
7. Psychodrom
3. Bioptical effects, definitions

2. Binocular rivalry and stereoscopy in bioptical art

Following  Liviu Campeanu request  I tried to give an interpretation of the sketch Relativement tel que moi, according to my specialty in optics (LC's only contribution consists in requesting me to interpret  sketch by Brancusi).

 

I sent him, LC, in 1990 the manuscripts:

 Psihodrom  and Monument pentru eroii revolutiei din 1989

with his, promise to publish them.

In 1998 I published the book

Iliescu Liviu: Arta Bioptica: Bioptical Art - training of bioptical vision, Crater, Bucharest, 1998, 148 pages. ISBN 973-9029-37-X,
- Chapters links:

  Psihodrom 
  Monument pentru eroii Revolutiei din 1989

these chapters is 7 pages of 148 pages as is the book.

 

7. Psychodrom

 Monumental complex inspired by artistic expression, including

  C. Brancusi, their compositions to suggest the physical universe and

internal reflections of the universe.

link;     Informare despre plagiatul lui Liviu Câmpeanu