Mr. Orlando Serpietri I ask you permit me to address you in the discussions

Mr. Orlando Serpietri

   I ask you permit me to address you in the discussions because

I present some issues, which I hope will interest and the members

 of my group.

  Besides some of the information you give them in connection

with beginning of our collaboration results describe some aspects

 of Italian artists works contemplation.

    Considerations are in connection with my experiments in Sci-Art

I accessed the Net-Parade where I communicated my main websites.

  Most of the texts are in Romanian language close to Italian

  texts that can be easily translated using Googel.

My goal is to stimulate a move to fine art

communication of image stimuli for both eyes see

  I can respond to any question  Net-Parade but it is more productive

to keep network communications by ART-LAB.

  Please participate in the application of the techniques proposed.Italy

  for starters, at least one group of students interested in this action.

Italy their development of great masters of the Renaissance with important contributions adjacent to science techniques

As follows:

 From Wikipedia, the free encyclopedia

Giotto di Bondone , was an Italian painter and architect, considered the predecessor innovative Italian painting and modern art. Giotto replaced the ornamental composition Byzantine to represent three-dimensional space, which signal the discovery of perspective renaissance .

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 The Mariage at Cana

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From Wikipedia, the free encyclopedia

Raffaello Sanzio da Urbino (April 6 or March 28, 1483 – April 6, 1520^[3]), better known simply as Raphael, was an Italian painter and architect of the High Renaissance.  His work is admired for its clarity of form and ease of composition and for its visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo andLeonardo da Vinci, he forms the traditional trinity of great masters of that period.

 3820 × 2964 - The School of Athens,

fresco by Raffaello Sanzio da Urbino

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 From Wikipedia, the free encyclopedia

Leonardo da Vinci

Detail of the face of  Mona Lisa showing the use of sfumato, particularly in the shading around the eyes.

Sfumato (which may be italicized in English, or not) is one of the four canonical painting modes of the  Renaissance  (the other three beingCangiante, Chiaroscuro, and Unione). It means "smoked", deriving fromfumo, Italian for "smoke".

The most prominent practitioner of sfumato was  Leonardo da Vinci, and his famous painting of the Mona Lisa exhibits the technique. Leonardo da Vinci described sfumato as "without lines or borders, in the manner of smoke or beyond the focus plane."

 Detail of the face of Mona Lisa showing the use of sfumato,

 particularly in the shading around the eyes.

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From Wikipedia, the free encyclopedia

Filippo Brunelleschi ; 1377 – April 15, 1446) was one of the foremost architects and engineers of the  Italian  Renaissance .  He is perhaps most famous for his discovery of perspective and for engineering the dome of the Florence Cathedral, but his accomplishments also include other architectural works, sculpture, mathematics, engineering and even ship design. His principal surviving works are to be found in Florence  Italy.

 Chapel of the Pazzi family, one of his last works

  See

12. Visual-sense-storming

Best regards