Stimulated abstraction; ad-hoc educational atmosphere

 

 I sometimes feel the need to write about the art of stating assumptions in my

 limited knowledge, helped the definitions from Wikipedia

 

I quote:

A need is something that is necessary for organisms to live a healthy life. Needs are distinguished from wants because a deficiency would cause a clear negative outcome, such as disfunction or death. Needs can be objective and physical, such as food, or they can be subjective and psychological, such as the need for self-esteem. On a social level, needs are sometimes controversial. Understanding needs and wants is an issue in the fields of politics, social science, and philosophy

 

Relative to the complicated mechanism of existence, close to artistic phenomenon I wrote:

Psychical satiety in affectivity

 

In this mechanism, the need appears as a middle term in the vector

   the useful and psychical satiety.

 

In this context I thought that at least in relation to fine art as the

noted that the concept  stimulated abstraction and on the other hand

  the concept ad-hoc educational atmosphere have similar meanings.

 

See

Stimuli-evoked abstractization (stimulated abstraction)

 

see all chapter in romanian

I present some reflections on the possible under- standing of emotion transfer from the artist to the recipient. In his opinion, the notions of entropy and redundancy may be applied to art as well, as suggested by Max Bense and Siegfried Maser who took them over from information theory. The assessment of the message as to signs and significations was taken into account. An attempt at modifying Bense and Maser’s acceptations is made, by laying stress more on affectivity and less on significations. The results of bioptical experiments performed by the author have been taken into consideration, as they show that the non-figurative, the colors, the ensemble of lines, composition in general provide high and original emotional values.

Bioptical art, as proposed by the author is, at least, an attempt at escaping from the satiety area where present-day abstract art seems to get lost. Stimuli-evoked abstracting refers to the use of bioptical art techniques to create abstract compositions. In this connection, it is suggested that the artist should pass from inspiration–recorded in writing–to artistic forms–pictures or sculptures –, abstract forms decanted within a long lapse of time.

 

Examples

 

A text that I experienced stimulated abstraction

 

I remember a scene from an old movie with the Crusades, the city of Accra, Sultan Saladin, Richard the Lionheart, etc. Before the battle, to avoid them, there is a confrontation between the two mimed, each demonstrating their power in its own way: Richard put a iron bar, the thickness of the arm horizontally on two supports, then raises heavy two-handed sword Middle Ages and cut him with a hard blows; Saladin, in response to a movement by oriental refinement, throwing up a veil, and he holds in his hand horizontally, a fine sword and the floating veil falls is cut in two,  by the cutting of the shining sword (transposition after   The Talisman  by Walter Scott).

 

The two modes of expression are equivalent in some way, can contain one or more software that the does not make sense without each other, and one and another here in unit time and place, illustrates the extremes, running currently at intervals and the smaller or larger distances in time and space).

 

Am compuss cateva studii pritre care:

 Fig. R3 Liviu Iliescu ; Study 3: oil on cardboard 65x90 cm.

Synthesis of a confrontation

 

 

 Fig. DR3  Liviu Iliescu   Components R3 (arranged for crossed-eye viewing)

  Fig. R. 7 Liviu Iliescu - Study G - oil on canvas - 74 x 100 cm

Desert Phantom

 

  Fig. DR7  Components (arranged for crossed-eye viewing)

 

 Introduction to bioptical terminology

AD-HOC EDUCATIONAL ATMOSPHERE Means by which the recipient subjects

 are educated and brought closer to the meanings and techniques of an artistic current.

 

In connection with this concept might define Artistic resonance space ;

  an example

 

Marcel Brion (French: [bʁi.ɔ̃]; November 21, 1895, Marseille – October 23, 1984, Paris)

was a French essayist, literary critic, novelist, and historian.

In 1964, Brion was elected to the Académie françaisechair 33

 

 

Among other considerations relative to cultural events in Florence Marcel Brion

  described how the Florentines, during  dirigeant Laurent Magnifique it, entered the cathedrals in

  and get excited watching how the artists painted biblical scenes.

We could detach artistic effect caused by what was inscribed in contemporary

  as belonging to conceptual art and, on the other hand stimulate contemplative influenced

by associating feelings of religious background.

Cathedral become a space of artistic resonance, in which was caused dominant

 artistic emotion as one of resultants religious education.

 Groups of artists determined thematic can create spaces of artistic resonance

 

I retained from the definition of conceptual art:

The artist gives us the "show" his work, which according to tradition was usually

hidden of art receiver, to which offers only finished works.

 

Additions

 

  It is known that fine art is generally decorative.

 

  There are studies in fine art, which  is creeping deeper into psychological

 structures, through discoveries and inventions,

   resulting compositions that could be more effective in visual psychotherapy.

This composition should be presented sometimes in exhibitions laboratory type.

 

I believe that my studies, which challenge Dioptical- bioptical perception enroll in this class.

I applied synergistically in fine art fields B., F., S., involving,

  depending on the composition, and use   an optical device.

 

these types of art motivates extra device use, for the determination objective of the emotions.

If Galileu not invent the telescope, nor anyone else would have invented it,

would not have discovered the moons of Jupiter.