CALL FOR PROPOSALS
3rd Edition Designers & Artists 4 Genomics Award
Due to its success in 2010 & 2011 the third edition of the Designers & Artists 4 Genomics Award (DA4GA) will take place in 2012. The results of the current edition are on exhibition at Naturalis, Leiden until the end of this year. Always wanted to be at the forefront of riveting art that is trans-disciplinary and pushes the boundaries of technological and artistic possibilities? Then submit your application for DA4GA and take a chance on winning a €25.000 project!
www.da4ga.nl
Due: 10 Sept 2012

CALL FOR PAPERS
EVOMUSART 2013
2nd International Conference on Evolutionary and Biologically Inspired Music, Sound, Art and Design
3-5 April 2013, Vienna, Austria
The use of biologically inspired techniques for the development of artistic systems is a recent, exciting and significant area of research. There is a growing interest in the application of these techniques in fields such as: visual art and music generation, analysis, and interpretation; sound synthesis; architecture; video; poetry; design; and other creative tasks. The main goal of evomusart 2013 is to bring together researchers who are using biologically inspired computer techniques for artistic tasks, providing the opportunity to promote, present and discuss ongoing work in the area.
Due: 1 November 2012
http://www.evostar.org

Neuromedia Art and Research
August 31 2012-March 17th 2013
Kulturama: Science Museum, Englischviertelstrasse 9, Zürich (near at Hottingerplatz)
NEUROMEDIA is an exhibition by artist Jill Scott merging neurobiological anatomy and physiology studies with media art. The innovative exhibition features four interactive sculptures (SOMABOOK, THE ELECTRIC RETINA, «ESKIN» AND DERMALAND) involving scientific research results as well as documentary films on the scientists and involved, the artist and her work processes. The exhibition offers profound insight into the relationship between art and science. Inspired by molecular and cellular research, cinema, philosophy and human health, NEUROMEDIA was developed while Scott was artist-in-residence at the University of Zürich from 2004 - 2012. This is the first time these artworks are being exhibited in a science museum. NEUROMEDIA will allow you to discover surprizing dimensions about your own levels of human perception.

CAPTURING FLORA 300 YEARS OF AUSTRALIAN BOTANICAL ART
Cambridge Library, Floreat, Western Australia
Come and hear Richard Aitken, the Melbourne–based co-editor of Australian Garden History Journal. Richard is an architect, historian, curator and author of an impressive number of garden history books, the most recent being ‘The Garden of Ideas’. Richard will offer a sneak peek into a forthcoming exhibition to be held at the Art Gallery of Ballarat: Capturing Flora: 300 years of Australian botanical art 25 September to 2 December 2012. This features a major survey of Australian botanical art and a highlight of the forthcoming AGHS Ballarat conference. Richard’s presentation will focus on the period from the 1760s until the 1850s. West Australian plants will feature in the lecture which will be held on 12 August at 2.30pm at 99 The Boulevard, Floreat (lower level of Cambridge Library). Cost is $20 for general public. RSVP: Caroline Grant via email: grantspc@iinet.net.au or telephone John Viska 9328 1519.

Biome Symposium & Exhibition 2012
Darlington NSW Australia
10 August–8 September
Digital derivations of biological systems, biomimetics, are increasingly informing research in a diverse range of disciplines. The Biome Symposium engages in conversations that explore a mathematical language (code, script, parameter, algorithm) as a natural paradigm, and transfers of this language into and out of the diverse fields of biology, mathematics, music, behavioural studies, engineering, interaction design and architecture.
http://biome.cc/index.html

DOTS ON THE ROX
A unique musical experience based on the tracking of elephant seals
11th Aug 2012 7:30pm
Conservatorium Recital Hall, 5 Sandy Bay Road, Hobart
The tracking of southern elephant seals has inspired a unique collaboration between scientists from the Institute of Marine and Antarctic Studies (IMAS) and musicians from the UTAS Conservatorium of Music. Tonight's collaboration is held as part of National Science Week 2012.
Come and hear how a collaboration between IMAS researcher, Dr Mary-Anne Lea and Sydney-based sound artist and sculptor, Dr Nigel Helyer produces a unique musical experience through musicians Associate Professor Andrew Legg (piano), Dr Glen Hodges (guitar), Nick Haywood (double bass) and Alistair Dobson (saxophone).
http://www.utas.edu.au/conservatorium-of-music/events/2012/august/d...

Living Data: Art from science
Three artists, Lisa Roberts, Christine McMillan and Nigel Helyer have been working with climate change scientists, exploring creative articulation of their research work.
August 16-26 2012, 10:00 AM to 4:00 PM
Powerhouse Museum Ultimo, NSW Australia
http://ultimosciencefestival.com/2012/living-data-art-from-science/

N-Polytope: Behaviors in Light and Sound after Iannis Xenakis
Performance-installation by Chris Salter in collaboration with Sofian Audry, Marije Baalman, Adam Basanta, Elio Bidinost and Thomas Spier
LABoral Centro de Arte y Creación Industrial Gijón, Spain
Until 10 Sept 2012
n-polytope is a spectacular light and sound environment combining cutting edge lighting, lasers, sound, sensing and artificial intelligence software technologies inspired by composer Iannis Xenakis’s radical 1960s-1970s works named “Polytopes” (from the Greek poly, many and topos, space). This site specific re-imagining, the result of a LABoral production residency, runs in both a 25 minute performance as well as a continuously evolving installation mode, both steered through a sensor network utilizing cutting edge machine learning algorithms which learns different rhythmic and temporal patterns produced by the light and sound and helps in generating a totalizing, visceral composition that self organizes in time. 150 10 Watt LED’s and many tiny speakers are suspended through the space on a single ruled surface constructed of thin aircraft cable, creating a walk-through performance environment which continually swings between order and disorder, akin to Xenakis’s original fascination with the behaviors of natural systems.
http://www.laboralcentrodearte.org/en/exposiciones/chris_salter

THE CAT IN THE BOX
Written by Vivienne Glance
Directed and designed by Mark Barford
Featuring James Helm, Summer Williams, Anna Brockway & Kingsley Judd
The Blue Room Theatre Northbridge Western Australia
Until 18 August 2012
An artist, a scientist and a hippy are in a room. The door is locked. They don’t know how they got there or how to get out. Add a cockroach, a pile of junk and Schrodinger’s cat ? then sit back, and watch the sparks fly. When a millionaire, Reep, joins them, the thin veneer of civil society is peeled back and the atmosphere becomes even more explosive!
This absurdist comedy is a darkly humorous clash between science and art, big business and spirituality. Can they get out of the room? Can they work out what is real? Where’s that cat - is it alive or dead? And can anyone tell the difference?
Tickets & info: blueroom.org.au

http://www.artforeating.co.uk/restaurant/index.php?/blighted-by-ken...

The project has bio-engineered a bacteria which has the Universal Declaration of Human Rights encoded into its DNA sequence. The DNA has been extracted and apples grown near The Hague, which houses the International Court of Justice, have been 'contaminated' with the synthetic DNA. They are currently being sent to genomics laboratories around the world, which have been asked to sequence the declaration and also to eat the fruit.

The project concept was presented at the NPC conference in the Netherlands in February 2012 and was shown at the Gate Theatre in April. In May Blighted By Kenning received funding from Arts Council England to bring the completed project to the UK to be installed at The Big Shed in Suffolk in August. The exhibition will be curated by Clemency Cooke and runs from the 4th - 26th, with two round table events on the 5th and 13th. The artist will eat one of the apples at the opening. For more information please see Exhibition Invite. The project will be exhibited at various locations in the Netherlands later this year.

Blighted by Kenning is in collaboration with and funded by The Netherlands Proteomics Centre and The Netherlands Genomics Initiative.

Seaquence
Seaquence is an experiment in musical composition. Adopting a biological metaphor, you can create and combine musical lifeforms resulting in an organic, dynamic composition.
http://seaquence.org/

Effects of colours on people:

http://www.speakingtree.in/spiritual-articles/mysticism/colour-cons...

http://geekgirl.com.au/blog/2012/08/03/designers-artists-4-genomics...

Designers & Artists 4 Genomics Award 2012 :: Netherlands
Call for Proposals now open :: Submissions due 10 September 2012

The Designers & Artists 4 Genomics Award highlights and explores the exciting and novel possibilities between design, artistic practice and life sciences. Conceived by the Netherlands Genomics Initiative, the Centre for Society and Genomics, and Waag Society, the Designers & Artists 4 Genomics Award aims to stimulate emerging designers and artists to delve into the world of bio-art, and produce new work in close collaboration with the Netherlands most prestigious Genomics Centres, for example in the fields of sustainability, food, health, bio-informatics, agriculture, and safety. Successful projects will be exhibited at Naturalis in Leiden, from mid June 2013 until the end of the year.

http://www.da4ga.nl

Show on obsessive compulsion disorder:
Obsessive Compulsive Disorder
Intrusive Thoughts and Representation
Monday 3 September 2012, 6.30 - 8.30pm

This Roundtable event discusses the nature of obsessions, compulsions, intrusive thoughts and how these can be represented through artistic mediums. The panel will be composed of Dr. Simon Darnley, Dr. Erin Sullivan and Jacek Ludwig Scarso, founder of the Elastic Theatre Company.
For more details please visit GV art website : www.gvart.co.uk

Biological response to Beauty:
http://www.scientificamerican.com/article.cfm?id=age-of-insight-exc...

http://democratherald.com/entertainment/arts-and-theatre/visual/the...

Since the days of the Renaissance, science has run parallel with art, at times veering in order to intersect. Leonardo da Vinci painted the Mona Lisa, studied and drew anatomy, and invented a hang glider and primitive helicopter. Michelangelo sculpted David, painted the Sistine Chapel’s ceiling and engineered the Medici Chapel.

In The Arts Center’s main gallery, science and art collide again as art imitates science in the exhibit, “The Art of Plankton: Form Follows Function.” The exhibit displays a series of artistic interpretations of photographs taken of marine phytoplankton by Angelicque White, an OSU scientist and assistant professor in the College of Earth, Oceanic and Atmospheric Sciences.

White researches the various factors that control the growth, metabolism and diversity of the ocean’s microorganisms.

While her photographs are strictly scientific, there is a kind of recognizable artistic beauty in their subject. “(The photographs are) scientific surely,” White said. “The microbes are the art.”

As MOCA exhibit shows, art and science aren't mutually exclusive

But the two disciplines are not so different. Art and science do intersect at that crossroad where intellect, imagination and creativity meet. And both thrive on inspiration.

Indeed, scientists and artists work to find that singular moment, that flash of insight, that first step toward great things. It may be an experiment that yields a cosmic revelation about the universe, or the touch of a muse that is the birth of a beautiful piece of art or music.

I put it to you: Is there truly a great disparity between the mathematical beauty and symmetry of Einstein’s Relativity Theory and a haunting symphonic concerto that moves an audience to both joy and tears? To those that experience and appreciate each, the answer is no.

Sometimes art is naturally found in science. For example, who among us has not been mesmerized by the splendor and magnificence of distant celestial objects captured by the Hubble Space Telescope or stared in awe at the precise helical pattern found in something as simple as a seashell?

Other times, science may be the medium an artist uses to bring forth emotion to those in attendance.

Such an endeavor is currently being offered at the Museum of Contemporary Art Jacksonville (MOCA) in its Project Atrium series.

Read more at Jacksonville.com: http://jacksonville.com/entertainment/2012-08-10/story/sky-guy-moca...

http://www.deccanchronicle.com/tabloid/potpouri/where-art-and-scien...
CCMB, Hyderabad, where science and art collide!

http://www.pbs.org/idealab/2012/08/movement-based-arts-inspire-publ...

Movement-Based Arts Inspire Public Lab's DIY Environmental Science

dancers and scientists collaborate

http://www.guardian.co.uk/science/lost-worlds/2012/aug/13/art-dinos...
Art of the dinosaur

Ultimo Science Festival :: Art & Science Soiree
6.00pm Thursday 16 August :: Powerhouse Museum, Sydney
Scientists and artists are invited to meet at this informal event and get to know each other with a view to possible collaborations. The focus will be on developing projects that allow artists to speak for scientists in ways that engage audiences with the often difficult subject matter of modern research. Tickets are $15 and bookings are essential.
http://sa2.seatadvisor.com

Another World :: Free Symposium presented by Artspace and NIEA
10.00am - 4.00pm on Friday 17 August 2012 :: Artspace, Woolloomooloo
Artspace, in association with the National Institute for Experimental Arts (NIEA) presents a free symposium, Another World. The symposium will ask how twenty first century global crises have transformed the context of art practice and analysis.
In the face of the Occupy movements, the Arab Spring, climate change, and environmental disaster, what new aesthetic tactics and strategies are emerging? Speakers will look at how new ways of operating challenge existing modes of representation, exhibition making and theoretical analysis. Do we need to rethink our disciplinary practices in response to the demands of the momentous events that shape contemporaneity or the new everyday?
Speakers include: Jill Bennett (National Institute for Experimental Arts, UNSW)
, Blair French (Artspace), 
Nicholas Mirzoeff (New York University)
, Kim Simon (Gallery TPW, Toronto)
 and Terry Smith (University of Pittsburgh/National Institute for Experimental Arts, UNSW).
Jill Bennett's new book, Practical Aesthetics: Events, Affect and Art After 9/11, will be launched by Prof. Terry Smith at 5pm.
http://www.cofa.unsw.edu.au

Sense of Planet: The Arts and Ecology at Earth Magnitude :: NIEA Symposium
9.30am - 6.30pm on Saturday 25 August 2012 :: UNSW CBD Campus, Level 6, 1 O'Connell Street, Sydney
The acceleration of climate change, species extinction, and other ecological crises, enjoins us to find ways of grasping historical and evolving circumstances at earth magnitude. The Sense of Planet symposium concentrates together an international array of artists, eco-theorists and scholars to address the issues and activities of representing the earth in its entirety, and of representing and self-representing regions or localities amid the complex global systems in which they are enmeshed. The Symposium is convened by Douglas Kahn and Jill Bennett and speakers include Ursula Heise (Stanford University), Jennifer Gabrys (University of London), Timothy Morton (Rice University), Nicholas Mirzoeff (New York University) and Marko Peljhan (University of California Institute for Research in the Arts, University of California at Santa Barbara).
http://niea.unsw.edu.au

All the four news items are from ANAT digest:
The Assembled Self :: Artist Call-Out :: Sydney
Expressions of Interest for participation due Monday 3 September 2012
The Assembled Self is a project about the experience of genotyping (genetic testing) and how this affects an individual’s sense of self. It is driven by our interest in how genetic testing alters the narratives through which people anchor their own, their families, and their communities’ identities. The project involves a collaboration of researchers and artists conducting a creative research project where artists produce new works (phase 1) to be presented to generate public conversations around genetic testing and identity (phase 2). The Assembled Self is holding a research development workshop on Saturday 22nd September to think through these ideas and find artist collaborators. Subject to a successful funding application, 8 artist collaborators will be provided with financial and logistical support for their artistic contribution to The Assembled Self. For further information, please contact Estelle Noonan or Julie Mooney-Somers assembled.self@sydney.edu.au. This project is conducted by Centre for Values, Ethics and the Law in Medicine, University of Sydney and School of the Arts and Media, University of New South Wales. It is supported by Australia Council for the Arts and PerformanceSpace.
http://theassembledself.wordpress.com

Microscopic life sciences art:
http://velokova.com/2012/08/microscopic-life-science-art/

http://www.btlnews.com/crafts/visual-fx/siggraph-2012-spans-the-spe...

SIGGRAPH 2012 Spans the Spectrum of Art and Science

Last week at the Los Angeles Convention Center, SIGGRAPH L.A. 2012 once again brought together the worlds of art and science to show attendees the latest in computer graphics and interactive techniques. This convergence results in a nearly endless spectrum of artistic applications of science and scientific expressions and impressions of art.

The event attracted over 21,000 artists, research scientists, game developers, filmmakers, students and academics from 83 countries. The sessions and panels featured over 1,200 speakers, and 161 companies and industry organizations exhibited on the show floor.

http://www.redandblack.com/news/academics/science-professor-to-publ...

Science professor to publish Florentine art book

There is science in art, though not everyone may realize it.

David Puett, regents professor and former department head of biochemistry and molecular biology at the University, is hoping to amend this deficit in how we perceive science and art through a book he is writing with his wife.

“Our goal with this book is to bridge the gap between art and science,” said Puett. “We’re talking about the science in art. We’re talking about the mathematics of art – perspective drawing taken to a really high level mathematically, geometrically; how different pigments are perceived by people and the chemistry of those pigments; astronomy; even the proportions of works of art.”

The working title for the book is “Renaissance Florence from a Dual Perspective: Art in Science, Science in Art.” As the tentative handle suggests, the book has a decided bent toward Florentine Renaissance art while aiming to provide a broad education on how science informs art.

“The science students want to know how it was done, how the chemicals work in the frescoes, why do they turn out that way -- whereas the art students are more interested in looking at the paintings on the ceilings and so forth, and admiring them. We realized as they were discussing it that if you look at art from both perspectives, it enlarges the whole experience.”

http://www.artinasia.com/institutionsDetail.php?catID=1&gallery...
Innovations in Radiology: An Integration of Art, Science & Technology
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Artist(s): FUNG Kai Hung
Date: 9 Jul - 14 Aug 2011

Dr. Fung Kai Hung is a medical doctor with specialist qualification in radiology. His special professional interests include interventional radiology, neurointervention and 3D medical visualization. He graduated from the University of Hong Kong, Hong Kong in 1977. Currently he is appointed consultant radiologist in the Pamela Youde Nethersole Eastern Hospital, Hong Kong.

He is a self-taught new media artist located in Hong Kong. He uses 3D computed tomography (CT) as his creative medium since 2003. During his involvement in the “Surgical Virtual Reality Laboratory” program of the “Minimal Invasive Surgery Training Center” in his hospital, he researched on the use of color in 3D image rendering of CT scans. He pioneered the development of a “Rainbow Technique” that was published in Leonardo in 2006. This technique utilizes contour lines rendered in rainbow colors to define 3D forms and space. Applying this technique, Dr. Fung won the first place in the 5th International Science & Engineering Visualization Challenge sponsored by Science and National Science Foundation, U.S.A. in 2007. His award winning imagery was honored as one of the “Best Science Photo 2007” and “Top Ten News Photo Galleries 2007” by National Geographic. In 2007, his medical visualization project won gold, silver and bronze awards in different categories in the Hong Kong Information & Communication Technology (ICT) awards sponsored by Hong Kong Government. In 2008, he again won gold and grand awards in the Hong Kong ICT awards.

In 2008, he developed 3D and 4D stereoscopic color artworks using CT scans. In 2009, he applied 3D & 4D Moiré effect in his color artworks using CT scans.

His artworks were featured in over 100 websites and numerous news media and magazines internationally. He is a regular contributor to the “Illuminations” section of the radiology journal RadioGraphics since July 2008. He participated in museum exhibitions in the Hong Kong Museum of Art (Hong Kong) in 2008, in the William Benton Museum of Art, University of Connecticut (Connecticut, U.S.A.) and in the American University Museum, Katzen Arts Center (Washington, U.S.A.) in 2009 and will be exhibiting in the New York Hall of Science (New York, U.S.A.) in 2010. He has an online gallery in the NewScientist website and another online gallery in the Spanish newspaper El mundo salud website in 2009. He is also an active member in establishing an online “Radiology Museum” and an online “Radiology Art Museum” in the “Radiolopolis” community in 2009. He has an online gallery in the “ArtOsphere” community in 2009.

http://www.artinasia.com/institutionsDetail.php?catID=1&gallery...

Pseudo-science‧Pseudo-myth
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Artist(s): Florence Wai-Wai YIM
Date: 16 Nov - 21 Nov 2011

Science is about truth. Pseudo-science is real but not necessarily true.

Myth is fiction. Pseudo-myth is fabricated but real.

Yim Wai Wai has built an absurd world through an ambiguous presentation. Her fine skills in handling materials reveal to us how fragile life is. Her works, filled with philosophical ideas, expose our inner emotion, and encourage us to inspect again how we live our days. LvLn , her most widely-known work, invades everybody’s life like a nightmare.

Ceramic and mixed-media works by the artist over the years are shown under the categories of “Pseudo-science” and “Pseudo-myth”. Curated by Dr. Tang Ying Chi, Stella, the exhibition also provides multi-perspectives on seeing the works of the artist.

The artist will conduct an exhibition tour for the public on 19/11/2011 (Saturday) and 20/11/2011 (Sunday). Secondary schools are welcome to join (reservation necessary).

Pseudo-science‧Pseudo-myth
—An exhibition of ceramic and mixed-media works by Yim Wai Wai
Exhibition Date/Time: 16-21/11/2011 (10am to 9pm)
Exhibition Venue: Exhibition Hall, Hong Kong Visual Arts Centre, 7A Kennedy Road, Central, Hong Kong
Sponsored by Hong Kong Arts Development Council
Enquiry: Ms. Fung (mobile: 9268-8607/email: tkw.rabbit@gmail.com)
Website: http://www.isquaredesign.com/yimwaiwai.html

http://pdx.edu/news/Chemistry-SculptureCoatings

PSU professor brings chemistry to art conservation in Olympic Sculpture Park project

Moët Hennessey-Louis Vuitton (LVMH) Science for Art Abstracts

http://www.leonardo.info/isast/spec.projects/lvmh.html

Created in 1988, the Moët Hennessey-Louis Vuitton (LVMH) Science for Art Prize annually rewards artists and scientific researchers from all over the world for the potential impact of their discoveries on artistic or aesthetic creation. The 1996 prize was awarded for work falling under the theme "Genesis of Forms: Part I---Biology and Biomimetism." In 1997 the prize will be awarded for "Genesis of Forms: Part II---Mathematics, Physical and Earth Sciences."

The prizes consist of two first prizes (an Art Prize and a Science Prize) and the Vinci of Excellence for scientific work of the highest international level (these scientists reached the final stage of the selection process).

See Leonardo 30, No. 3, 191--194 for further information about the LVMH Science for Art Prize.

http://malina.diatrope.com/2012/08/16/is-ast-institutional-longevit...

http://www.whatson.qut.edu.au/cgi-bin/WebObjects/WhatsOn.woa/wa/goN...
Creepy-crawly science-art

http://moreland-leader.whereilive.com.au/lifestyle/story/brunswick-...

ART and science have combined forces for the latest exhibition at Brunswick's Counihan Gallery.

The Elaboratorium is an interactive installation created by Scale Free Network, an art-science team comprised of artists Briony Barr and Jacqueline Smith and microbiologist Dr Gregory Crochetti.

Artists and laboratory technicians wearing lab coats roam the art space, offering visitors a seat from where they can examine "the detritus of the everyday" up close and in microscopic detail.

Items include a speck of dust, a printed page, moss, and a sample from Merri Creek.

Images are also projected through viewing devices and on to various surfaces.

Barr said she hoped people left the exhibition with a sense of how scale could alter your perception. She said examining things at a microscopic level was fascinating.

"Just because you can't see it, doesn't mean it's not part of the world," she said.

The Elaboratorium is open at Counihan Gallery, Brunswick, until September 16.

http://www.linkedin.com/groupItem?view=&gid=1636727&type=me...

http://kongstadbock.wordpress.com
/?goback=.gde_1636727_member_14538...

Kongstad/Bock
Kongstad/Bock is a creative incubator, where selected "flavours" from the world of modern art, design and lifesciences are mixed…

http://www.jamesleach.net/

Research focusing on creativity, knowledge production, and ownership; on art, science, and collaboration; on Papua New Guinea; and on the development of new technologies and their implications for social form.

http://www.shinynewfilms.com/nu/shot_on_blood.html?goback=.gde_1636...

Film shot on blood -

Much of contemporary abstract art refers to biomorphic form on a sub-molecular level. Take a look at some wonderful examples that are for sale at artconsultingonline.com. - says an artist

Somaesthetics provisionally as "the critical, meliorative study of the experience and use of one's body as a locus of sensory-aesthetic appreciation (aisthesis) and creative self-fashioning. It is therefore also devoted to the knowledge, discourses, practices, and bodily disciplines that structure such somatic care or improve it" (Shusterman 1999). Thus, aesthetics here is not limited to the fine arts, but rather many practices of every day life, including breathing and movement. - Bio-art

http://jtriley.blogspot.in/2012/08/somaesthetics-posthumanism-and-b...

http://blogs.scientificamerican.com/symbiartic/2012/08/19/science-a...

Bone blossom - fractal

http://www.earthmagazine.org/article/do-it-yourself-lava-flows

Do–it–yourself lava flows: Science, art and education in the Syracuse University Lava Project

This is their brainchild, the Syracuse University (SU) Lava Project — a unique mix of science, art and education that we developed to investigate the physical properties, aesthetics and educational opportunities of creating basaltic lava flows in a controlled— albeit outdoor — laboratory environment.

http://myths-made-real.blogspot.in/2012/08/bio-art-neozoic-era.html

Bio-Art: Neozoic Era.

http://www.daijiworld.com/news/news_disp.asp?n_id=147445

http://community.nasdaq.com/News/2012-08/when-art-informs-science-t...

When Art Informs Science: Three Of Facebook's Optimal Revenue Plays

http://blogs.scientificamerican.com/guest-blog/2012/08/22/from-stem...

http://news.yahoo.com/stem-steam-science-art-hand-hand-115600026.html

From STEM to STEAM: Science and Art Go Hand-in-Hand

http://artinfo.com/news/story/820916/can-the-uss-science-education-...

http://www.inspireboulder.com/how-do-you-use-the-boulder-civic-area...

As a part of the cultural center ofBoulder city, The Tesseract Science-Art museum will anchor the cultural heart and spotlight the collaboration of these two innovative and financially beneficial activities.

http://news.uga.edu/releases/article/biology-mural-brings-together-...

Biology mural brings together sciences, art at UGA

Athens, Ga. - A new "Seascape" mural at the University of Georgia will be formally unveiled Aug. 31 at 4 p.m. on the third floor hall of the biological sciences building. The depiction is a collaboration of the UGA Franklin College of Arts and Sciences division of biological sciences, the Lamar Dodd School of Art and the department of marine sciences.

http://chronicles.franklin.uga.edu/posts/new-seascape-mural-brings-...

http://www.cambridge-news.co.uk/Education-and-Training/News/Student...

Students embrace the art of science

Young artists from across Cambridgeshire have combined science with art for an annual creative challenge.

Organised by Cambridge’s prestigious Medical Research Council Laboratory of Molecular Biology (MRC-LMB), the Imagining the Brain project is an open exhibition designed to encourage students across the county to communicate scientific concepts through art.

http://blogs.scientificamerican.com/symbiartic/2012/08/23/surly-amy...