Together, science and art address our planetary psychopathology Winnipeg hosts the inaugural bioart exhibition of Toxicity
This December, Winnipeg will host the premiere of an arts and sciences exhibition that will travel to many other countries. The exhibition, Toxicity, spawned from the academic work of Dr. Melentie Pandilovski and Dr. Jennifer Willet. Pandilovski is the director of Video Pool Media Arts Centre in Winnipeg and Willet is the director of INCUBATOR: Hybrid Laboratory at the Intersection of Art, Science, and Ecology, a branch of the school of visual arts at the University of Windsor.
In 2011, Willet was the director of BioARTCAMP at the Banff Centre, where participants explored the intersections between science and art in a fully functional biological sciences laboratory. Her work in this field began in 2004 at SymbioticA with Oron Catts and Ionat Zurr as part of the BIOTEKNICA project.
http://www.newscientist.com/article/dn24577-competition-win-a-medic... Competition: Win a medical masterpiece!
The Wellcome Collection in London is hosting an exhibition called Foreign Bodies, Common Ground. It brings together the work of artists resident in medical research centres in six countries: Kenya, Vietnam, Malawi, South Africa, Thailand and the UK.
To mark this event, New Scientist CultureLab invites you to send in your own work of art. We are looking for an original creation that depicts your view of modern medicine and why it matters. It might be inspired by an encounter with a doctor, a scan of your brain or the impact of a treatment you've received. It can be a song, poem, painting, video, sculpture, short story or photograph… the sky's the limit.
We'll showcase the best entries here on CultureLab, and the winners will receive an original artwork donated by the Wellcome Collection: a framed print from multimedia artists Miriam Syowia and James Muriuki, whose work is featured in the exhibition. The prize also includes Wellcome Collection café and book shop vouchers.
Fill in our entry form for your chance to win; if you need to display an image, video or audio clip, please post a link to it. The closing date for entries is 23.59 Greenwich Mean Time on Sunday 5 January 2014. (Full terms and conditions are below).
Let medical science be your muse. For details please click on the link given above.
By B.Tungalag “Nano World” Science Art Exhibition was unveiled at the Mongolian National Modern Art Gallery on November 11. The Association of Developing Mongolian Modern Art and The Mongolian National Center for Nanoscience and Nanotechnology jointly organized the exhibition. The purpose of the exhibition is to give context about the development of nanotechnology and its importance through art. The show featured the best artworks from participants of the “Science as Art” competition, which has been organized by the Materials Research Society in the USA since 2006, and artwork by the famous Swiss artist and photographer, Fabian Oefner. The exhibition will be open for only three days, and closes on November 13.
Developed countries have built strong economies based on technological knowledge. New technology and products created by human ingenuity bring wonder to our world. Organizers of “Nano World” believe that Mongolia is also capable of becoming a country with an economy based on knowledge. The organizers aimed to present information about nanotechnology to youth through art. They hope that their interest in this sector, and in the developments of the future, will be inspired by seeing the exhibition.
About the National Center of Nanoscience and Nanotechnology
The National Center of Nanoscience and Nanotechnology was established in 2008. The main objective of the National Center of Nanoscience and Nanotechnology is to search and discover the structure of atomic molecules through nanoscience and the study of gravity. The center observes open cooperation with contract researchers.
About Fabian Oefner
Fabian Oefner (born 1984, Switzerland) is a curious investigator, photographer and artist, whose work moves between the fields of art and science. His images capture, in unique and imaginative ways, natural phenomena that appear in our daily lives, such as sound waves, centripetal forces, iridescence, or the unique properties of magnetic ferroliquids. His exploration of the unseen and poetic facets of the natural world is an invitation, as he says, “to stop for a moment and appreciate the magic that constantly surrounds us.”
Oefner’s photographs have been exhibited in various countries and are part of private collections around the globe. Besides pursuing his own projects, he also collaborates with influential international brands on ad campaigns and art projects. He works and lives in Switzerland.
http://www.timeshighereducation.co.uk/news/westminster-programme-in... Westminster programme integrates arts and science
Student collaboration blends skills to take fresh look at knowledge
Animated spirographs and bacterial portraits were among the projects under discussion at a seminar exploring the potential and the challenges of “integrating art and science” within learning.
Set up at the University of Westminster in 2010 as an extracurricular programme, the Broad Vision project brings together 30 to 35 arts and science students each year on Friday afternoons from January to April. Their very different knowledge and skill sets mean that everyone is both an expert and a novice, so they form into small groups to create science-inspired artworks. By the end of the very first year, in which a focus on microscopy was encapsulated in the theme The Art and Science of Looking, the collaborations had led to an exhibition, workshops, a seminar and a book.
http://www.broadwayworld.com/bwwart/article/The-Art-of-Planetary-Sc... The Art of Planetary Science Set for Tucson, AZ on December 4
Local artists Dr. Bill Hartmann, Simon Kregar, and Michelle Rouch of Arizona, all of whom are members of the International Association of Astronomical Artists (IAAA), have been honored with the acceptance of their works in the Art of Planetary Science, an Exhibition at the University of Arizona Lunar and Planetary Laboratory. Hartmann, Kregar, and Rouch were among 100 artists whose work was selected. The Art of Planetary Science will be held on 4 December, 2013 at Kuiper Space Sciences Building, 1629 E. University Blvd., Tucson, AZ from 6PM-10PM.
IAAA, non-profit foundation, was formally founded in 1983 by a small group of artists who journeyed through the fascinating but seldom trod territory where science and art overlap. The object of IAAA is to implement and participate in astronomical and space art projects, to promote education about astronomical art, and to foster an internationAl Cooperation in artistic work inspired by the exploration of the Universe.
The Art of Planetary Science Project is holding an exhibition of art, created from and inspired by the scientific data with which we use to explore our solar system. The event includes an open competition for artists and scientists of all levels and types.
On display at the MB&F MAD (Mechanical Art Devices) Gallery in Geneva, Fabien Oefner’s ‘Disintegrating’ and ‘Hatch’ series of images includes classic cars such as the 1954 Mercedes-Benz 300 SLR Uhlenhaut Coupe, 1961 Jaguar E-Type, 1967 Ferrari 330 P4 and 1962 Ferrari 250 GTO.
Intended to look as if a specific moment in time has been captured on film, for the ‘Disintegrating’ series, Oefner blended hundreds of real photographs of a completely dismantled scale model car positioned piece by piece with fine needles and string to give the impression of it exploding.
Call for Submissions Subtle Technologies presents
Open Culture:
Participatory Practices in Art & Science
16-25 May 2014, Toronto
In May 2014, Subtle Technologies will be holding its 17th annual festival in Toronto. Their symposium, performances, workshops, screenings, exhibitions and networking sessions provide a forum to explore ideas and pose questions at the intersection of art, science and technology. Subtle Technologies is known internationally for presenting artists and scientists whose work is at the leading edge of their respective disciplines and creating a space for dialogue that leads to future discussions and collaborations.
The theme for 2014 is “Open Culture”. The festival will celebrate the ways artists and scientists are creating and making use of tools and techniques to harness the collective power, knowledge and creativity of the citizen. Bringing together artists and scientists who are working in these domains will open streams of dialogue leading to increased collaboration between artists and scientists who are interested in contributions of an engaged public. They are currently accepting submissions by artists, curators and scientists on the ideas presented below as well as others that fall under the umbrella of participatory culture. This time they would like to explore citizen science and open science. They welcome submissions that explore the role of citizen science, benefits, pitfalls, mechanisms, philosophy and ethics surrounding non-scientists involved in scientific research. This concept suggests that scientists share their data as quickly as possible, allowing others to benefit from and make use of their research. “Open notebook science” implies the dissemination of both raw and processed scientific data as it is captured. They would like to invite practitioners, advocates and critics of open science to contribute submissions to our festival.
The festival will also explore the ways artists invoke participatory culture in the creation of tools and artworks. Media artists have fully engaged in the networked world and are making use of mobile networks and ubiquitous computing in their artworks. These technologies allow for real time interaction and data collection.
For more details click on the link: http://subtletechnologies.com/festival/call-for-submissions/
For any questions, please contact Fanny Martin, General Manager, at fanny @ subtletechnologies.com.
Art is the elimination of the unnecessary. - Pablo Picasso
Everything should be made as simple as possible, but not simpler.
- Albert Einstein
These entwined ideas – which underlie Occam's Razor – form a thread that links the realms of science and art. Scientists rely on Occam's Razor, which holds that simpler explanations, all things being equal, are better than more complex ones, to refine their theories and experiments. Artists also may use the precepts of Occam's Razor in their choices of what to include, and what not to include, in their work.
As an artist, how do you respond to the ideas, methodologies and imagery of science? As a scientist, how do you appreciate the artistic value of your work? How does simplicity inspire your aesthetic choices? Do you wield Occam's Razor, peeling away the unnecessary to arrive at beauty and simplicity? Does simplicity equate with beauty?
Propeller Centre for the Visual Arts (PCVA) and the !dea Gallery at the Ontario Science Centre are calling for works of art inspired by science, for a group exhibition that examines similarities in practice amongst scientists and artists. With reference to Occam's Razor, the exhibition will seek to narrow the cultural divide between Art and Science.
Work selected will be shown at Propeller Centre for the Visual Arts from April 2-20, 2014, as well as at the !dea Gallery, Ontario Science Centre, May 3-June 1, 2014. (!dea Gallery showing may be modified based on space requirements).
http://water-wheel.net/resource_files/3wds14-call.pdf#! CALL FOR PROPOSALS
Waterwheel World Water Day Symposium 2014 - 3WDS14
“Water Views: Caring and Daring”
17- 22 March 2014
Following last year’s success, this 3rd online edition of Waterwheel World Water Day Symposium - 3WDS14 will be
hosted during the week leading up to and concluding on World Water Day, 22 March 2014.
Scientists, academics, artists, architects, urbanists, engineers, practitioners, activists, inventors and water drinkers
are invited to submit projects and papers (25-minute presentations), performances (up to 20 minutes), panels and
workshops (3 hours maximum and panels must include at least 45 minutes of discussion), on the theme “Water
Views: Caring and Daring”
From leonardo: NEXT UC DAVIS LASER: 2 DECEMBER
The next UC DAVIS LASER event will take place Monday, 2 December, 6:30?8:30 p.m. in the Plant and Environmental Science building on the UC Davis campus. Presenters will include Distinguished Professor of Evolution and Ecology at UC Davis, Art Shapiro; artist and founder of San Francisco-based art collective Futurefarmers, Amy Franceschini; interdisciplinary artist Mary Anne Kluth; and Director of Conservation Science for the National Audubon Society, Justin Schuetz. The program will also include time for audience members currently working within the intersections of art and science to share their work.
NEXT UCLA LASER: 5 DECEMBER
Join us at the UCLA Art | Sci Center for the final UCLA LASER of the year on Thursday, 5 December, 7--9 p.m. This LASER will be preceded by the opening of What Comes to Mind, an exhibition of Joyce Cutler-Shaw's current project that explores the human life cycle, the structure of the human body, the brain and the complex phenomenon of memory. Joyce Cutler-Shaw will also be presenting at the LASER event, along with UCLA psychology professor Robert Bilder; media artist Dustin O'Hara; Founding Executive Director of the Arts and Healing Initiative at UCLA, Ping Ho; artist and art director David Familian; media artist and visiting Art | Sci scholar Clarissa Ribiero; and psychologist and art therapist Hanna Chusid.
NEXT UC BERKELEY LASER: 11 DECEMBER The next UC Berkeley LASER event will take place Wednesday, 11 December, 6 p.m. Presenters will include Executive Director of the Center for Genetics and Society Marcy Darnovsky on ?The Case for a New Biopolitics?; founder of Ideami Studios Javier Ideami on ?Instant Filmmaking: DIY Technology for Visual Storytelling?; leader of the Adobe Creative Technologies Lab David Salesin on ?How Research Works?; and planetary scientist with the Space Science Division of NASA Ames Chris McKay on ?The Curiosity Mars Mission.? Find out more
NEXT STANFORD LASER, 12 DECEMBER Join us for the next Stanford Leonardo Art Science Evening Rendezvous (LASER), 12 December 2013, at Stanford University, featuring Uwe Bergmann (Stanford) on "The Science and Applications of X-Rays," Ellen Fullman (musician) on "A Compositional Approach Derived from Material and Ephemeral Elements," Alison Gopnik (UC Berkeley) on "The Philosophical Baby" and David Stork (Rambus Labs) on "Computer Image Analysis of Parmigianino's Self Portrait in a Convex Mirror."
CALL FOR APPLICTIONS: NEW MEDIA ARTS MFA, UNT The New Media Art MFA program at the University of Northern Texas offers a unique blend of emerging transdisciplinary creative research with studio and art history disciplines. The program fosters critical thinking and innovative approaches to contemporary art-making, theory, social engagement and interdisciplinary research. Throughout the 3-year program, students engage in a wide variety of advanced technology-based practices, including interactive installation, electronic objects and interfaces, moving images, 3D modeling and animation, gaming, tactical media, bio-art, performance, rapid prototyping, data visualization and sonification, sound design, and other emergent art forms. NMA @ UNT offers students an internationally recognized faculty, teaching/research assistantships, access to the xREZ Art-Science lab, the physical computing and robotics lab, the digital print lab and shoot room, the UNT Center for Experimental Music and Innovation, as well as a fully outfitted f!
abrication shop and digital fabrication lab, six galleries for student exhibitions, the UNT System Gallery Showcase in downtown Dallas, an extensive public arts program and an active visiting artist/critic program. Deadline to apply: 5 January 2014.
CALL FOR APPLICATIONS: ART/SCI RESEARCH SOFTWARE DEVELOPER The University of Northern Texas xREZ ArtScience lab is seeking to hire a research software developer and technologist to join the art-science lab research team. This position centers on supporting interdisciplinary research projects through collaboratively specifying, building and deploying applications with faculty and students across the arts, sciences, engineering and humanities. The applications are highly heterogeneous, spanning desktop, mobile, web, cloud and data centers, and site-specific applications (tiled displays, computer vision, etc.). Technical direction, system specification and recommendation, documentation, and software development all are skills used daily.
MODEL & METAPHOR: NEWCASTLE, AUSTRALIA 2012 Synapse Residency recipient Nola Farman has organized Model & Metaphor, two events over two days comprised of a lecture and a symposium exploring the question: Has, does and can science emerge from art? The lecture, entitled ?Public ?Disruptive?? will take place Monday, 9 December and will feature Jill Scott, addressing the audience on re-composing art and science, and Margaret Wertheim, discussing how artists paved the way for physicists at the dawn of the scientific revolution. The symposium will serve to challenge the general paradigm that assumes a clear distinction between art and science and between artists and scientists. Presenters will include Jill Scott, Margaret Wertheim, Richard Vella, Doug Kahn, Natalie O?Connor, Ren?e Beale, Oron Cats and Stelarc.
CALL FOR SUBMISSIONS: LOCUS SONUS SYMPOSIUM 2014 The main goal of research group Locus Sonus is to explore the ever-evolving relationship between sound, place and usage. In an art/science tradition the group?s research involves experimentation with emerging audio technologies, particularly those relating to sound transmission, mobilization or specialization. Since 2005, Locus Sonus Symposiums have maintained an exceptionally high standard in both artistic and scientific content, inviting international experts and generating lively discussion around a specific question or topic. Organizers are issuing a call for papers and posters, performances, installations and other mobile art forms adhering to this year?s topic: audio mobility. Deadline to submit: 15 December 2013
MODEL AND METAPHOR SYMPOSIUM Tuesday, 10 December 2013
University of Newcastle Australia
Presenters include: Dr Jill Scott, Margaret Wertheim, Prof Richard Vella, Prof Douglas Kahn, Natalie O'Connor, Renée Beale, Oron Catts & Stelarc
We would challenge the general paradigm that Art and Science are the antithesis of each other and that you are either "an Artist" or "a Scientist". As such, it will be fruitful to explore how Art and Science were linked in the past, how they interact at present and what might be the future. The aim is not only to explore how science/technology could be integrated into an artwork but how art methodology can generate new scientific insights and technologies. We see this as a relationship with many possible variations. http://bit.ly/1c6iy4B
Post-humanist Desire Museum of Contemporary Art Taipei
Curator: Ming Turner
Co-Curator: Yu-Chieh Lin
Until 12 January 2014
The term "Post-human" comes from Post-human Manifesto by Steve Nichols, published in 1988. Although the definition of "Post-human" remains undecided within academic and artistic circles, the term has become very common in describing the divergent and complex life expectations and identities of 21st century people. A group of twenty-five artists have been invited to participate and show their works in the exhibition, to help interpret the continuously developing and noteworthy theme of the "Post-human," under three headings: the "cloned human," the "transgendered human," and the "transformed human." The group of 25 artists include Oron Catts & Ionat Zurr and many others. http://bit.ly/17WMP81
Grow Your Own Until 19 Jan 2014
Science Gallery Dublin
GROW YOUR OWN... is a new exhibition created by Science Gallery at Trinity College Dublin that invites you to consider some of the potentially ground-breaking applications and uncertain implications of synthetic life. Tackling the provocative questions that designing life raises, GROW YOUR OWN... gives you the opportunity to help shape future discussions around synthetic biology - an emerging approach to genetic engineering, bringing together engineers, scientists, designers, artists and biohackers to design 'living machines'. The exhibition is curated by artist and designer Alexandra Daisy Ginsberg, Anthony Dunne (Royal College of Art), Paul Freemont (Imperial College), Cathal Garvey (bio-hacker) and Michael John Gorman (Science Gallery).
Featuring THE MECHANISM OF LIFE - AFTER STÉPHANE LEDUC by Oron Catts, Ionat Zurr & Corrie van Sice. http://bit.ly/185ztTq
My Brain Is in My Inkstand: Drawing as Thinking and Process Until March 30, 2014
Cranbrook Art Museum Bloomfield Hills Michigan USA
This Exhibition brings together twenty-two artists and makers from regions as widespread as the United States, the Caribbean, Europe, Australia, and South Africa to redefine the notion of drawing as thinking process in the arts and the sciences alike. Exploring the contemporaneity of drawing in visual art and design practices beyond the traditional interaction of pencil and paper, the exhibition connects aesthetic fields as varied as philosophy and mathematics, diagrammatic reasoning and rock carvings, performance and basketball, social networking and music, microorganisms and furniture design, eco-art and skateboarding. Featuring The Mechanism of Life After Stephane Leduc (Oron Catts, Ionat Zurr, Corrie Van Sice) and new works in progress by Benjamin Forster: 1. Towards taxonomy 2. a) Tracing (Aspect A : Surveillance) b) Tracing (Aspect B : Wifi) c) Tracing (Aspect C : Cab Charges). http://bit.ly/19x2BH0
CALL FOR ABSTRACTS Toward a Science of Consciousness 2014
April 21-26, 2014, Tucson, Arizona
Speakers will include: Ned Block, David Chalmers, Karl Deisseroth, Daniel Dennett, David Eagleman, Rebecca Goldstein, Stuart Hameroff, Christof Koch, Henry Markram, John Searle, Petra Stoerig, Giulio Tononi and many more. Toward a Science of Consciousness is an interdisciplinary conference known for rigorous and leading edge approaches to all aspects of the study of conscious experience. These aspects include neuroscience, psychology, philosophy, cognitive science, artificial intelligence, molecular biology, medicine, quantum physics, and cosmology as well as art, technology, and experiential and contemplative approaches. The conference is the largest and longest-running interdisciplinary gathering probing fundamental questions related to conscious experience. An estimated 700 participants from over 60 countries are due to take part. As in previous conferences, program sessions will include plenary and keynote talks, concurrent talks, posters, art/science demos and exhibits, pre-conference workshops, side trips, and social events in the Tucson tradition. http://www.consciousness.arizona.edu/
Due: Dec 10 2013
CALL FOR ABSTRACTS Cloud and Molecular Aesthetics
Istanbul June 26-28 2014
The Third Transdisciplinary Imaging Conference at the intersections of art, science and culture seeks papers that explore the theme of the cloud and molecular aesthetics. Clouding occurs when information becomes veiled, foggy, fuzzy, obscure or secretive, or when it condenses, blooms and accretes into atmospheres of chaotic turbulence and pressure vectors, into tidal flows and storms. The cloud also is a new formation of data as a global and seemingly immaterial distribution of storage and means of retrieval. This data cloud exists everywhere and yet is nowhere in particular. As with the protocols of bit torrent files, the cloud provides a new concept of sound and image "assembly", distinct from and beyond the materialist machinic diagrams and the practices of re-mixing or remediation that became characteristic of late twentieth-century and millennial aesthetics. The cloud is not an object but an experience and its particles are the very building blocks of a molecular aesthetic in which we live and act. http://blogs.unsw.edu.au/tiic/
Deadline for abstracts is Dec 14th 2013
Ars Bioarctica Residency 2014 - Open Call Since 2010 the Finnish Society of Bioart is organizing the ARS BIOARCTICA RESIDENCY PROGRAM together with the Kilpisjärvi Biological Station of the University of Helsinki in the sub-Arctic Lapland. Until now 39 artists, scientists, and practitioners have been developing work at the Station - including Marko Peljhan and Matthew Biedermann from the Arctic Perspective Initiative, Oron Catts from Symbiotica or sound poet AGF. The residency takes place in the facilities of the Kilpisjärvi Biological Station. It provides the residents with a combined living and working environment, a basic laboratory, internet connection and sauna. The Kilpisjärvi Biological Station offers to the residents the same possibilities and infrastructure as its scientists and staff. This includes access to scientific equipment, laboratory facilities, the library and seminar room as well as the usage of field equipment. A dedicated contact person in Kilpisjärvi will familiarize residents with the local environment and customs. The emphasis of the residency is on the Arctic environment, art&science collaboration and is open for artists, scientists and interdisciplinary research teams. http://bioartsociety.fi/ars-bioarctica-residency/
Deadline: 15 Dec 2013
Collaborative Art + Bio Workshop ISLAND LIFE: Tropical Field Studies of Art+Nature in Puerto Rico Dates of travel: January 10-17, 2014 Escape the cold winter to the Caribbean in this one-of-a-kind, art+nature immersion experience in Puerto Rico! Join us for an artistic exploration of the diverse tropical wildlife from rainforest, mountain, beach and coastal environments. Through hands-on observation, artistic interpretation and various biological methods, we will learn to utilize the natural habitat as a studio/lab to make informed art about tropical plants, animals, and nature. http://www.artbiocollaborative.com/island-life
Transforming Public Engagement on Controversial Science & Technology University of Waikato
17-18 February 2014
This symposium, being organised by an interdisciplinary research team, will feature several major international scholars and will provide an interface among scientists, social scientists, artists, policy practitioners, managers, and activists. http://www.waikato.ac.nz/fass/conference/sustcitconf/
SYMPOSIUM THE ROMANTIC DISEASE: AN ART AND SCIENCE INVESTIGATION OF TB
March 24, 2014
Watermans 40 High Street
TW8 0DS Brentford UK
The Romantic Disease: An Artistic Investigation of Tuberculosis" exhibition by Anna Dumitriu will culminate in a fascinating and accessible multidisciplinary symposium on World TB day 2014 bringing together the project team and advisers to tell stories of their own relationships to the disease across art, science, ethics and healthcare, with opportunities for debate and discussion.
Tickets: http://bit.ly/1et2zRh
Life, in Theory The 8th Meeting of the European Society for Literature, Science, and the Arts
June 3-6, 2014 Turin, Italy
The VIII European Meeting of the Society for the Study of Literature, Science, and the Arts aims to continue the conversation between science and the humanities on the implications for our projected futures of the manipulation, administration, and governance of life forms. The concept of life today no longer provides sufficient ontological ground to distinguish among different forms of life and to guide ethical, political, legal, or medical actions. Thus, a discussion across disciplinary forms of knowledge and theories of life, and the practices they authorize, is literally to confront issues of life and death. http://litsciarts.eu/
http://thedailycougar.com/2013/12/03/lecture-links-science-arts/ Seminar syncs science, liberal arts
Professor and Chair of the Department of Health Sciences at DePaul University Craig Klugman broke the professional boundaries that divided science and art during a seminar for the Ethics in Science series on Monday.
“Humanity has put professions in specific categories,” Kulgman said, “where mathematicians can only be mathematicians and an engineer can only be an engineer. One of the things that I’ve documented is that the value of film and art and literature helps us become more comfortable with ambiguity. All these structures, these styles, these drawers, they’re artificial constructs. They don’t really exist; they’re just human beings that have decided these categories.” “Understanding the validity between the (arts and sciences) helps us become more comfortable
Art could help create a better 'STEM' student Science, technology, engineering and mathematics (STEM) have become part of educational vernacular, as colleges, universities and other institutions strive to raise the profile of the areas of study and the number of graduates in each field. Now a project from the University of Houston College of Education Urban Talent Research Institute encourages the incorporation of creative endeavors to attract more and better STEM students.
"When an artist is painting, he is trying to solve a problem -- how to express what is being felt. He experiments with colors, technique and images the same way a scientist or engineer experiments with energy and signals," he said. "There is more than one way information can be taught just like there is more than one way problems can be solved."
"Creative thinking and problem solving are essential in the practice of math and science," he said. "Incorporating art into math and science will not only help students become more creative and better problem solvers, it will help them understand math and science better." http://esciencenews.com/articles/2013/12/03/art.could.help.create.a...!+Science+News+-+Popular%29
http://www.boiseweekly.com/boise/the-art-of-science-and-the-science... The Art of Science and the Science of Art
Students at Foothills School of Arts and Sciences will demonstrate the fundamental link between art and science with "The Art of Science and the Science of Art," Thursday, Dec. 5, from 5:30-7:30 p.m., showcasing student projects that tie the two disciplines together.
http://www.scotsman.com/lifestyle/arts/visual-arts/edinburgh-s-wate... Edinburgh’s water explored in art-science project
The project uses music and visual art as a vehicle for exploring the city’s environmental past and present, unearthing new sights and old stories in the observation of everything from reservoirs to culverts.
http://www.wildcat.arizona.edu/article/2013/12/art-helps-translate-... Art helps translate science for masses
There is a River Road in Tucson, but not an actual flowing river. For most of the year the Rillito River is a dried-up wash, only full for a short period of time after a monsoon storm. The diminishing water table is extremely important to the city, but sometimes scientific jargon makes it difficult for people to understand why they should care.
That’s where art comes in.
Art, poetry and other creative forms of communication provide a unique way to connect with scientific information, creating mass appeal for the often esoteric labors of scientific research.
“My work deals a lot with bringing science and art together,” said Ellen McMahon, a professor in the School of Art and editor of the book “Groundwater.”
http://www.huffingtonpost.com/john-m-eger/the-art-of-science_b_4320... The Art of Science
Dr. Krishna Kumari Challa, scientist, artist, writer, poet, and designer based in India, has said, "Art and science ... are two sides of the same coin." While science is Dr. Challa's first love, art and literature are "life itself."
Dr. Challa, like many scientists see science as art and art as science and often inspired by each. Unfortunately, many others still see art and science as distinct and separate disciplines. Not unlike physicist-turned-novelist C.P Snow, who wrote over fifty years ago there are "two cultures". http://www.huffingtonpost.com/john-m-eger/and-the-word-is-steam_b_4...
When worlds collide: art meets science in Dublin Bay Projects between artists and scientists on the bay’s northern shore have shown how fruitful collaborations can be
http://today.uconn.edu/blog/2013/12/physician-melds-art-and-science/ Long before he was a doctor, Dr. Joel Levine was a writer. He crafted poetry and short stories as a college student in the late 1960s, and his talent drew encouragement from teachers and readers alike. Levine largely set writing aside while he pursued a career in medicine. He earned his medical degree and went on to residencies and fellowships at Harvard Medical School’s Massachusetts General Hospital. Yet the desire to write remained with him.
The golden-crowned kinglet leans over a sketched-twig perch, his bright eye peering out from the page at his creator, Leigh Anne Carter.
Carter, 27, is a scientific illustrator, a member of a storied profession whose practitioners – from famous naturalists such as John James Audubon to modern-day illustrators at the National Geographic Society – convey scientific data through the grace and power of art.
Dr. Krishna Kumari Challa
http://www.nytimes.com/2013/11/25/arts/design/a-real-pollock-on-thi...
A Real Pollock? On This, Art and Science Collide
Nov 25, 2013
Dr. Krishna Kumari Challa
http://www.sabc.co.za/news/a/9c8ae80041f1125d923ebf1c2eddf908/Artis...
Artist scalps his way through science
Nov 25, 2013
Dr. Krishna Kumari Challa
http://blogs.scientificamerican.com/beautiful-minds/2013/11/25/open...
Openness to Experience and Creative Achievement
Nov 26, 2013
Dr. Krishna Kumari Challa
http://www.themanitoban.com/2013/11/together-science-art-address-pl...
Together, science and art address our planetary psychopathology
Winnipeg hosts the inaugural bioart exhibition of Toxicity
This December, Winnipeg will host the premiere of an arts and sciences exhibition that will travel to many other countries. The exhibition, Toxicity, spawned from the academic work of Dr. Melentie Pandilovski and Dr. Jennifer Willet. Pandilovski is the director of Video Pool Media Arts Centre in Winnipeg and Willet is the director of INCUBATOR: Hybrid Laboratory at the Intersection of Art, Science, and Ecology, a branch of the school of visual arts at the University of Windsor.
In 2011, Willet was the director of BioARTCAMP at the Banff Centre, where participants explored the intersections between science and art in a fully functional biological sciences laboratory. Her work in this field began in 2004 at SymbioticA with Oron Catts and Ionat Zurr as part of the BIOTEKNICA project.
Nov 26, 2013
Dr. Krishna Kumari Challa
http://www.linkedin.com/groupAnswers?viewQuestionAndAnswers=&di...
The ultimate pinhole camera and an opportunity for a truly global science project
Nov 27, 2013
Dr. Krishna Kumari Challa
http://www.themanitoban.com/2013/11/together-science-art-address-pl...
Together, science and art address our planetary psychopathology
Winnipeg hosts the inaugural bioart exhibition of Toxicity
Nov 27, 2013
Dr. Krishna Kumari Challa
http://www.newscientist.com/article/dn24577-competition-win-a-medic...
Competition: Win a medical masterpiece!
The Wellcome Collection in London is hosting an exhibition called Foreign Bodies, Common Ground. It brings together the work of artists resident in medical research centres in six countries: Kenya, Vietnam, Malawi, South Africa, Thailand and the UK.
To mark this event, New Scientist CultureLab invites you to send in your own work of art. We are looking for an original creation that depicts your view of modern medicine and why it matters. It might be inspired by an encounter with a doctor, a scan of your brain or the impact of a treatment you've received. It can be a song, poem, painting, video, sculpture, short story or photograph… the sky's the limit.
We'll showcase the best entries here on CultureLab, and the winners will receive an original artwork donated by the Wellcome Collection: a framed print from multimedia artists Miriam Syowia and James Muriuki, whose work is featured in the exhibition. The prize also includes Wellcome Collection café and book shop vouchers.
Fill in our entry form for your chance to win; if you need to display an image, video or audio clip, please post a link to it. The closing date for entries is 23.59 Greenwich Mean Time on Sunday 5 January 2014. (Full terms and conditions are below).
Let medical science be your muse.
For details please click on the link given above.
Nov 27, 2013
Dr. Krishna Kumari Challa
http://blogs.scientificamerican.com/symbiartic/2013/11/27/what-arti...
What Artists Know About Light That Physicists Are Missing
Painting with light!
Nov 28, 2013
Dr. Krishna Kumari Challa
http://www.gazettetimes.com/news/local/a-love-of-art-and-biology-pr...
A love of art and biology propels website
Nov 28, 2013
Dr. Krishna Kumari Challa
http://www.artistsnetwork.com/drawing-anatomy-for-the-artist?lid=CH... Art Lesson: How to Study Human Anatomy for the Artist
Nov 29, 2013
Dr. Krishna Kumari Challa
‘Nano World’ Science Art Exhibition
By B.Tungalag
“Nano World” Science Art Exhibition was unveiled at the Mongolian National Modern Art Gallery on November 11. The Association of Developing Mongolian Modern Art and The Mongolian National Center for Nanoscience and Nanotechnology jointly organized the exhibition. The purpose of the exhibition is to give context about the development of nanotechnology and its importance through art. The show featured the best artworks from participants of the “Science as Art” competition, which has been organized by the Materials Research Society in the USA since 2006, and artwork by the famous Swiss artist and photographer, Fabian Oefner. The exhibition will be open for only three days, and closes on November 13.
Developed countries have built strong economies based on technological knowledge. New technology and products created by human ingenuity bring wonder to our world. Organizers of “Nano World” believe that Mongolia is also capable of becoming a country with an economy based on knowledge. The organizers aimed to present information about nanotechnology to youth through art. They hope that their interest in this sector, and in the developments of the future, will be inspired by seeing the exhibition.
About the National Center of Nanoscience and Nanotechnology
The National Center of Nanoscience and Nanotechnology was established in 2008. The main objective of the National Center of Nanoscience and Nanotechnology is to search and discover the structure of atomic molecules through nanoscience and the study of gravity. The center observes open cooperation with contract researchers.
About Fabian Oefner
Fabian Oefner (born 1984, Switzerland) is a curious investigator, photographer and artist, whose work moves between the fields of art and science. His images capture, in unique and imaginative ways, natural phenomena that appear in our daily lives, such as sound waves, centripetal forces, iridescence, or the unique properties of magnetic ferroliquids. His exploration of the unseen and poetic facets of the natural world is an invitation, as he says, “to stop for a moment and appreciate the magic that constantly surrounds us.”
Oefner’s photographs have been exhibited in various countries and are part of private collections around the globe. Besides pursuing his own projects, he also collaborates with influential international brands on ad campaigns and art projects. He works and lives in Switzerland.
http://ubpost.mongolnews.mn/?p=6790
Nov 29, 2013
Dr. Krishna Kumari Challa
http://www.timeshighereducation.co.uk/news/westminster-programme-in...
Westminster programme integrates arts and science
Student collaboration blends skills to take fresh look at knowledge
Animated spirographs and bacterial portraits were among the projects under discussion at a seminar exploring the potential and the challenges of “integrating art and science” within learning.
Set up at the University of Westminster in 2010 as an extracurricular programme, the Broad Vision project brings together 30 to 35 arts and science students each year on Friday afternoons from January to April. Their very different knowledge and skill sets mean that everyone is both an expert and a novice, so they form into small groups to create science-inspired artworks. By the end of the very first year, in which a focus on microscopy was encapsulated in the theme The Art and Science of Looking, the collaborations had led to an exhibition, workshops, a seminar and a book.
Nov 29, 2013
Dr. Krishna Kumari Challa
http://www.broadwayworld.com/bwwart/article/The-Art-of-Planetary-Sc...
The Art of Planetary Science Set for Tucson, AZ on December 4
Local artists Dr. Bill Hartmann, Simon Kregar, and Michelle Rouch of Arizona, all of whom are members of the International Association of Astronomical Artists (IAAA), have been honored with the acceptance of their works in the Art of Planetary Science, an Exhibition at the University of Arizona Lunar and Planetary Laboratory. Hartmann, Kregar, and Rouch were among 100 artists whose work was selected. The Art of Planetary Science will be held on 4 December, 2013 at Kuiper Space Sciences Building, 1629 E. University Blvd., Tucson, AZ from 6PM-10PM.
IAAA, non-profit foundation, was formally founded in 1983 by a small group of artists who journeyed through the fascinating but seldom trod territory where science and art overlap. The object of IAAA is to implement and participate in astronomical and space art projects, to promote education about astronomical art, and to foster an internationAl Cooperation in artistic work inspired by the exploration of the Universe.
The Art of Planetary Science Project is holding an exhibition of art, created from and inspired by the scientific data with which we use to explore our solar system. The event includes an open competition for artists and scientists of all levels and types.
Nov 30, 2013
Dr. Krishna Kumari Challa
http://theadvocate.com/home/7450490-125/intersecting-dance-with-sci...
Intersecting dance with science: Silly or serious
Nov 30, 2013
Dr. Krishna Kumari Challa
http://www.caradvice.com.au/262516/photographer-captures-exploding-...
Science-art: Photographer captures ‘exploding, hatching’ cars
A Swiss photographer renowned for combining art and science has created a series of images capturing cars seemingly exploding and hatching.
On display at the MB&F MAD (Mechanical Art Devices) Gallery in Geneva, Fabien Oefner’s ‘Disintegrating’ and ‘Hatch’ series of images includes classic cars such as the 1954 Mercedes-Benz 300 SLR Uhlenhaut Coupe, 1961 Jaguar E-Type, 1967 Ferrari 330 P4 and 1962 Ferrari 250 GTO.
Intended to look as if a specific moment in time has been captured on film, for the ‘Disintegrating’ series, Oefner blended hundreds of real photographs of a completely dismantled scale model car positioned piece by piece with fine needles and string to give the impression of it exploding.
Nov 30, 2013
Dr. Krishna Kumari Challa
Call for Submissions
Subtle Technologies presents
Open Culture:
Participatory Practices in Art & Science
16-25 May 2014, Toronto
In May 2014, Subtle Technologies will be holding its 17th annual festival in Toronto. Their symposium, performances, workshops, screenings, exhibitions and networking sessions provide a forum to explore ideas and pose questions at the intersection of art, science and technology. Subtle Technologies is known internationally for presenting artists and scientists whose work is at the leading edge of their respective disciplines and creating a space for dialogue that leads to future discussions and collaborations.
The theme for 2014 is “Open Culture”. The festival will celebrate the ways artists and scientists are creating and making use of tools and techniques to harness the collective power, knowledge and creativity of the citizen. Bringing together artists and scientists who are working in these domains will open streams of dialogue leading to increased collaboration between artists and scientists who are interested in contributions of an engaged public. They are currently accepting submissions by artists, curators and scientists on the ideas presented below as well as others that fall under the umbrella of participatory culture.
This time they would like to explore citizen science and open science. They welcome submissions that explore the role of citizen science, benefits, pitfalls, mechanisms, philosophy and ethics surrounding non-scientists involved in scientific research. This concept suggests that scientists share their data as quickly as possible, allowing others to benefit from and make use of their research. “Open notebook science” implies the dissemination of both raw and processed scientific data as it is captured. They would like to invite practitioners, advocates and critics of open science to contribute submissions to our festival.
The festival will also explore the ways artists invoke participatory culture in the creation of tools and artworks. Media artists have fully engaged in the networked world and are making use of mobile networks and ubiquitous computing in their artworks. These technologies allow for real time interaction and data collection.
For more details click on the link:
http://subtletechnologies.com/festival/call-for-submissions/
For any questions, please contact Fanny Martin, General Manager, at fanny @ subtletechnologies.com.
Nov 30, 2013
Dr. Krishna Kumari Challa
http://www.hindustantimes.com/lifestyle/art/from-rags-to-artworks/a...
Eco-science: From rags to artworks - the artist has explored the nexus of art and science and how the creative process can illuminate waste products as an art.
Dec 1, 2013
Dr. Krishna Kumari Challa
http://huutaart.com/index.php?Itemid=107&q=b3B0aW9uPWNvbV9zMmcm...!
Occam's Razor: Art, Science, & Aesthetics
Propeller Centre for the Visual Arts
Call for works of Art inspired by Science
Art is the elimination of the unnecessary.
- Pablo Picasso
Everything should be made as simple as possible, but not simpler.
- Albert Einstein
These entwined ideas – which underlie Occam's Razor – form a thread that links the realms of science and art. Scientists rely on Occam's Razor, which holds that simpler explanations, all things being equal, are better than more complex ones, to refine their theories and experiments. Artists also may use the precepts of Occam's Razor in their choices of what to include, and what not to include, in their work.
As an artist, how do you respond to the ideas, methodologies and imagery of science? As a scientist, how do you appreciate the artistic value of your work? How does simplicity inspire your aesthetic choices? Do you wield Occam's Razor, peeling away the unnecessary to arrive at beauty and simplicity? Does simplicity equate with beauty?
Propeller Centre for the Visual Arts (PCVA) and the !dea Gallery at the Ontario Science Centre are calling for works of art inspired by science, for a group exhibition that examines similarities in practice amongst scientists and artists. With reference to Occam's Razor, the exhibition will seek to narrow the cultural divide between Art and Science.
Work selected will be shown at Propeller Centre for the Visual Arts from April 2-20, 2014, as well as at the !dea Gallery, Ontario Science Centre, May 3-June 1, 2014. (!dea Gallery showing may be modified based on space requirements).
Dec 2, 2013
Dr. Krishna Kumari Challa
http://water-wheel.net/resource_files/3wds14-call.pdf#!
CALL FOR PROPOSALS
Waterwheel World Water Day Symposium 2014 - 3WDS14
“Water Views: Caring and Daring”
17- 22 March 2014
Following last year’s success, this 3rd online edition of Waterwheel World Water Day Symposium - 3WDS14 will be
hosted during the week leading up to and concluding on World Water Day, 22 March 2014.
Scientists, academics, artists, architects, urbanists, engineers, practitioners, activists, inventors and water drinkers
are invited to submit projects and papers (25-minute presentations), performances (up to 20 minutes), panels and
workshops (3 hours maximum and panels must include at least 45 minutes of discussion), on the theme “Water
Views: Caring and Daring”
Dec 2, 2013
Dr. Krishna Kumari Challa
http://blogs.spectator.co.uk/carola-binney/2013/12/science-versus-a...
Science versus Arts – which degree is harder? (what a dumb Q?!)
Dec 2, 2013
Dr. Krishna Kumari Challa
From leonardo:
NEXT UC DAVIS LASER: 2 DECEMBER
The next UC DAVIS LASER event will take place Monday, 2 December, 6:30?8:30 p.m. in the Plant and Environmental Science building on the UC Davis campus. Presenters will include Distinguished Professor of Evolution and Ecology at UC Davis, Art Shapiro; artist and founder of San Francisco-based art collective Futurefarmers, Amy Franceschini; interdisciplinary artist Mary Anne Kluth; and Director of Conservation Science for the National Audubon Society, Justin Schuetz. The program will also include time for audience members currently working within the intersections of art and science to share their work.
NEXT UCLA LASER: 5 DECEMBER
Join us at the UCLA Art | Sci Center for the final UCLA LASER of the year on Thursday, 5 December, 7--9 p.m. This LASER will be preceded by the opening of What Comes to Mind, an exhibition of Joyce Cutler-Shaw's current project that explores the human life cycle, the structure of the human body, the brain and the complex phenomenon of memory. Joyce Cutler-Shaw will also be presenting at the LASER event, along with UCLA psychology professor Robert Bilder; media artist Dustin O'Hara; Founding Executive Director of the Arts and Healing Initiative at UCLA, Ping Ho; artist and art director David Familian; media artist and visiting Art | Sci scholar Clarissa Ribiero; and psychologist and art therapist Hanna Chusid.
NEXT UC BERKELEY LASER: 11 DECEMBER
The next UC Berkeley LASER event will take place Wednesday, 11 December, 6 p.m. Presenters will include Executive Director of the Center for Genetics and Society Marcy Darnovsky on ?The Case for a New Biopolitics?; founder of Ideami Studios Javier Ideami on ?Instant Filmmaking: DIY Technology for Visual Storytelling?; leader of the Adobe Creative Technologies Lab David Salesin on ?How Research Works?; and planetary scientist with the Space Science Division of NASA Ames Chris McKay on ?The Curiosity Mars Mission.? Find out more
NEXT STANFORD LASER, 12 DECEMBER
Join us for the next Stanford Leonardo Art Science Evening Rendezvous (LASER), 12 December 2013, at Stanford University, featuring Uwe Bergmann (Stanford) on "The Science and Applications of X-Rays," Ellen Fullman (musician) on "A Compositional Approach Derived from Material and Ephemeral Elements," Alison Gopnik (UC Berkeley) on "The Philosophical Baby" and David Stork (Rambus Labs) on "Computer Image Analysis of Parmigianino's Self Portrait in a Convex Mirror."
Dec 3, 2013
Dr. Krishna Kumari Challa
CALL FOR APPLICTIONS: NEW MEDIA ARTS MFA, UNT
The New Media Art MFA program at the University of Northern Texas offers a unique blend of emerging transdisciplinary creative research with studio and art history disciplines. The program fosters critical thinking and innovative approaches to contemporary art-making, theory, social engagement and interdisciplinary research. Throughout the 3-year program, students engage in a wide variety of advanced technology-based practices, including interactive installation, electronic objects and interfaces, moving images, 3D modeling and animation, gaming, tactical media, bio-art, performance, rapid prototyping, data visualization and sonification, sound design, and other emergent art forms. NMA @ UNT offers students an internationally recognized faculty, teaching/research assistantships, access to the xREZ Art-Science lab, the physical computing and robotics lab, the digital print lab and shoot room, the UNT Center for Experimental Music and Innovation, as well as a fully outfitted f!
abrication shop and digital fabrication lab, six galleries for student exhibitions, the UNT System Gallery Showcase in downtown Dallas, an extensive public arts program and an active visiting artist/critic program. Deadline to apply: 5 January 2014.
CALL FOR APPLICATIONS: ART/SCI RESEARCH SOFTWARE DEVELOPER
The University of Northern Texas xREZ ArtScience lab is seeking to hire a research software developer and technologist to join the art-science lab research team. This position centers on supporting interdisciplinary research projects through collaboratively specifying, building and deploying applications with faculty and students across the arts, sciences, engineering and humanities. The applications are highly heterogeneous, spanning desktop, mobile, web, cloud and data centers, and site-specific applications (tiled displays, computer vision, etc.). Technical direction, system specification and recommendation, documentation, and software development all are skills used daily.
Dec 3, 2013
Dr. Krishna Kumari Challa
MODEL & METAPHOR: NEWCASTLE, AUSTRALIA
2012 Synapse Residency recipient Nola Farman has organized Model & Metaphor, two events over two days comprised of a lecture and a symposium exploring the question: Has, does and can science emerge from art? The lecture, entitled ?Public ?Disruptive?? will take place Monday, 9 December and will feature Jill Scott, addressing the audience on re-composing art and science, and Margaret Wertheim, discussing how artists paved the way for physicists at the dawn of the scientific revolution. The symposium will serve to challenge the general paradigm that assumes a clear distinction between art and science and between artists and scientists. Presenters will include Jill Scott, Margaret Wertheim, Richard Vella, Doug Kahn, Natalie O?Connor, Ren?e Beale, Oron Cats and Stelarc.
Dec 3, 2013
Dr. Krishna Kumari Challa
CALL FOR SUBMISSIONS: LOCUS SONUS SYMPOSIUM 2014
The main goal of research group Locus Sonus is to explore the ever-evolving relationship between sound, place and usage. In an art/science tradition the group?s research involves experimentation with emerging audio technologies, particularly those relating to sound transmission, mobilization or specialization. Since 2005, Locus Sonus Symposiums have maintained an exceptionally high standard in both artistic and scientific content, inviting international experts and generating lively discussion around a specific question or topic. Organizers are issuing a call for papers and posters, performances, installations and other mobile art forms adhering to this year?s topic: audio mobility. Deadline to submit: 15 December 2013
Dec 3, 2013
Dr. Krishna Kumari Challa
SymbioticA related activities
MODEL AND METAPHOR SYMPOSIUM
Tuesday, 10 December 2013
University of Newcastle Australia
Presenters include: Dr Jill Scott, Margaret Wertheim, Prof Richard Vella, Prof Douglas Kahn, Natalie O'Connor, Renée Beale, Oron Catts & Stelarc
We would challenge the general paradigm that Art and Science are the antithesis of each other and that you are either "an Artist" or "a Scientist". As such, it will be fruitful to explore how Art and Science were linked in the past, how they interact at present and what might be the future. The aim is not only to explore how science/technology could be integrated into an artwork but how art methodology can generate new scientific insights and technologies. We see this as a relationship with many possible variations.
http://bit.ly/1c6iy4B
Post-humanist Desire
Museum of Contemporary Art Taipei
Curator: Ming Turner
Co-Curator: Yu-Chieh Lin
Until 12 January 2014
The term "Post-human" comes from Post-human Manifesto by Steve Nichols, published in 1988. Although the definition of "Post-human" remains undecided within academic and artistic circles, the term has become very common in describing the divergent and complex life expectations and identities of 21st century people. A group of twenty-five artists have been invited to participate and show their works in the exhibition, to help interpret the continuously developing and noteworthy theme of the "Post-human," under three headings: the "cloned human," the "transgendered human," and the "transformed human." The group of 25 artists include Oron Catts & Ionat Zurr and many others.
http://bit.ly/17WMP81
Dec 3, 2013
Dr. Krishna Kumari Challa
Grow Your Own
Until 19 Jan 2014
Science Gallery Dublin
GROW YOUR OWN... is a new exhibition created by Science Gallery at Trinity College Dublin that invites you to consider some of the potentially ground-breaking applications and uncertain implications of synthetic life. Tackling the provocative questions that designing life raises, GROW YOUR OWN... gives you the opportunity to help shape future discussions around synthetic biology - an emerging approach to genetic engineering, bringing together engineers, scientists, designers, artists and biohackers to design 'living machines'. The exhibition is curated by artist and designer Alexandra Daisy Ginsberg, Anthony Dunne (Royal College of Art), Paul Freemont (Imperial College), Cathal Garvey (bio-hacker) and Michael John Gorman (Science Gallery).
Featuring THE MECHANISM OF LIFE - AFTER STÉPHANE LEDUC by Oron Catts, Ionat Zurr & Corrie van Sice.
http://bit.ly/185ztTq
Dec 3, 2013
Dr. Krishna Kumari Challa
My Brain Is in My Inkstand: Drawing as Thinking and Process
Until March 30, 2014
Cranbrook Art Museum Bloomfield Hills Michigan USA
This Exhibition brings together twenty-two artists and makers from regions as widespread as the United States, the Caribbean, Europe, Australia, and South Africa to redefine the notion of drawing as thinking process in the arts and the sciences alike. Exploring the contemporaneity of drawing in visual art and design practices beyond the traditional interaction of pencil and paper, the exhibition connects aesthetic fields as varied as philosophy and mathematics, diagrammatic reasoning and rock carvings, performance and basketball, social networking and music, microorganisms and furniture design, eco-art and skateboarding. Featuring The Mechanism of Life After Stephane Leduc (Oron Catts, Ionat Zurr, Corrie Van Sice) and new works in progress by Benjamin Forster: 1. Towards taxonomy 2. a) Tracing (Aspect A : Surveillance) b) Tracing (Aspect B : Wifi) c) Tracing (Aspect C : Cab Charges).
http://bit.ly/19x2BH0
Dec 3, 2013
Dr. Krishna Kumari Challa
CALL FOR ABSTRACTS
Toward a Science of Consciousness 2014
April 21-26, 2014, Tucson, Arizona
Speakers will include: Ned Block, David Chalmers, Karl Deisseroth, Daniel Dennett, David Eagleman, Rebecca Goldstein, Stuart Hameroff, Christof Koch, Henry Markram, John Searle, Petra Stoerig, Giulio Tononi and many more. Toward a Science of Consciousness is an interdisciplinary conference known for rigorous and leading edge approaches to all aspects of the study of conscious experience. These aspects include neuroscience, psychology, philosophy, cognitive science, artificial intelligence, molecular biology, medicine, quantum physics, and cosmology as well as art, technology, and experiential and contemplative approaches. The conference is the largest and longest-running interdisciplinary gathering probing fundamental questions related to conscious experience. An estimated 700 participants from over 60 countries are due to take part. As in previous conferences, program sessions will include plenary and keynote talks, concurrent talks, posters, art/science demos and exhibits, pre-conference workshops, side trips, and social events in the Tucson tradition.
http://www.consciousness.arizona.edu/
Due: Dec 10 2013
Dec 3, 2013
Dr. Krishna Kumari Challa
CALL FOR ABSTRACTS
Cloud and Molecular Aesthetics
Istanbul June 26-28 2014
The Third Transdisciplinary Imaging Conference at the intersections of art, science and culture seeks papers that explore the theme of the cloud and molecular aesthetics. Clouding occurs when information becomes veiled, foggy, fuzzy, obscure or secretive, or when it condenses, blooms and accretes into atmospheres of chaotic turbulence and pressure vectors, into tidal flows and storms. The cloud also is a new formation of data as a global and seemingly immaterial distribution of storage and means of retrieval. This data cloud exists everywhere and yet is nowhere in particular. As with the protocols of bit torrent files, the cloud provides a new concept of sound and image "assembly", distinct from and beyond the materialist machinic diagrams and the practices of re-mixing or remediation that became characteristic of late twentieth-century and millennial aesthetics. The cloud is not an object but an experience and its particles are the very building blocks of a molecular aesthetic in which we live and act.
http://blogs.unsw.edu.au/tiic/
Deadline for abstracts is Dec 14th 2013
Dec 3, 2013
Dr. Krishna Kumari Challa
Ars Bioarctica Residency 2014 - Open Call
Since 2010 the Finnish Society of Bioart is organizing the ARS BIOARCTICA RESIDENCY PROGRAM together with the Kilpisjärvi Biological Station of the University of Helsinki in the sub-Arctic Lapland. Until now 39 artists, scientists, and practitioners have been developing work at the Station - including Marko Peljhan and Matthew Biedermann from the Arctic Perspective Initiative, Oron Catts from Symbiotica or sound poet AGF. The residency takes place in the facilities of the Kilpisjärvi Biological Station. It provides the residents with a combined living and working environment, a basic laboratory, internet connection and sauna. The Kilpisjärvi Biological Station offers to the residents the same possibilities and infrastructure as its scientists and staff. This includes access to scientific equipment, laboratory facilities, the library and seminar room as well as the usage of field equipment. A dedicated contact person in Kilpisjärvi will familiarize residents with the local environment and customs. The emphasis of the residency is on the Arctic environment, art&science collaboration and is open for artists, scientists and interdisciplinary research teams.
http://bioartsociety.fi/ars-bioarctica-residency/
Deadline: 15 Dec 2013
Dec 3, 2013
Dr. Krishna Kumari Challa
Collaborative Art + Bio Workshop
ISLAND LIFE: Tropical Field Studies of Art+Nature in Puerto Rico Dates of travel: January 10-17, 2014 Escape the cold winter to the Caribbean in this one-of-a-kind, art+nature immersion experience in Puerto Rico! Join us for an artistic exploration of the diverse tropical wildlife from rainforest, mountain, beach and coastal environments. Through hands-on observation, artistic interpretation and various biological methods, we will learn to utilize the natural habitat as a studio/lab to make informed art about tropical plants, animals, and nature.
http://www.artbiocollaborative.com/island-life
Dec 3, 2013
Dr. Krishna Kumari Challa
Transforming Public Engagement on Controversial Science & Technology
University of Waikato
17-18 February 2014
This symposium, being organised by an interdisciplinary research team, will feature several major international scholars and will provide an interface among scientists, social scientists, artists, policy practitioners, managers, and activists.
http://www.waikato.ac.nz/fass/conference/sustcitconf/
SYMPOSIUM
THE ROMANTIC DISEASE: AN ART AND SCIENCE INVESTIGATION OF TB
March 24, 2014
Watermans 40 High Street
TW8 0DS Brentford UK
The Romantic Disease: An Artistic Investigation of Tuberculosis" exhibition by Anna Dumitriu will culminate in a fascinating and accessible multidisciplinary symposium on World TB day 2014 bringing together the project team and advisers to tell stories of their own relationships to the disease across art, science, ethics and healthcare, with opportunities for debate and discussion.
Tickets: http://bit.ly/1et2zRh
Life, in Theory
The 8th Meeting of the European Society for Literature, Science, and the Arts
June 3-6, 2014 Turin, Italy
The VIII European Meeting of the Society for the Study of Literature, Science, and the Arts aims to continue the conversation between science and the humanities on the implications for our projected futures of the manipulation, administration, and governance of life forms. The concept of life today no longer provides sufficient ontological ground to distinguish among different forms of life and to guide ethical, political, legal, or medical actions. Thus, a discussion across disciplinary forms of knowledge and theories of life, and the practices they authorize, is literally to confront issues of life and death.
http://litsciarts.eu/
Dec 3, 2013
Dr. Krishna Kumari Challa
http://www.utsandiego.com/news/2013/dec/02/art-of-science-learning-...
Art of Science Learning project underway
Dec 3, 2013
Dr. Krishna Kumari Challa
http://online.wsj.com/news/articles/SB10001424052702304747004579224...
STEAM Blends Science and the Arts in Public Education
Schools are teaching the arts along with science and math
Dec 3, 2013
Dr. Krishna Kumari Challa
http://thedailycougar.com/2013/12/03/lecture-links-science-arts/
Seminar syncs science, liberal arts
Professor and Chair of the Department of Health Sciences at DePaul University Craig Klugman broke the professional boundaries that divided science and art during a seminar for the Ethics in Science series on Monday.
“Humanity has put professions in specific categories,” Kulgman said, “where mathematicians can only be mathematicians and an engineer can only be an engineer. One of the things that I’ve documented is that the value of film and art and literature helps us become more comfortable with ambiguity. All these structures, these styles, these drawers, they’re artificial constructs. They don’t really exist; they’re just human beings that have decided these categories.”
“Understanding the validity between the (arts and sciences) helps us become more comfortable
Dec 4, 2013
Dr. Krishna Kumari Challa
Art could help create a better 'STEM' student
Science, technology, engineering and mathematics (STEM) have become part of educational vernacular, as colleges, universities and other institutions strive to raise the profile of the areas of study and the number of graduates in each field. Now a project from the University of Houston College of Education Urban Talent Research Institute encourages the incorporation of creative endeavors to attract more and better STEM students.
"When an artist is painting, he is trying to solve a problem -- how to express what is being felt. He experiments with colors, technique and images the same way a scientist or engineer experiments with energy and signals," he said. "There is more than one way information can be taught just like there is more than one way problems can be solved."
"Creative thinking and problem solving are essential in the practice of math and science," he said. "Incorporating art into math and science will not only help students become more creative and better problem solvers, it will help them understand math and science better."
http://esciencenews.com/articles/2013/12/03/art.could.help.create.a...!+Science+News+-+Popular%29
Dec 4, 2013
Dr. Krishna Kumari Challa
http://grist.org/cities/when-it-comes-to-climate-change-this-artist...
When it comes to climate change, this artist lets the trees do the talking
Dec 4, 2013
Dr. Krishna Kumari Challa
http://www.boiseweekly.com/boise/the-art-of-science-and-the-science...
The Art of Science and the Science of Art
Students at Foothills School of Arts and Sciences will demonstrate the fundamental link between art and science with "The Art of Science and the Science of Art," Thursday, Dec. 5, from 5:30-7:30 p.m., showcasing student projects that tie the two disciplines together.
Dec 5, 2013
Dr. Krishna Kumari Challa
Counterexamples in Origami
http://blogs.scientificamerican.com/roots-of-unity/2013/11/30/count...
Dec 5, 2013
Dr. Krishna Kumari Challa
Arts catalyst:
SAVE THE DATE: You are invited to the Opening night and Manifesto launch
Thursday 9 January, 6.30–8.30pm
Republic of the Moon
Agnes Meyer-Brandis | Katie Paterson | Liliane Lijn | Leonid Tishkov |
WE COLONISED THE MOON | Moon Vehicle
10 January-2 February 2014, open daily 11am-6pm
Bargehouse, Oxo Tower Wharf, South Bank, London SE1 9PH
Dec 6, 2013
Dr. Krishna Kumari Challa
http://www.scotsman.com/lifestyle/arts/visual-arts/edinburgh-s-wate...
Edinburgh’s water explored in art-science project
The project uses music and visual art as a vehicle for exploring the city’s environmental past and present, unearthing new sights and old stories in the observation of everything from reservoirs to culverts.
Dec 6, 2013
Dr. Krishna Kumari Challa
http://www.wildcat.arizona.edu/article/2013/12/art-helps-translate-...
Art helps translate science for masses
There is a River Road in Tucson, but not an actual flowing river. For most of the year the Rillito River is a dried-up wash, only full for a short period of time after a monsoon storm. The diminishing water table is extremely important to the city, but sometimes scientific jargon makes it difficult for people to understand why they should care.
That’s where art comes in.
Art, poetry and other creative forms of communication provide a unique way to connect with scientific information, creating mass appeal for the often esoteric labors of scientific research.
“My work deals a lot with bringing science and art together,” said Ellen McMahon, a professor in the School of Art and editor of the book “Groundwater.”
Dec 6, 2013
Dr. Krishna Kumari Challa
http://www.newhampshire.com/article/20131207/NEWHAMPSHIRE02/1312094...
Science, art combine for cancer fundraiser
Dec 8, 2013
Dr. Krishna Kumari Challa
http://www.huffingtonpost.com/john-m-eger/the-art-of-science_b_4320...
The Art of Science
Dr. Krishna Kumari Challa, scientist, artist, writer, poet, and designer based in India, has said, "Art and science ... are two sides of the same coin." While science is Dr. Challa's first love, art and literature are "life itself."
Dr. Challa, like many scientists see science as art and art as science and often inspired by each. Unfortunately, many others still see art and science as distinct and separate disciplines. Not unlike physicist-turned-novelist C.P Snow, who wrote over fifty years ago there are "two cultures".
http://www.huffingtonpost.com/john-m-eger/and-the-word-is-steam_b_4...
And The Word is STEAM
Dec 8, 2013
Dr. Krishna Kumari Challa
http://www.irishtimes.com/news/environment/when-worlds-collide-art-...
When worlds collide: art meets science in Dublin Bay
Projects between artists and scientists on the bay’s northern shore have shown how fruitful collaborations can be
Dec 8, 2013
Dr. Krishna Kumari Challa
http://felixonline.co.uk/arts/4196/scientific-sound-art-at-gv-art/
Scientific sound art at GV Art
Kamil McClelland talks to Mendel Kaelen, an Imperial PhD student whose artwork is on display in the GV Art Gallery in London
Dec 8, 2013
Dr. Krishna Kumari Challa
http://today.uconn.edu/blog/2013/12/physician-melds-art-and-science/
Long before he was a doctor, Dr. Joel Levine was a writer. He crafted poetry and short stories as a college student in the late 1960s, and his talent drew encouragement from teachers and readers alike. Levine largely set writing aside while he pursued a career in medicine. He earned his medical degree and went on to residencies and fellowships at Harvard Medical School’s Massachusetts General Hospital. Yet the desire to write remained with him.
Dec 8, 2013
Dr. Krishna Kumari Challa
http://www.charlotteobserver.com/2013/12/08/4519621/scientific-illu...
Art of science: Audubon sponsors atlas of Mecklenburg birds
The golden-crowned kinglet leans over a sketched-twig perch, his bright eye peering out from the page at his creator, Leigh Anne Carter.
Carter, 27, is a scientific illustrator, a member of a storied profession whose practitioners – from famous naturalists such as John James Audubon to modern-day illustrators at the National Geographic Society – convey scientific data through the grace and power of art.
Dec 10, 2013
Dr. Krishna Kumari Challa
http://www.fastcocreate.com/3023094/science-says-art-will-make-your...
Study Says Art Will Make Your Kids Better Thinkers (and Nicer People)
Dec 10, 2013
Dr. Krishna Kumari Challa
http://www.themonitor.com/life/article_6437fffc-610d-11e3-9e80-0019...
SURFACE TREATMENT: Quantum geometry as muse
SURFACE TREATMENT
What: Quantics: The Art & Science of Sebastián
Where: International Museum of Art & Science, 1900 Bicentennial
When: 9 a.m. to 5 p.m. Tuesday, Wednesday, Friday and Saturday; 9 a.m. to 8 p.m. Thursday; 1 p.m. to 5 p.m. Sunday; Through March 2, 2014
Contact: (956) 682-0123 or www.imasonline.org
Dec 10, 2013