Some considerations about stereoscopy applied in fine art

In previous discussions I have described the importance of expanding skills

in visual sense to develop in fine art.

I appeal to googel selection, which apply to hundreds of criteria, analyzing

texts and images that are on the Internet.

I experimented techniques for expanding skills in visual sense,

applicable also in stereoscopy.

An orientation appears to me posting:

  fine art sense stereoscopy (3D) images

 I obtained first place image:

from 390 000 results

 Relative to the drawings framed in a square:

PSYCHOPHYSICAL MIXTURE OF COLOURS    

Psychic response to the projection of different colours on the two retinas, known as "colour fusion". The response is fluctuating since one perceives now a colour, now another one. However, if lines or spots of the same colour are placed on differently coloured backgrounds, the psychic response is largely constant: a different colour with hazy nacreous hues seems to stand apart from the background. A cloisonné-like contour is the result of my bioptical experiments.

I am the author of this composition:

 L.Iliescu, Study M, 1987.Oil on cardboard, 65x90 cm

Fine art now appears to me, in culture, like a giant sphere that rotates

inertial, being a   dominant necessity,  but  leveling talented artists

who aspire to masterpieces.

    I experience stereoscopy hooking up with, binocular rivalry and fusion color,

  obtaining unique effects.

  Anyway my proposed techniques will lead to adjacent  and obviously can not substitute

 traditional targets of fine art.

  The experiments that I propose will highlight new targets and will create

  performing in visual communication.