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Science and Art - Bioptical Art

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Science and Art - Bioptical Art

Bioptical Art is taught here

Members: 65
Latest Activity: Jun 8, 2021

Bioptical art

Bioptical Art provides techniques to achieve artistic compositions applying three areas (known):
-Stereoscopy
- Binocular rivalry (right eye image, different
essential, to the left eye image, such as square and circle),
-Color fusion, Helmholtz (for example the right eye... red,
for the left eye... green or even black and white, what is perceived as silver)

Each area is described in detail in Google

Discussion Forum

Complements to subcortical discrimination, binocular rivalry, magnetic resonance

Started by Liviu Iliescu Apr 20, 2018. 0 Replies

Life itself is a beautiful interaction between art and science. You cannot escape this reality no matter what you say or do!                        Dr. Krishna Kumari Challa It is appropriate to…Continue

Complements to preliminary correction of optical systems and some observations related to acromatizations

Started by Liviu Iliescu Apr 2, 2018. 0 Replies

I'm still referring to the publication of the Institute of Applied Physics - Friedrich Schiller -  Universität Jena …Continue

Fine art compositions using binocular rivalry

Started by Liviu Iliescu. Last reply by Liviu Iliescu Mar 16, 2018. 1 Reply

Fine art compositions using binocular rivalry  Postfine art binocular rivalry   you will notice that the first page appears, after mentioning some publications that I share, and the recent…Continue

A thought about miracles

Started by Liviu Iliescu Mar 13, 2018. 0 Replies

A thought about miracles ife ...... man .. the immeasurable concentration of wonders .... science explains them gradually  for the benefit of man, by the grace that defines him ... even in terms of…Continue

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Comment by Milivoj Šegan on May 11, 2012 at 2:12pm

My photos,My matrial module TA-BE, the so-called one-sided surface weird a third dimension that goes from the third dimension to another, is visible in the shadows. This is the only form where the shadow figure gives the surface of the mantle from which it was created.? None and not just Euclidean characteristics is not, because the shadow does not reflect the character and geometry of the surface of the mantle. If anyone makes a form, which gives a figure of shadows and the approximate area of the mantle, let me be told, and the scientists too, besides the point. (-_-).? So I called him the Count, TA-BE, a complex semiotic sign in translation, Arise, My son (the author called the "platypus") (-_-)

Comment by Catherine sarah hislop on May 11, 2012 at 2:04pm

Comment by Milivoj Šegan on May 11, 2012 at 2:03pm

My digital work. perspective of the evolution of eye sockets of the skeleton that evolved cavities. Thus, the nature and habitat, changes in the so-called convex-concave categories, complementary pairs of mind and brain neurons. All the wave base, determine the experience of space and color of the skeleton, the cavity that has developed, evolved into an integral parts of the optic nerve and the cavity space, and the lens in the eye, concave-convex fracture categories in white light and nothing more. all. this is not art, but the so-called space of functions, not just the experience of other receptors for survival in the so-called central sphere of existence and man. To protect yourself, your brain out of his environment, the environment, nature, earth. Universe = Space
Conclusion: The perspective is not an element of visual illusions he misused the demagoguery and ideological reasons for the emergence of his time, 15th century, the Vatican, which since then suffocated in his art will be. The Renaissance began in Spain where she met with the East, knowledge, abandoned in the library of Toledo. Salvador Dali even misunderstood area, because it is two-dimensional space as a flat universe. The color is just light refraction in the lens of our eye, and also not be art, but an experience that we paint the awareness that the world is beautiful .. and of itself is not at all, just a reflection of the individual and his metabolism. As I am creative, science and art of interpretation in this case the game. commenting on the wrong facts from the knowledge of the science of the brain, and that art is not only an illusion of scientific method (-_-)

Comment by Liviu Iliescu on May 10, 2012 at 10:54pm

 

Dear Lucia Mesquita

To know the elements of Bioptical Art  and that is the evolution of my work in relation to Salvador Dali
I published the book.

Initiation into bioptical art: metavirtual images; Monitorul Oficial,   Bucharest, 2005, 87 pages. ISBN 973-567-472-6.
(in Romanian and English)
 
I have published the book on the Internet

Ctrl + click (link)

Manual

(see versiunea engleza)

L.I.

Comment by Liviu Iliescu on May 10, 2012 at 10:05am

Dear Lucia Mesquita

In my book. 

The Paired Off Visual Signal 2007, Monitorul Oficial, Bucharest,

            95  pages ISBN 978-973-0-05187-2.

page 10 .. 11 I write and reproduce:

 

Salvador Dali expresses his yearning for space by the extreme depths existing in his paintings. In Metamorphosis of Narcissus (Figure 2.5 (a)),  he places a man’s fingers in the foreground and barely recognizable figures in the distance. In the   seventies, he experimented stereoscopy as a corollary, creating  works such as Golden Fleece (figure 2.5  (b)). The compositions comprise two paintings in stereoscopic correspondence, placed at a distance, and a stereoscope (specially created by Roger de Montebello), to help obtain the spatial image. This scheme might be applied to introduce tests of binocular rivalry into plastic arts. I suggest other beneficial modalities.


Your compositions are interesting
and we view their transposition in Bioptical Art  I'll return after
I'll public drawings for, bioptical device 

See

2. Binocular rivalry and stereoscopy in bioptical art

8. About interpretations or exegeses by means of bioptics

Best regards 

Iliescu

 

Comment by Teri Power on May 9, 2012 at 4:06pm

As visual people i think it is important to show more images.  I am having trouble understanding where this conversation is going.  Images as example may be very useful.  A short desciption with the images is important as well. The images shown so far stand alone and while beautiful and interesting it isn't coming together for me.

Comment by Liviu Iliescu on May 7, 2012 at 12:53pm

 Dear Lucia Mesquita Bleasby

Thank you for:

special techniques designed to broaden perception in painting and sculpture.
I hope we will collaborate in developing bioptical compositions, I
participate with technical information.

 

Comment by Liviu Iliescu on May 7, 2012 at 12:36pm

Dear Mrs. Dr. Krishna   Kumari Chall 
I associate the mark, wisdom (intellectio), the way you designed
network.
This can be expressed the seemingly humble idea, and on the other hand an impressive oriented by emotionality.
I thank you

Comment by Dr. Krishna Kumari Challa on May 7, 2012 at 5:10am

A message from Liviu Iliescu to all members of Science and Art - Bioptical Art on ART LAB!

Please visit my blog:
Bioptical Art ; a possible continuum, literature and fine art?
and communicate observations for me to avoid aspects that are not explicit.
To what extent were you able to observe, bioptical effects? It ispossible for me to intervene gradually so that you to observe the effects, such as:

Psychophysical mixture of colors, retinal cooperation, antispace in art, spatial harmony, bispace in art, psychic cycle, dynamics of space depth, spatial disharmony, hyperrealistic effects, hiatus in art, visual gradient, hyperspace in art, field binocular rivalry.
Some of these have not been experienced by humans yet.
The man is confronted for the first time with some of these effects.
Some people who have look normal, not aware than some of the effects.
In some cases it takes training to acquire skills of awareness.

Comment by lucia mesquita bleasby on May 6, 2012 at 11:54pm

 

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