Science, Art, Litt, Science based Art & Science Communication
And the attention of Professor Randolph Blake and Professor Robert P. O'Shea.
These teachers have developed a prodigious scientific activity theme, Retinal Rivalry consolidated in the nineteenth century.
Thus under the new name of Binocular Rivalry (most appropriate) have largely conribuit that their research will lead to the definition of a new chapter Neuroimaging.
I consider it appropriate to introduce something from my attempts to deduct,
from themes binocular rivalry and color fusion applications for Fine Art in generous hosting Art Lab Dr Krishna.
It's about what we know, the need for physical life to
intervene to balance positive affectivity through educational means.
It seems that in my studies, as well as others who have similar interests,
artistic effects occur subtle psychological influence that humans communicate directly, science then intervening to benefic fructify.
I quote, in this sense, the book of JP Sartre.
Sketch for a Theory of the Emotions / Esquisse d'une théorie des émotions (1939)
I as a specialist I worked for over 50 years, applying binocular rivalry in fine art
Thus I did managed to establish techniques for making composition using phenomena, especially those that appear in colored fusion junction.
I present below examples.
in the remark section (link):
I have the pleasure to communicate you some data for the types of compositions that I use,
tests of binocular rivalry and fusion colored, with the hope that it can benefit from your expertise.
The aim is to use these images in visual psychotherapy.
To enter ways of using, binocular rivalry in visual therapy would be desirable
to stimulate creation for talented artists to relize efficient compositions.
I think the scientific indications that result from the synthesis that you (or collaborators)
can help them do substantial increase efficiency.
Maybe it would be desirable to start with a group of students.
I'm offering to give technical explanations, disinterested material. I'm old age
but can support interactive ways to make possible the transmission of technical,
information for techniques that otherwise would be lost.
My techniques do not contain digital programs.
I feel like playing stereoscopic space elements is necessary
to be done manually, according to the rules and not using digital programs that
often produce alienation of artistic emotion.
I think of the artistic activities with the direct participation of the artist, second by second,
so always carrying his creation to be confirmed by his own artistic sensibility.
I think that freedom of action (free will elementary) must be permanently surveillance for
own artistic sensibility.
To check my proposals by specialists have applied for a patent for invention which I aordat.
We concluded that these types of images can work in some psychiatric
similar surgical interventions.
See an excerpt from my publication:
For the approval by experts my proposals I have resorted to getting a
Thus we obtained the patent (link):
CABINET PENTRU PSIHOTERAPIE VIZUALA
CABINET FOR PSYCHOTHERAPY VISUAL
7 figures, total 15 pages
published on 30.03.2007, declare that can be used free of charge.
In these offices propose to use and images
developed causing me Dioptical-bioptical Perceptions.
Draw attention to a type of image resulted from my research
an image type which I claim:
The settlement on the vertical the components can be observed with
On cross-eyed observation is obtained from the square image
a color fusion stable for distant tones (red, blue)
The colors red, blue, not used here playing space
but getting color fusion
Year of Publication 1987
Liviu Iiescu; Bioptical painting, "Science and Technology"
(Bucharest), no 8-9, 1987.
Liviu Iliescu Bioptical Art - training of bioptical vision, Crater, Bucharest, 1998
148 pages. ISBN 973-9029-37-X.
PSYCHOPHYSICAL MIXTURE OF COLOURS Psychic response to the projection of different colours on the two retinas, known as "colour fusion". The response is fluctuating since one perceives now a colour, now another one. However, if lines or spots of the same colour are placed on differently coloured backgrounds, the psychic response is largely constant: a different colour with hazy nacreous hues seems to stand apart from the background. A cloisonné-like contour is the result of my bioptical experiments.
Another example: Liviu Iliescu- study G
Liviu Iliescu, sketch, test the cross-eyed look.
Sketch were you can see glimpses that certifies on the one hand limits the phenomenon
Color Fusion, and on the other side and limits the phenomenon of Binocular Rivalry
For documentary posts and keywords:
fine art sense