Science, Art, Litt, Science based Art & Science Communication
Q: We have beautiful high mountains, water falls.
Attractive flowers and birds. Alluring valleys. Green trees.
This is like some supernatural being painted a charming picture.How do you explain this miracle?
Can you prove science is responsible for all this?Without trying to evade, answer my Q directly.
Krishna: This looks like a creationism Vs evolution debate. Alright.
If you imagine some supernatural power is responsible for all these things, it is your theory, your baby, you have to bring it up and prove it. You cannot ask others to bring up your baby. You cannot ask me to disprove it.
Anyway, I won't evade this Q. A scientist should see things exactly as they are and describe them correctly. But do you have the courage to consider my reply and accept it without any bias? Let me find out.
Yes, science is responsible for all the beauty in this universe. Let me show you now how.
Beautiful mountains : Mountain formation refers to the geological processes that underlie the formation of mountains. These processes are associated with large-scale movements of the Earth's crust (tectonic plates). Folding, faulting, volcanic activity, igneous intrusion and metamorphism can all be parts of the orogenic process of mountain building. Movements of tectonic plates create volcanoes along the plate boundaries, which erupt and form mountains. These are called volcanic mountains.
When plates collide or undergo subduction (that is – ride one over another), the plates tend to buckle and fold, forming mountains. Most of the major continental mountain ranges are associated with thrusting and folding or orogenesis.
The world's tallest mountain ranges form when pieces of Earth's crust—called plates—smash against each other in a process called plate tectonics, and buckle up like the hood of a car in a head-on collision. The Himalaya in Asia formed from one such massive wreck that started about 55 million years ago.When a fault block is raised or tilted, block mountains can result. Higher blocks are called horsts and troughs are called grabens. A spreading apart of the surface causes tensional forces. When the tensional forces are strong enough to cause a plate to split apart, it does so such that a center block drops down relative to its flanking blocks.
Unlike orogenic mountains there is no widely accepted geophysical model that explains elevated passive continental margins such as the Scandinavian Mountains, Eastern Greenland, the Brazilian Highlands or Australia's Great Dividing Range. Different elevated passive continental margins most likely share the same mechanism of uplift. This mechanism is possibly related to far-field stresses in Earth's lithosphere. According to this view elevated passived margins can be likened to giant anticlinal lithospheric folds, where folding is caused by horizontal compression acting on a thin to thick crust transition zone (as are all passive margins).
Several movements of the Earth's crust that lead to mountains are associated with faults. These movements actually are amenable to analysis that can predict, for example, the height of a raised block and the width of an intervening rift between blocks using the rheology of the layers and the forces of isostasy.
Find out more :
Some hang; others are hollow. They all take the form of a "U" or "V."
Rivers and streams make most primary valley cuts, carving steep-walled sides and a narrow floor that from afar looks like the letter "V." The gradient of the river—how quickly it drops—helps define the steepness of the sides and the width of the floor. Mountain valleys, for example, tend to have near-vertical walls and a narrow channel, but out on the plains, the slopes are shallow and the channel is wide.
As waters wind toward the sea, they add to natural twists in the land by stripping sediment from the outsides of bends and dumping it on the insides. The bulk of the rock and dirt is dredged from the bottom of the channel, a process called down cutting that can ultimately lead to deep, slender chasms
Some river and stream valleys, especially those in the mountains or located near the North and South Poles, are transformed by glaciers.
The massive blocks of snow and ice slowly creep downhill where they will meet the least resistance: valleys already cut by rivers and streams. As the glaciers ooze, they pick up rocks and grind away at the valley floor and sides, pressing the "V" into a "U." When the glacier melts, a U-shaped valley marks the spot where the snow and ice once flowed.
Side valleys are formed by tributaries to streams and rivers and feed the main stem. Where the main channel is carved deeper than the tributary, as commonly occurs during glaciations, the side valleys are left hanging. Waterfalls often cascade from the outlet of the upper valley into the drainage below.
Flowers inherit their appearance from genes. Pigments are “born” into these plants, producing a range of colors across the spectrum. The same chemical, carotenoid, that produces pigment in tomatoes and carrots, also produces yellow, red, or orange color in certain flowers. These colours attract other organisms that help in pollination.
They are used to attract possible mates. Colors and patterns help birds identify their own species. Colors can help birds hide from predators by camouflaging them. Colors are used to attract attention when courting . Colors are used to attract attention when trying to distract predators.
Colours give butterflies camouflage, which helps them avoid hungry predators. It is an evolutionary process ( and the survival of the fittest).
Growing butterflies are unable to move and in danger of being eaten or parasitized. So they take beautiful colour advantage: Adult butterflies also use color to their advantage—not only to blend in but also to warn.
For instance, the adult monarch sports a bright orange color and distinctive pattern, a red flag to potential predators that it's distasteful and toxic.
Another species called the viceroy has even evolved to mimic the monarch's appearance so that predators keep their distance.
The blue morpho butterfly of the Central and South American rain forests. This insect's strikingly blue wing color "is used to communicate among butterflies, so they'll display it when they're courting or mating. Underneath the wing is a dull brown decorated with fantastic eyespots, which alarm and confuse predators.
As for how we humans perceive those brilliant butterfly colors, it depends. Some color we see is the insect's true pigment, and some is structural, or the way light reflects off a surface.
When you see blue, purple, or white on a butterfly, that's a structural color, while orange, yellow, and black are pigment.
The nanostructure of the chitin, or wing scale affects what light is reflected and how it's reflected.
This is what makes butterfly wings iridescent—the quality that makes them change color according to the angle from which you look at them.
The diet of some caterpillars affect their colours: paper kite caterpillars eat to turn the chrysalis golden.
The diet of the caterpillar doesn't affect the hue of the paper kite chrysalis, though it does affect the chrysalis color of other species.
Plant-derived chemicals called flavonoids—which differ in leaves, flowers, and seeds—can influence chrysalis color.
The zebra swallowtail, for example, feeds on the leaves of plants of the Asimina family—and has a leaf-green chrysalis.
The poet also says, producing music in a flute is a wonderment.
Is it? We know how music is produced in a flute. With the help of flute acoustics.
The flutist blows a rapid jet of air across the embouchure hole. The pressure inside the player's mouth is above atmospheric (typically a few tens of kPa: enough to support a few tens of cm height difference in a water manometer). The work done to accelerate the air in this jet is the source of power input to the instrument. The player provides power continuously: in a useful analogy with electricity, it is like DC electrical power. Sound, however, requires an oscillating motion or air flow (like AC electricity). In the flute, the air jet, in cooperation with the resonances in the air in the instrument, produces an oscillating component of the flow. Once the air in the flute is vibrating, some of the energy is radiated as sound out of the end and any open holes. A much greater amount of energy is lost as a sort of friction (viscous loss) with the wall. In a sustained note, this energy is replaced by energy put in by the player. The column of air in the flute vibrates much more easily at some frequencies than at others (i.e. it resonates at certain frequencies). These resonances largely determine the playing frequency and thus the pitch, and the player in effect chooses the desired set of resonances by choosing a suitable combination of keys. In this essay, we look at these effects one by one.
https://newt.phys.unsw.edu.au/jw/fluteacoustics.html
Koel ( birds) singing without a teacher is a wonder.
NO, not at all! We know how this happens.
Birds learn to sing in much the same way humans learn to talk: by listening to, and then imitating, the vocal sounds of their elders. Of course, those sounds rarely come out right the first time, but a fledgling's sense of hearing can tell her just how off the mark she is. If a note is too low, she’ll know to whistle it higher next time, and that feedback helps birds (and us) learn how to communicate.
Scientists have conducted experiments to understand how birds learn to sing.
For the study, scientists at Emory University and the University of California, San Francisco altered the auditory feedback of six male Bengalese finches by playing back, in real-time, an altered version of the birds’ own sounds.
During several two-week experiments, the scientists used audio processing equipment to shift the pitch of the finches’ vocal sounds by a set amount. In some of the experiments, the scientists shifted the pitch down by just a fraction of a tone–if the birds sang a C, for example, the tiny headphones over their ears would play back a tone halfway between a C and a C flat.
In other experiments, the pitch-shift was much larger, so that the birds might sing a C and hear, through its auditory feedback, a B:
Surprisingly, the researchers found that the finches made larger adjustments to their singing when they listened to slightly altered versions of themselves than when the pitch shift was large:
How Bengalese Finches Change Their Tune
As the chart shows, when the finches heard their singing downshifted by just 1/2 semitone, they up-shifted their voices by almost the same amount to correct for the imposed error. But when the alteration was much greater, the birds made little adjustment to their singing.
In addition, the researchers detected a mathematical relationship between the birds’ songs and their ability to correct for errors: The more the musical range of the altered songs overlapped the range of the finches’ original tunes, the more the birds adjusted their singing to compensate for the shift:
But when the researchers altered the pitch so much that there was no overlap between the ranges of the original and processed songs, the birds did not learn to adjust their own tunes.
The upshot is the more minor the mistake, the better a bird is at correcting it. Thus birds can fine-tune their vocal instruments until they become the superb singers we know them to be.
https://www.popsci.com/science/article/2012-12/how-birds-learn-sing....
And the beauty of a woman is a wonder. Really?
The old adage, “Beauty is in the eye of the beholder, " may be true, a universal definition of attractive cannot be denied. Which characteristics must a person possess to be considered beautiful or attractive?
The criteria for beauty according to scientists and researchers comes down to symmetry and health. A beautiful face exhibits perfect symmetry. One side mirrors the other. Think proportionate when it comes to the body and face. The eyes should be proportionate to the head and face.
Scientists are also learning that there may be a practical side to our obsession with beauty. A pretty face may belong to a healthier person. Or it may simply be easier for our brains to process.
Males prefer a shapely feminine body with correct bust-to-waist-to-hip ratio.
But conditioning of mind too makes you look at beauty in a different way. Beauty is considered differently in different cultures. Are we born with a preference for certain kinds of faces? Or is it just something that people learn, without realizing it?
Scientific studies suggest that people prefer pretty faces very early in life. By the time researchers test infants, they already have experience with faces. That experience can make a difference. Research conducted found that babies’ brains are better at processing faces from their own people. So infants quickly come to prefer these faces. It’s well-known in psychology that familiar things are more attractive. Perhaps average faces are more attractive because they seem more familiar.
Research findings show how biology and the environment work together to shape our values.
On the whole a healthy woman is considered as beautiful because healthiness is a sign of reproductive capabilities.
Research shows that people with more symmetrical faces don’t just look nice. They also tend to be healthier than asymmetrical people. Genes provide the instructions for how a cell is to perform. All people have the same number of genes. But people with more average faces tend to have a greater diversity in the genes they are born with. And that, research has shown, can lead to a stronger immune system and better health.
Scientists have found similar links between “beauty” and health in other animals too. This preference for beauty may help us find healthy mates.
https://www.sciencenewsforstudents.org/article/what-makes-pretty-face
In humans it occurs when an odour binds to a receptor within the nasal cavity, transmitting a signal through the olfactory system. Glomeruli aggregate signals from these receptors and transmit them to the olfactory bulb, where the sensory input will start to interact with parts of the brain responsible for smell identification, memory, and emotion.
Rain water is a wonder as it comes from seawater but doesn't taste the saltiness of the latter.
The salt of the sea will not evaporate with the water and so, the rain water should taste clean. However, Carbon dioxide in the air dissolves into rainwater, making it slightly acidic.
Rainwater gets its compositions largely by dissolving particulate materials in the atmosphere (upper troposhere) when droplets of water nucleate on atmospheric particulates, and secondarily by dissolving gasses from the atmosphere. Rainwater compositions vary geographically. In open ocean and coastal areas they have a salt content essentially like that of sea water (same ionic proportions but much more dilute) plus CO2 as bicarbonate anion (acidic pH). Terrestrial rain compositions vary siginificantly from place to place because the regional geology can greatly affect the types of particulates that get added to the atmosphere. Likewise, sources of gaesous acids (SO3, NO2) and bases (NH3) vary as a function of biome factors and anthopogenic land use practices. Each of these gasses can be added in varying proportions from natural and non natural input sources (non-natural sources of SO3 and NO2 far outweigh natural ones). Particulate load to the atmosphere can also be greatly affected by human activities. Finally, local climate (especially the amount of precipitation in one area compared to another) will affect the solute concentrations in terrestrial rainwaters. The result is highly variable compositions, so there isn't one simple formula.
https://www.soest.hawaii.edu/GG/ASK/rain2.html
Fireflies are a wonder because they don't have a connection to electricity: Hmmm! This poet didn't hear about Bioluminescence!
I wrote on this too.
Read about it here: https://kkartlab.in/group/some-science/forum/topics/the-magic-of-bi...
It took millions and billions of years of evolution and development to come to this stage of the situation. No power created this in a few seconds or days. We have strong evidence in this regard.
Nothing, almost nothing is a wonder to me. Because I can understand everything with the help of science!
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